Worst Movies of 2021

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Welcome back! As promised, here is my list of the Top 10 Worst Movies of 2021.

As I did with my Best Movies List, I’m placing an asterisk next to this one, as once again, the pandemic has prevented trips to the movie theaters from being a safe activity, and so with this in mind, I know we haven’t all seen the same movies since we are not all heading out to the movie theaters to see the same national releases. I know there are plenty of movies I missed this year.

Okay, let’s get on with it. Without further hesitation, here is my list of the Top 10 Worst Movies of 2021:

10. CRY MACHO – probably the dullest movie I watched all year. Clint Eastwood directs and stars in this tale of a former rodeo star (Eastwood) who goes to Mexico to bring back his boss’s teenage son to the States, and along the way, the two form a bond in this underwhelming buddy movie. While I am in awe of Clint Eastwood, who at 91 years old, is still making quality movies, the story here in CRY MACHO doesn’t do him any favors. The storytelling is muddled, and Eastwood seems to be playing a character who is much younger than 91, although the script never makes this clear. Not much to like about this one, even for Eastwood fans.

9. FEAR STREET: PART TWO – 1978 – Yeah, I know. For a lot of folks, this second installment in the Netflix FEAR STREET horror movie trilogy was the best of the lot, but for me, it was the worst. Each part served as an homage to a particular horror movie genre, and here in FEAR STREET: PART TWO – 1978 that genre is the FRIDAY THE THIRTEENTH movies. I’m going to ruffle more feathers here as well when I say honestly that I’ve never liked the FRIDAY THE THIRTEENTH movies and have found them all to be particularly bad. FEAR STREET: PART TWO does a nice job capturing the feel of these movies, but at the end of the day, it’s yet another variation of teenagers at a summer camp being slaughtered in the most unrealistically gruesome of ways. If that’s your cup of tea, you probably love this movie. But it’s not mine. I prefer intelligence in my horror.

8. GODZILLA VS. KONG – Again, this is one that a lot of people really liked, but for me, even as a fan of giant monster movies, especially King Kong movies, and Godzilla movies as well, this one was simply bad. I find it difficult to understand why this movie has so many fans when its script is so weak. The human characters are all forgettable, the situations unrealistic and uninspiring, and the dialogue is pretty poor. So, all you have left are the giant monsters in combat. And even those scenes didn’t do much for me. I know the argument is out there that that’s how the old Toho Godzilla movies all were. That’s a fair argument, up to a point. What always saved the Toho films was that Godzilla and his friends all had personality. The monsters in these modern-day versions do not. Plus, movies like KING KONG (1933) and THEM! (1954) did have superior scripts. These new giant monster movies do not. Instead, the modern-day giant monster movie (mostly Godzilla and Kong these days) has been reduced to special effects only, without any interest in creating any kind of a story worth telling.

7. COMING 2 AMERICA – the original COMING TO AMERICA (1988) starring Eddie Murphy and Arsenio Hall was very funny. This sequel, in spite of the return of Murphy and Hall, is not. Next movie…

6. TYGER TYGER – this was a movie that I fully expected to like, because it was so different and quirky, with a sense of style that I thought would make it a winner. But this tale of a pair of selfless robbers who kidnap a drug addict before they all find themselves hiding out in a bizarre psychedelic city is probably better enjoyed when you’re high! Seriously! The longer this one went on, the less sense it made, and by the time it was all over, it largely had become a wasted opportunity. No pun intended!

5. THE LITTLE THINGS – in spite of the presence of Denzel Washington, Rami Malek, and Jared Leto this one just doesn’t work. Washington plays a former detective who’s called in to help with a serial killer case, and the character he plays is known for spotting the little things others miss in these cases. Trouble is, the script barely shows him doing this. Malek plays the hotshot detective who calls in Washington for help, but the choices he makes throughout the movie make him seen anything but a hotshot detective. And Leto plays the man they suspect is the serial killer. This one should have been awesome. Instead, it’s a muddled meandering tale that gets worse as it goes along with a particularly weak ending.

4. WITHOUT REMORSE- With a script by one of my favorite screenwriters, Taylor Sheridan, I fully expected to like this adaptation of a Tom Clancy novel, but instead it proved to be Sheridan’s first real misfire. Michael B. Jordan plays an elite Navy Seal who’s gone rogue to solve the murder of his wife, only to find— of course— that it’s all part of a larger conspiracy. What. A. Surprise. Yawn.

And now, the drum roll please. Here are my Top 3 Worst Movies from 2021:

3. SWEET GIRL -Hands down, the worst action movie of the year. Jason Momoa plays a man who vows revenge against a pharmaceutical company after its “business decision” pulled a drug from the market which could have saved his terminally ill wife. So, hubby goes insane and plots to kill the heads of this company, who, while they are undesirable, probably don’t deserve to be killed. So, there’s that initial problem. But wait, there’s more! There’s a larger conspiracy! Of course, there always is. Plus, Momoa’s character against his better judgement is constantly bringing his teenage daughter with him and training her to protect herself and be an assassin vigilante like him… and then, thanks to a bizarre plot twist, his character disappears from the second half of the movie. So, yes, you have an action film headlined by Jason Momoa, that halfway through ditches its star. Ugh.

2. MADRES – the worst horror movie of the year. This tale of a Mexican American couple who move to a new community in 1970s California that seems to have a weird sinister secret involving pregnant women, doesn’t know how to get out of its own way. The film aims for a ROSEMARY’S BABY (1968) and THE STEPFORD WIVES (1975) vibe but fails on both counts. This one is based on true events, and its reveal at the end is actually very good, but the problem is the film tries so hard to hide this reveal with a supernatural tale that is so lame it makes the movie completely ineffective. Had the filmmakers chosen to focus on what this film is ultimately about, it would have been a far darker, more memorable movie.

And now, drum roll please, the Worst Movie of 2021:

1. THUNDER FORCE – by far, the worst comedy of the year. Melissa McCarthy plays a woman who inherits superpowers thanks to her scientist friend played by Octavia Spencer. They then take on the world’s supervillains. Should have been funny. But it’s not. Jason Bateman fares the best as a supervillain known as The Crab. Written and directed by McCarthy’s husband Ben Falcone.

And there you have it. My picks for the Top 10 Worst Movies of 2021. Now, let’s move on to 2022.

As always, thanks for reading!

—Michael

TYGER TYGER (2021) – Drug-Induced Love Story Example of Style Over Substance

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TYGER TYGER (2021) is a perfect example of style over substance.

The film is beautifully shot by writer/director Kerry Mondragon and features a frenetic style that is both captivating and mesmerizing. Visually, this movie commands attention.

But in terms of story? That’s an entirely different matter all together.

In TYGER TYGER, a young woman Blake (Sam Quartin) and two of her friends rob a pharmacy for drugs. There is an unnamed pandemic wreaking havoc across the world, and Blake and her friends are stealing the drugs in order to distribute them to people who need them. During the robbery, a young man Luke (Dylan Sprouse) attempts to escape but is stopped, and when he is confronted by Blake, they share a moment. Later, Blake and her mute friend Bobby (Nekhebet Kum Juch) kidnap Luke in order to give him the prescription they stole from him during the robbery, but it turns out Luke is a drug addict who was selling the drugs.

The three of them then travel to a bizarre town where they are supposed to meet the contact who will distribute the drugs for them. But finding this person proves to be an ordeal, since the town is occupied by people who are either on drugs or wanting them.

That’s the plot of TYGER TYGER, and it actually sounds better here than it is. When the film opens, with the robbery scene captured with kinetic camerawork, there’s a vibe that is reminiscent of GOOD TIME (2017) and UNCUT GEMS (2019), two exceptional movies by writer/directors and brothers Benny Safdie and Josh Safdie. Those films both contained insane frenetic stories and camerawork, and the suspense and stress levels were off the charts as the films progressed. That’s not the direction taken by TYGER TYGER, which is more concerned with the relationship between Blake and Luke than its drug storyline. It’s basically a drug-induced love story.

Now, if there’s one thing that TYGER TYGER does well, is it definitely takes the viewer on a ride into a drug filled world, and the result is you really feel as if you are high as a kite and hallucinating while you are watching this flick. The whole thing plays out like a drug induced dream, which in fact, ultimately it is.

But for a story guy like me, the lack of a strong narrative here doesn’t do this movie any favors and really prevented me from liking this one all that much. Again, style over substance.

So, Kerry Mondragon scores higher as a director than a writer here. The film is a visual triumph, but its story struggles to get off the ground.

It also has a good cast. Sam Quartin is easily likable as the selfless thief who robs only to give to those in need. Her feelings towards Luke also come off as natural and real.

Dylan Sprouse is solid as Luke, the drug addict who Sam falls for. He also carries with him the poem “The Tyger” by William Blake, which is what the film’s title TYGER TYGER refers to. And Nekhebet Kum Juch shines as the quirky and sad mute Bobby.

The film is full of oddball characters who all make their mark in different moments in the film. There’s the slimy and scary Joe (Craig Stark), beautiful and mesmerizing Emerald (Thea Sofie Loch Ness), and the hypnotic and edgy Eggzema (Barbara Palvin), to name a few.

TYGER TYGER strives for deep philosophy on the human condition, but succeeds on the level of such a discussion when high on a mind altering substance. It’s the kind of thing that come the next morning you’re not likely to remember. Unless of course you opt for a second viewing.

And with such a threadbare story, that’s not something I have any interest in doing.

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