10 Worst Movies of 2020

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And now for the 10 Worst Movies of 2020.

Just like with by Top 10 Best Movies List, this year’s list comes with a giant asterisk, thanks to COVID-19 closing movie theaters across the country. While I have continued to review movies throughout the year, they have been on streaming and OnDemand services, and so without national theater chains to provide the same movies for all of us, a lot of movies I saw this year, you may not have, and vice versa.

Okay, now that that is out of the way, let’s get to the list:

10. EMMA

This one doesn’t really belong on a Worst Movies List, but as I rank all the movies I see throughout the year, it did happen to fall 10th from the worst. This elegant version of Jane Austen’s novel is simply a colossal bore, pure and simple. Looked great, but the script and characterizations put me to sleep. Stars Anya Taylor-Joy in the lead role as Emma, and she’s much better in the current and superior Netflix TV show THE QUEEN’S GAMBIT (2020). The film also wastes the usually reliable Bill Nighy. One of the few movies this year I saw on the big screen. Still didn’t help.

9. COFFEE & KAREEM

Forgettable Netflix buddy comedy starring Ed Helms. So forgettable not even worth mentioning!

8. THE RHYTHM SECTION

I love Blake Lively, but this was a really stupid action movie that not even Lively could save. She plays a woman who learns that the plane crash that killed her family wasn’t an accident, and so she…with no prior experience… decides to learn how to become an international assassin to make the terrorists responsible for her family’s death pay. Yup. That’s believable. Her trainer, played by Jude Law, is so good at what he does that she becomes the female equivalent of Jason Bourne and wipes the floor with these terrorists all rather easily. The film tries for an ATOMIC BLONDE (2017) vibe, but the plot is too dumb for it to pull it off.

7. WONDER WOMAN 1984

Where to start with this one? There are so many ways that this sequel is awful. For starters, it’s everything the original WONDER WOMAN is not. I didn’t even enjoy Gal Gadot’s performance as Wonder Woman. But the biggest culprit is the script, and a plot built around a relic that… wait for it…. grants wishes! That’s right, Aladdin, you wish it, and it can happen! Heck, that’s how this story brings back a deceased character from the first movie, played by Chris Pine. No basis in reality. Instantly one of the worst DC superhero movies of all time.

6. SPENSER: CONFIDENTIAL

Another Netflix clunker. This time it’s Mark Wahlberg playing Boston private detective Spenser from the Robert B. Parker novels, only the film changes everything about the characters, and tries to turn this into a comedy. So, not only will Spenser purists be disappointed, but so will those of us who like a good comedy, since it’s not funny at all. You know things are bad when not even Alan Arkin can make you laugh!

5. THE TURNING

Forgettable horror movie starring Mackenzie Davis and Finn Wolfhard, loosely based on Henry James’ novel The Turn of the Screw. Turn this one off.

Betty Gilpin as Crystal in “The Hunt,” directed by Craig Zobel.

4. THE HUNT

A lot of folks liked this one, a dark action thriller about a group of liberals who are hunting human prey, folks they view as right wing low lifes. Stars Betty Gilpin as the one victim who won’t quit, and yes, she is very good and the best part of this movie. But for me, the rest of this film was a misfire from start to finish.

3. LIKE A BOSS

Another unfunny comedy, this one starring Tiffany Haddish and Rose Byrne as friends sparring with villainess Salma Hayek over a beauty company. Very few laughs here, making it a chore to sit through.

2. WASP NETWORK

Netflix film about Cuban spies in the United States completely wastes the talents of Edgar Ramirez, Penelope Cruz, Wagner Moura, and Ana de Armas. Features the most uneven script of the year, with characters appearing and then disappearing for long chunks of time. Fails to build any kind of momentum. Probably the dullest movie I watched all year.

THE BABYSITTER: KILLER QUEEN
  1. THE BABYSITER: KILLER QUEEN

My pick for the worst movie of 2020 is THE BABYSITTER: KILLER QUEEN, a testament as to why you shouldn’t make a sequel just for the same of making one. A sequel to the clever and lively horror/comedy THE BABYSTTER, this flick isn’t funny, isn’t scary, and isn’t enjoyable in the least. Terrible script. By far, the movie I enjoyed the least this year.

And there you have it, my list of the 10 Worst Movies I saw in 2020.

Okay, on to 2021!

Thanks for reading!

—Michael

WASP NETWORK (2020) – Story of Cuban Spies Suffers From Horrible Pacing, Disjointed Narrative

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wasp network

It’s the pacing, stupid.

I wanted to see WASP NETWORK (2020) because I enjoy most of the actors in it.

Edgar Ramirez was excellent in HANDS OF STONE (2016), ¬†where he played boxer Roberto Durant in a movie that didn’t receive much love but I liked a lot.

Wagner Moura knocked it out of the park as Pablo Escobar on the TV show NARCOS (2015-16), and Ana de Armas has been showing up everywhere these days and making lasting impressions in nearly every film she’s in, from BLADE RUNNER 2049 (2017) to KNIVES OUT (2019). She co-starred with Edgar Ramirez in HANDS OF STONE, and with Wagner Moura in SERGIO (2020), a film I reviewed several weeks back that I liked much more than WASP NETWORK. And she was in THE NIGHT CLERK (2020) another movie I just reviewed, and she’s slated to star in the next James Bond movie NO TIME TO DIE (2020).

And the movie also stars Penelope Cruz.

WASP NETWORK actually tells a very interesting story about Cuban spies who infiltrate the United States to thwart the efforts of other Cubans in the U.S. who are working to overthrow Castro but don’t care how they do it, often dealing with drug dealers and terrorists. So, the film actually has a pro-Castro slant since the protagonists in this one are working to keep Castro in power. Which is an interesting take on the subject of Cuba-U.S. relations.

However, it is all undone by some absolutely horrible pacing and one very sloppy narrative style.

WASP NETWORK opens with Rene Gonzalez (Edgar Ramirez) defecting from Cuba to the United States, leaving his wife Olga Salanueva (Penelope Cruz) and young daughter behind. Settling in Florida, he joins a group of Cuban resistance fighters whose outward mission is to assist fellow Cubans who want to enter the United States but who are secretly working behind the scenes to end the reign of Fidel Castro. The first thirty minutes or so of the movie tell Rene’s story.

Then the action switches to Juan Pablo Roque (Wagner Moura) who also defects from Cuba and who also joins the same group Rene did. Juan Pablo also meets and falls in love with Ana Magarita Martinez (Ana de Armas) who he eventually marries. The second thirty minutes of the movie tells Juan Pablo’s story.

So, the first hour of the film, while slow, is at least coherent, as we are introduced to two similar characters in similar situations, and when they meet, the stage is set for the story to go somewhere. Unfortunately, where it goes and how it gets there is a major disappointment.

See, we are introduced to a third character, Jose Basulto (Leonardo Sbaraglia) who we learn runs a Cuban spy ring which is secretly working to thwart the efforts of the group that Rene and Juan Pablo work for, and furthermore, out of the blue we also learn that Rene and Juan Pablo are actually part of this group of spies working for Basulto.

So, as stories go, again, there’s nothing wrong with this one, but there is something very wrong with the way it unfolds. The number one problem is the pacing. The first hour of the film is exceedingly slow, but this can be forgiven because at least a couple of interesting characters are being introduced.

But during the film’s second half, the pacing issues do not improve. In fact, they get worse. Furthermore, there’s the added element of a bizarre narrative style that sinks this one long before the end credits roll, and with a running time of two hours and seven minutes, that’s a long time to sit through a film that clearly is not working.

Director Olivier Assayas can’t seem to focus on more than one character at time. The story is told in chunks, each chunk on one character, and so folks in this movie tend to disappear for long stretches. Two thirds of the way through there’s also a montage which comes out of nowhere which introduces the members of the Wasp Network. The only trouble is, we never see these folks again until we learn their fates just before the end credits roll, as the only Wasp Network members the movie focuses on are Rene, Juan Pablo, and Jose Basulto. It’s a bizarre moment that doesn’t fit at all with the rest of the movie.

Assayas also uses camera fades way too often, making for a disjointed narrative. He used them with greater success in the underrated ghost story flick PERSONAL SHOPPER (2016) starring Kristen Stewart, a film I liked a lot.

The screenplay by Assayas and Fernando Morais struggles to tell a coherent story, which is too bad because as stories go it’s an intriguing one on a subject I wanted to learn more about. But it fails on all levels. The dialogue is sleep-inducing, the narrative is poorly executed, and the characters remain low-key and lifeless throughout.

Not even a cast of actors whose talents I enjoy were able to save this one. Penelope Cruz probably fares the best as Rene’s long suffering wife who never really leaves his side, even though they spend most of the movie separated from each other. But her best scenes don’t come until the latter half of the movie.

Edgar Ramirez is fine as Rene, in what is the closest role the film has to being a lead, but it’s role that is not fleshed out satisfactorily enough. Things are even worse for Wagner Moura as Juan Pablo. His character is not developed at all, and while Moura channels charm and charisma in the role, it’s all for not.

And Ana de Armas is reduced to an unimportant supporting role, and her character pretty much disappears for the entire second half of the movie.

WASP NETWORK was filmed in 2019 by the way but was only released in June 2020.

WASP NETWORK was a major disappoint for me, mostly because I’m a story guy, and the story told here was done so very sloppily and without any sense of pacing.

Instead of watching WASP NETWORK, I suggest you defect to another movie choice.

—END—