CREED III (2023) – Solid Yet Unsurprising Ninth Movie in the ROCKY Universe

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I know. I’m a sucker for boxing movies.

Especially those in the ROCKY movie universe.

And so I enjoyed CREED III (2023), the third film in the CREED series, and the ninth film in the ROCKY universe, and not just because I’m a sucker for these movies. It’s a pretty darn good movie in its own right. That being said, it’s also the ninth movie in a series, and so one knock against the film is it is exceedingly predictable.

CREED III is the first movie in the ROCKY movie world not to feature Sylvester Stallone as Rocky, and the movie is strong enough to keep Rocky from being missed. But it does feature Michael B. Jordan once again in the lead role as Adonis Creed, the son of Apollo Creed, who was Rocky’s first opponent in the first ROCKY movie back in 1976. Apollo and Rocky eventually become best friends, but then Apollo was killed in the ring in ROCKY IV (1985) by Soviet fighter Ivan Drago. In CREED II (2018), Adonis defeats Drago’s son in a title match that was very personal for Adonis, as he was fighting for his deceased father.

Jordan has been excellent in all three CREED movies, and here he works behind the camera as well for the first time, as he makes his directorial debut with CREED III. And in what is probably the best part of the movie, he is joined in the cast by Jonathan Majors who plays Adonis’ childhood friend and now opponent, Damian Anderson. Jordan and Majors are two of the more dynamic actors working today, and their combined presence in this movie lifts it to a higher level.

In CREED III, Adonis Creed (Michael B. Jordan) has retired from boxing, going out on top as heavyweight champion, his thinking being to step away from the sport to enjoy his life with his wife Bianca (Tessa Thompson) and their young daughter Amara (Mila Davis-Kent). Adonis also runs the local gym with his former trainer Stitch (Jacob “Stitch” Duran), where they train and represent the current champion Felix Chavez (Jose Benvidez). Life is good.

But things change when Adonis’ childhood best buddy Damian (Jonathan Majors) shows up at the gym, having just been released from prison, where he has spent the past eighteen years of his life. When they were kids, they both boxed, and Damian was the better of the two and as a teenager was already considered a boxer with high promise. But prison changed all that. While Adonis offers to help Damian any way he can, Damian makes it clear he wants only one thing: a shot at the title, a shot he says he was denied because of his prison sentence.

Adonis tells him that’s impossible, as he’s not even a pro, but Damian reminds him that one, Adonis himself got the title shot by unconventional means, and two, his own father Apollo, gave a nobody fighter named Rocky Balboa a title shot out of nowhere. Adonis can’t deny that this is true, and he begins to be open to the possibility. Making things even more complicated, and driving Adonis to help Damian, is the fact that he is plagued by tremendous guilt. He was there the night Damian was arrested, and he too, was involved. But only Damain got caught. And Adonis, wanting to forget that traumatic chapter in his life, never reached out to Damian.

When a freak accident injures Felix Chavez’s next opponent, Adonis suggests that he fight Damian instead. He tells Felix to do his job, and if he wipes the floor with the much older Damian, so be it. And he is also doing right by his friend, Damian, by giving him his much sought after title shot.

Of course, as expected, Damian shocks the boxing world and wins, and amid some more revelations, becomes somewhat less of an admirable person, publicly taunting and insulting Adonis, who realizes there is only one true way to shut his friend up and restore his own honor, which is to get back into the boxing ring and take on his former friend.

As stories go, as I said, the one told in CREED III is pretty predictable. There are no surprises. The screenplay by Keenan Coogler, Ryan Coogler, and Zach Baylin offers a by-the-numbers boxing story. You know who is going to win every time. But on the plus side, away from the boxing elements, the personal story of Adonis and Damian’s friendship is well-done and is the best part of the movie, and it’s well-acted by two phenomenal actors, Michael B. Jordan and Jonathan Majors. Adonis is burdened by heavy guilt, and rightly so. He ran away and let his friend get arrested. Other characters in the story continually tell Adonis that he’s not a bad person, that he can’t be held accountable for decisions made before he was an adult, which is true, but it’s a bitter pill for Adonis himself to swallow. He knows what he did, or in this case, didn’t do.

This part of the story works well, not only because it is well-written and well-acted, but because in this ninth movie in the ROCKY universe, it’s pretty darn refreshing! It’s new territory! But sadly, the boxing parts aren’t refreshing at all. The movie doesn’t make any bold decisions in that department. Which is too bad because the ROCKY series began with a bold choice. It’s easy to forget that in the first ROCKY, Rocky lost, and what he takes away from that title bout was that he stood toe to toe with the champion for fifteen rounds. But he lost.

Zach Baylin also wrote the screenplay for the much-heralded KING RICHARD (2021).

The other strength on display here are the two performances by Michael B. Jordan and Jonathan Majors. Jordan has been excellent as Adonis Creed in all three CREED movies, and he’s very good here yet again. Jordan is a fun actor to watch. He exudes sincerity, intensity, and authenticity.

We just saw Jonathan Majors as the villain Kang the Conqueror in ANT-MAN AND THE WASP: QUANTUMANIA (2023), a role he’s set to reprise in the upcoming AVENGERS movies. Majors has also made impressions in the movies THE HARDER THEY FALL (2021) and DA 5 BLOODS (2020). He’s formidable here as Damian, and he and Jordan interact well together. They share many fine moments in the movie, and one of the best moments is their conversation after their title bout at the end of the movie.

Tessa Thompson plays Bianca Creed for the third time, and she’s fine once again, although the movie largely focuses on Adonis and Damian. Young Mila Davis-Kent is excellent as Adonis’ and Bianca’s deaf daughter, Amara.

As a director, Michael B. Jordan acquits himself well. The boxing sequences, as predictable as they are, are well done. In fact, he gets metaphorical during the final bout between Adonis and Damian, as at one point we see them fighting in a giant cage inside a cold empty nightmarish stadium. The imagery here works really well. Jordan also makes the wise decision to keep this one from being overlong, as it clocks in at just under two hours. These days when so many movies are unnecessarily pushing the three-hour mark, Jordan’s decision to keep this movie at a respectable length is a good one.

In terms of the three CREED movies, the first one CREED (2015) remains the best, but CREED III is better than CREED II (2018), and so CREED III ranks in the middle of the Adonis Creed trilogy.

Overall, CREED III is a very good movie featuring two strong performances by two very talented actors, Michael B. Jordan and Jonathan Majors and a decent storyline involving two childhood friends who square off against each other in the ring as adults. The only thing preventing this from being a knockout is its predictability.

Before you sit down to watch this one, you probably have a good idea as to who is going to win the fights in this movie.

And you’d be right.

I give CREED III a solid yet unsurprising three stars.

—END—

RATING SYSTEM

Four stars – Perfect, Top of the line

Three and a half stars- Excellent

Three stars – Very Good

Two and a half stars – Good

Two Stars – Fair

One and a half stars – Pretty Weak

One star- Poor

Zero stars – Awful

MEMORABLE MOVIE QUOTES: ROCKY (1976)

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Sylvester Stallone and Talia Shire in ROCKY 1976)

Welcome back to MEMORABLE MOVIE QUOTES, that column where we look at memorable quotes from classic movies. Up today it’s ROCKY (1976).

It’s easy to forget because of the trajectory that Sylvester Stallone’s career would ultimately take— lots of testosterone-filled action films, most of them not all that good—just how good the original ROCKY (1976) really is.

There’s a reason it won the Oscar for Best Picture in 1976, beating out such notable movies like ALL THE PRESIDENT’S MEN, NETWORK, and TAXI DRIVER. It’s that good!

And I know a lot of people don’t think highly of Stallone, but I’m a big fan, and I’ve enjoyed most of his movies, even the bad ones. I’d even argue that most of his films are better than critics have given them credit for. Okay, some, like STOP! OR MY MOM WILL SHOOT! (1992) are not.

But his ROCKY movies are all grand entertainment, and the original ROCKY is a genuine cinematic classic. Stallone not only starred as boxer Rocky Balboa, but he also wrote the screenplay, which was also nominated for an Oscar in 1976 but didn’t win.

ROCKY is chock full of memorable lines and conversations. Let’s get right to them.

Yo, Adrian!

Hear that line and you know exactly who’s talking. Not exactly a catchphrase, but those two words are instantly associated with Rocky Balboa.

One of the recurring themes in ROCKY is self-worth, as Rocky is constantly trying to overcome the notion that he’s a bum and that his life isn’t worth anything. In one conversation with his trainer Mickey (Burgess Meredith), Mickey says as much:

MICKEY: You’re a bum, Rock. You’re a bum.

ROCKY: I ain’t no bum, Mick. I ain’t no bum.

 

And again when Mickey takes issue with Rocky’s decision to work as an enforcer for a small time hood rather than work on his boxing skills:

ROCKY: I been coming here for six years, and for six years ya been sticking it to me, and I wanna know how come!

MICKEY: You don’t wanna know!

ROCKY: I wanna know how come!

MICKEY: You wanna know?

ROCKY: I wanna know how!

MICKEY: Okay, I’m gonna tell you! You had the talent to become a good fighter, but instead of that, you become a legbreaker to some cheap, second-rate loan shark!

ROCKY: It’s a living.

MICKEY: It’s a waste of life!

 

Rocky has a similar conversation with Adrian (Talia Shire):

ROCKY: I can’t do it.

ADRIAN: What?

ROCKY: I can’t beat him.

ADRIAN: Apollo?

ROCKY: Yeah. I been out there walking around, thinking. I mean, who am I kidding? I ain’t even in the guy’s league.

ADRIAN: What are we going to do?

ROCKY: I don’t know.

ADRIAN: You worked so hard.

ROCKY: Yeah, that don’t matter. ‘Cause I was nobody before.

ADRIAN: Don’t say that.

ROCKY: Ah come on, Adrian, it’s true. I was nobody. But that don’t matter either, you know? ‘Cause I was thinkin’, it really don’t matter if I lose this fight. It really don’t matter if this guy opens my head, either. ‘Cause all I wanna do is go the distance. Nobody’s ever gone the distance with Creed, and if I can go that distance, you see, and that bell rings and I’m still standin’, I’m gonna know for the first time in my life, see, that I weren’t just another bum from the neighborhood.

 

This pretty much becomes the driving force behind the movie, Rocky’s need to prove himself, not by winning the fight, but simply by not backing down, and going the distance with Creed, something that so far no one else had done.

ROCKY also has its share of comedic lines, like this one by Rocky’s trainer Mickey, one of my favorite lines in the movie, as he tries to light a fire under Rocky to get him to train harder:

MICKEY: You’re gonna eat lightnin’ and you’re gonna crap thunder!

 

And this exchange between fighter and trainer:

MICKEY: Your nose is broken.

ROCKY: How does it look?

MICKEY: Ah, it’s an improvement.

 

And this between Rocky and Adrian:

ADRIAN: It’s Thanksgiving.

ROCKY: Yeah, to you it’s Thanksgiving; to me it’s Thursday.

 

Even Apollo Creed (Carl Weathers) gets in on the fun:

APOLLO: Apollo Creed vs. the Italian Stallion. Sounds like a damn monster movie!

 

Getting back to the theme of self-worth, it’s not just about Rocky, either. Adrian has her own issues with self-esteem, especially when she has to deal with her brother Paulie (Burt Young). This is on display here in one of the film’s most dramatic moments that hasn’t anything to do with boxing:

PAULIE:  I don’t want nothin’ from you. I don’t want nothin’ from you. This ain’t no charity case. Get outta my house.

ADRIAN: It’s not just your house.

PAULIE: (to ROCKY): You ain’t no friend no more. Get outta my house, I just says.

ADRIAN: Don’t talk to him like that.

PAULIE: Both of you get out of my house.

ROCKY: Yo… It’s cold outside, Paulie.

[PAULIE grabs a bat]

PAULIE: I don’t want you messin’ her, and I don’t raise you to go with this scum bum! Yeah? Come on! You wanna hit on me? Come on! I’ll break both your arms so they don’t work for ya!

(PAULIE smashes a lamp and then a dinner tray. Adrian screams)

PAULIE: That’s right! I’m not good enough to meet with Gazzo…

(PAULIE spits)

PAULIE: That’s what I think of Gazzo! Now you’re a big-shot fighter on your way up, you don’t even throw a crumb to your friend Paulie! When I go out and get your meat every morning! You forgot that! Then I even give you my sister, too!

ADRIAN: Only a pig would say that!

PAULIE: I’m a pig? A pig gives you the best? (He smashes a coffee set) You’re such a loser! I don’t get married because of you! You can’t live by yourself! I put you two together! And you – don’t you forget it! You owe me! You owe me!

ADRIAN:What do I owe you?

PAULIE:You’re supposed to be good to me!

ADRIAN: What do I owe you, Paulie? What do I owe you?  I treat you good! I cook for you! I cleaned for you! I pick up your dirty clothes! I take care of ya, Paulie! I don’t owe you nothin’! And you made me feel like a loser! I’m not a loser!

Strangely, as annoying Paulie can be, he ends up being one of the more endearing characters in the entire series, mostly because through everything, he does stay by Rocky and Adrian’s side. But early on, things are different. He’s like that family member you can’t get away from fast enough. Like in this conversation where he’s talking to Rocky about his sister, Adrian:

PAULIE: You like her?

ROCKY: Sure, I like her.

PAULIE: What’s the attraction?

ROCKY: I dunno… she fills gaps.

PAULIE: What’s ‘gaps’?

ROCKY: I dunno, she’s got gaps, I got gaps, together we fill gaps.

PAULIE: Are you ballin’ her?

ROCKY: Hey.

(He punches Paulie in the shoulder.)

ROCKY: Hey, you don’t talk dirty about your sister.

PAULIE: Are you screwing my sister?

ROCKY: You see, that’s why I can’t connect you with Gazzo. You know that, Paulie. Because you got a big mouth. You know, you just talk too much.

 

And that’s also why ROCKY has such a good screenplay, as it has realistic dialogue that remains relevant today all these years later. The dialogue isn’t really all that dated.

While its final lines aren’t literary masterpieces, they are certainly memorable, as Rocky screams into the crowd after his bout with Apollo, calling to Adrian repeatedly.

ROCKY: Adrian!!!

As endings go, it’s a keeper.

I hope you enjoyed this edition of MEMORABLE MOVIE QUOTES and join me again next time when we look at cool quotes from other memorable movies.

As always, thanks for reading!

Michael

FIGHTING WITH MY FAMILY (2019) – Wrestling Movie Fun, Comedic and Inspiring

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Not only is FIGHTING WITH MY FAMILY (2019) a lot of fun, not only is it a “feel good” movie with an inspiring story to tell, but it has a lot to say about those who fight for their dreams and lose, and who in turn use their talents to teach others, the message being they haven’t really lost at all as they are the reason others win.

FIGHTING WITH MY FAMILY is based on the true story of a family from Norwich, England who lived and breathed wrestling. As Ricky (Nick Frost) and Julia Knight (Lena Heady) tell it, their lives were going nowhere when they met, and as other people find religion, they found wrestling, and they made it a centerpiece of their family.

Their oldest son tried to make it professionally but failed. He couldn’t handle his failure and ended up in prison. The story focuses on their daughter Saraya (Florence Pugh) and their younger son Zak (Jack Lowden) who are primed and ready to try out for the WWE, World Wrestling Entertainment. Saraya is chosen, while Zak is not.

The film then follows Saraya on her trip to the United States, where she trains under the grueling coach Hutch (Vince Vaughn) who works her and the other recruits incredibly hard, so much so that Saraya comes to believe that she won’t make it. During this time, she chooses her wrestling name, Paige. Meanwhile, back in England, Zak struggles with his sister’s success and his own life, as he increasingly views himself as a failure.

Until one day when his older brother is finally released from prison. He tells Zak that he always knew Saraya would be the success that he himself couldn’t be because she had something he didn’t. When Zak asks his brother what that something was, he points to Zak and says: you. And it’s at that moment Zak realizes that all the work he does teaching wrestling to the neighborhood kids means something, and it has just as much value as going pro in wrestling. And as Saraya points out to her brother, “You’re teaching a blind boy how to wrestle. Who does that?” Once Zak comes to understand the value of his true talent, he turns towards helping his sister achieve her own professional dreams.

While FIGHTING WITH MY FAMILY is the story of both Knight siblings, its main focus is really on Saraya, aka Paige, as she’s the one member of the family who did succeed as a pro in wrestling. As such, most of the movie falls on the shoulders of Florence Pugh who plays Paige, and Pugh does a great job. She’s known for her work in LADY MACBETH (2016), she was in the Liam Neeson actioner THE COMMUTER (2018), and she had the lead in the AMC mini-series THE LITTLE DRUMMER GIRL (2018). Here, Pugh does a fine job capturing Paige’s feelings as an outsider, as someone who feels she doesn’t belong, which is what drove her to wrestling in the first place, that it gave her the ability to block out real life troubles while she was active in the ring. It also gave her something to belong to.

Jack Lowden is very good as Zak Knight as well, although the film does tend to focus on him less than Pugh. He plays Zak as a man who is nearly crushed by the failure of his dreams. Indeed, one of the most painful scenes in the movie is when Hutch tells Zak point-blank to give up, that it’s not going to happen for him. And Lowden is just as good later when Zak experiences the light bulb moment that his work with the youth in his neighborhood is his real talent.

Nick Frost , who has co-starred with Simon Pegg in British comedies like THE WORLD’S END (2013), HOT FUZZ (2007), and SHAUN OF THE DEAD (2004) is as expected very funny as the lively patriarch of the Knight family. He gets most of the best laugh-out-loud moments in the film, like when he answers the phone and doesn’t believe he’s really talking to Dwayne “the Rock” Johnson on the other line, when in fact he is. But he also enjoys some key dramatic moments as well, like when he takes Paige aside and tells her that it’s okay if she doesn’t want to continue training for the WWE, that he’s not going to force her to do something she doesn’t want to do.

Lena Headey rounds out the main players as Knight matriarch Julia. She works well with Nick Frost, and the two play a couple whose passion for wrestling is plain to see, and as such, it’s easy to understand how their children are so inspired to participate in the sport.

I have to admit. I’ve never been a Vince Vaughn fan,  but he’s really good here as wrestling coach Hutch. Sure, you can argue that you’ve seen this character countless times before, that he’s just another variation of Mickey (Burgess Meredith) from the ROCKY movies, but there’s an added element that makes him stand out, and it’s this added element which Vaughn nails. Hutch’s story ties in to Zak’s, as he too once had his dreams shattered, and he too found that his true talent was in helping and teaching others to achieve theirs. And there’s a key moment near the end, when Hutch gives Paige a quick wink and then walks away. He’s not about sharing in her glory. What drives him is inspiring other to achieve theirs.

Of course, the biggest name attached to FIGHTING WITH MY FAMILY is Dwayne Johnson, who does appear as himself in the movie, and while he has a couple of memorable scenes, this really isn’t a Dwayne Johnson movie. It’s an ensemble piece, led by Florence Pugh.

FIGHTING WITH MY FAMILY has a first-rate script by writer/director Stephen Merchant. While the main plot comes right out of any ROCKY movie— underdog makes it big— the tone of this film is anything but, as the humor is all very British, and as such, you’ll spend a lot of time laughing throughout the movie, which comes as no surprise. Merchant worked as a writer for both the British and American versions of the TV show THE OFFICE.

Merchant’s also an actor, and he appears here in a memorable supporting role as the father of Zak’s girlfriend. Merchant also starred as Caliban in LOGAN (2017) with Hugh Jackman

Here, the script is lively and comedic, and better yet, it does a fine job tying its themes together, its stories of youth fighting for their dreams, of how to react when you fail, and the value of teaching others, and how that’s also something that not a lot of people can do, and if you have this gift, use it.

Merchant also succeeds as a director here. FIGHTING WITH MY FAMILY wastes no time getting into the heart of its story, as within the first few minutes of the film the audience has already joined Zak and Paige on their quest to become pro-wrestlers. The pace remains brisk throughout, and the film does a comprehensive job telling the story of the Knight family, people who at the end of the day you are glad you met and spent a couple of hours with.

The messages that come out of this film are good ones as they have less to do with competition and more to do with how to be a winner, as it’s not about stomping on those around you to reach the top but lifting up those around you to reach the top together. People do not succeed alone. You need others to help you, and this film is both about those who give help and those who receive it, and it shows how both groups are intertwined. People who receive help give it back, and vice versa. No one gets without giving.

I really enjoyed FIGHTING WITH MY FAMILY. This one’s not getting a lot of hype, but it’s definitely a movie worth checking out at the theater.

FIGHTING WITH MY FAMILY fights the good fight, and its message on the value of teaching and inspiring others to achieve their dreams is a welcomed one in this day and age which all too often glorifies a winning-at-the-expense-of others mentality.

—-END—

 

 

 

 

 

 

CREED 2 (2018) – Okay Sequel Derivative of Previous ROCKY movies

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CREED 2

CREED 2 (2018) is actually the sequel to two movies, CREED (2015) and ROCKY IV (1985). As such, it has a lot on its card, and to continue using boxing language, its undercard somewhat outperforms its main event.

The first CREED continued the story of Rocky Balboa (Sylvester Stallone) as he trained Adonis Creed (Michael B. Jordan), the son of his former boxing opponent and eventual friend Apollo Creed (Carl Weathers). While the movie’s title declared it was the story of Adonis Creed, it also featured Rocky Balboa prominently and certainly continued the ROCKY storyline. I enjoyed CREED quite a bit.

ROCKY IV found Rocky training his former opponent and newfound buddy Apollo Creed for a fight against a massive and very deadly Soviet boxer named Drago (Dolph Lundgren). In the fight, Apollo dies from his injuries, and since this was a Rocky movie, it’s up to Rocky Balboa to save the day and somehow defeat the monstrous Drago in the film’s climactic bout.

I was never a fan of ROCKY IV and enjoyed the first three ROCKY movies better. However, ROCKY IV is one of those movies that has grown in stature over the years and has actually aged pretty well. In fact, for many fans, ROCKY IV is the best of the series. While I don’t share that opinion, I certainly do enjoy it more now than I did when I first saw it at the theater in 1985.

In CREED 2,  Ivan Drago trains his son, the equally monstrous Viktor Drago (Florian “Big Nasty” Munteanu) to become boxing champion, and they set their sights on a championship bout against Adonis Creed. Since Ivan Drago is the man who killed his father, Adonis naturally wants to accept the challenge and defeat Viktor Drago to restore honor to his father’s name.

Of course, Rocky is against this fight, as he feels guilty for not stopping the bout in which Apollo died. Adonis decides to pursue the match anyway without Rocky’s help. Predictably, Rocky is eventually pulled back into Adonis’ corner, helping to train the young fighter for the championship rumble.

Nothing that happens in CREED 2 is much of a surprise, and this certainly works against the movie. In spite of a lot of hype and box office success, it’s really just a by the numbers sequel providing nothing new or different from what we’ve already seen in previous ROCKY movies.

As I said, the undercard here outperforms the main event, or in movie terms, the subplots work better than the main plot.

I really enjoyed the Drago storyline. It was fun to see Dolph Lundgren reprising his signature role of Ivan Drago after all these years, and he still looks formidable enough to get back inside that boxing ring to take on Sylvester Stallone. ROCKY X, anyone? Seriously, though, Drago is training his son to win because when he lost that fight to Rocky all those years ago, he lost everything – honor, country, his wife.  He’s been living as an outcast in frigid Russia ever since. There is a lot on the line if his son can win.

As such, in spite of the fact that these guys are supposed to be the “villains” of the movie, I oftentimes found their story more sympathetic than Creed’s and Rocky’s, and I found myself wanting young Drago to win the fight. Furthermore, in spite of their He-Man toughness, there’s a chemistry on display here between the two actors which creates a father-son bond that really works, more so here than the chemistry between Adonis and Rocky.

The one scene between Rocky and Ivan Drago in which they meet for the first time since the fight is one of the movie’s finer moments. There should have been more of these scenes. There are not.

Likewise, as a Rocky fan, the Rocky scenes also worked for me. I continue to enjoy watching Rocky’s storyline play out, from his somber graveside visits to his deceased wife Adrian, to his wise mentorship of the fiery Adonis, to his angst over his estranged relationship with his adult son, I liked it all.  Sure, Stallone can play Rocky in his sleep, but he does it well. I’ve always liked Stallone and feel he has never really received the respect he deserves.

But the main plot, the one about Adonis, just didn’t work all that well for me, and in a movie called CREED 2, that’s not a good thing.

Since I enjoyed CREED so much, it’s not the characters at all, but simply the story. To me, the idea that Adonis would rush into a bout against Drago just didn’t resonate with me or feel all that authentic. He had just won the championship. Viktor Drago had won nothing. It certainly would have made sense for Adonis to defend his title a couple of times before setting up a fight with Viktor. Likewise, Viktor should have worked his way up to the title bout.

Plus, to me, both Dragos had more to gain and to lose than Adonis, and so their story was more interesting. Adonis was already champion. If he wins, sure he could claim a victory for his deceased father, but if he loses, he had already proven himself to be a champion fighter. Viktor Drago hadn’t proven anything yet, and if he loses, his fate is a return to icy Russia. In fact, the final shot of father and son Drago jogging under an ashen Russian sky is a depressing reminder of this fate.

I like Michael B. Jordan as Adonis Creed, but his storyline here just wasn’t as emotional or as locked in as the one told in the first CREED. And it goes beyond the boxing angle. I thought his relationship with both Bianca (Tessa Thompson) and his mother Mary Ann Creed (Phylicia Rashad) were rehashes of things we saw in the first movie. Adonis and Bianca marry here and have a baby, but I thought all of these scenes strangely fell flat. Perhaps it’s because they were so similar to scenes from earlier ROCKY movies.

And that’s the biggest knock I have against CREED 2. It’s so derivative from the other ROCKY movies, from dialogue about what it takes to be a fighter, to the personal relationships and the toll boxing takes on family members, to the training montages, to the boxing matches themselves. For me, the entire thing other than the Drago subplot was a bad case of “been there, done that.”

Director Steven Caple Jr. simply didn’t add any distinguishing attributes to make the movie stand on its own. The fight scenes are okay, but I’ve seen better, and the same can be said for the training montages. I also thought the pace slowed down about two-thirds of the way through. The first CREED, which was directed by Ryan Coogler, had an edge to it that this sequel simply doesn’t possess. Coogler of course also directed BLACK PANTHER (2018), a superior Marvel superhero movie, which also featured Michael B. Jordan, as one of Marvel’s better and more sympathetic movie villains, Erik Killmonger.

The screenplay to CREED 2 was written by Sylvester Stallone and Juel Taylor, and it largely goes through the motions.

As a ROCKY fan, it would be difficult for me not to enjoy CREED 2, and I did enjoy it, but I also recognize that it is sadly derivative of nearly every ROCKY movie which has come before it.

I judge this one a split decision.

—END—

Books by Michael Arruda:

New in 2019! DARK CORNERS, Michael Arruda’s second short story collection, contains ten tales of horror, six reprints and four stories original to this collection.

Dark Corners cover (1)

Waiting for you in Dark Corners are tales of vampires, monsters, werewolves, demonic circus animals, and eternal darkness. Be prepared to be both frightened and entertained. You never know what you will find lurking in dark corners.

Ebook: $3.99. Available at http://www.crossroadspress.com and at Amazon.com.  Print on demand version coming soon!

TIME FRAME,  science fiction novel by Michael Arruda.  

How far would you go to save your family? Would you change the course of time? That’s the decision facing Adam Cabral in this mind-bending science fiction adventure by Michael Arruda.

Ebook version:  $2.99. Available at http://www.crossroadpress.com. Print version:  $18.00. Includes postage! Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

Michael Arruda reviews horror movies throughout history, from the silent classics of the 1920s, Universal horror from the 1930s-40s, Hammer Films of the 1950s-70s, all the way through the instant classics of today. If you like to read about horror movies, this is the book for you!

 Ebook version:  $4.99.  Available at http://www.crossroadpress.com.  Print version:  $18.00.  Includes postage. Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, first short story collection by Michael Arruda.  

For_the_love_of_Horror- original cover

Print cover

For the Love of Horror cover (3)

Ebook cover

 

Michael Arruda’s first short story collection, featuring a wraparound story which links all the tales together, asks the question: can you have a relationship when your partner is surrounded by the supernatural? If you thought normal relationships were difficult, wait to you read about what the folks in these stories have to deal with. For the love of horror!

 Ebook version:  $4.99.  Available at http://www.crossroadpress.com. Print version:  $18.00.  Includes postage. Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

 

 

CREED (2015) Goes The Distance

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Movie Review:  CREED (2015)

By

Michael Arruda

Creed poster 2

 

Just when you thought Rocky Balboa was down for the count—.

That’s right.  Rocky Balboa, the iconic character played by Sylvester Stallone, is back in the movies again for what is essentially ROCKY VII, except this time he’s playing mentor and trainer to young Adonis Johnson (Michael B. Jordan) the son of his one-time opponent and later best friend Apollo Creed (Carl Weathers).

CREED (2015) opens with troubled teen Adonis Johnson getting in yet another fight.  This time, instead of being taken in by a foster family, he meets the wife Mary Anne Creed (Phylicia Rashad) of his father Apollo Creed, who had an extramarital affair with Adonis’ mom and died before Adonis was born.  Mary Anne adopts Adonis and he’s raised in a healthy home and receives a decent education.

However, as an adult, Adonis can’t get boxing out of his system, so he quits his job and seeks out Rocky Balboa (Sylvester Stallone) as a trainer.  Rocky isn’t interested, mostly because he doesn’t want to see Apollo’s son enter a boxing ring and endure the difficult life of a boxer.  But Adonis is persistent, and eventually Rocky relents and agrees to train Adonis.

Adonis trains hard, and through an odd series of events, finds himself with a shot at the boxing title.  When Rocky’s health fails, and he decides he’s lived a good life and has come to the end of the road, it’s Adonis who convinces Rocky not to mail it in, to fight for his life as he once fought for a title, adding that he needs Rocky and that Rocky’s life matters.

Make no mistake.  CREED is a much better movie than a 7th film in a series.  It’s also a stand alone film, as Adonis’ character is strong enough to carry this movie on his own.  Rocky’s appearance is gravy.

That being said, the best part of CREED is the relationship between Rocky and Adonis.  The way their lives intertwine and how they are constantly there to pick each other up is the driving force of the movie.  When Rocky learns that he has cancer, and he looks around him and realizes all his loved ones and friends have passed on, it’s easy for him to feel that he’s led a good life and it’s time.  But it’s Adonis who gives him something to live for.

Likewise, when Adonis struggles to handle the pressure, and when he experiences doubt that he can live up to his deceased father’s name, even admitting that he’s fighting simply to prove that he wasn’t just a mistake, it’s Rocky who tells him that it is his time, that he can make his mark, and he can live up to his father’s name.

Sylvester Stallone can play Rocky Balboa in his sleep, but that doesn’t mean he’s cashing it in.  Stallone has created one of the more endearing and iconic characters in film history, and Rocky certainly hasn’t worn out his welcome.  It’s been fun to watch Rocky age through the years, and in CREED he definitely is in his golden years.  A funny bit comes when Rocky writes out instructions for Adonis, and Adonis simply takes a picture of the paper with his phone, and he tells Rocky he doesn’t need the notes because they’re saved on the cloud.

“The cloud?”  Rocky asks, as he looks to the sky.

Michael B. Jordan is also excellent as young Adonis Johnson.  Adonis is a complicated character.  He had a tough childhood, was rescued by his step-mom, but still couldn’t shake the desire to box, to be like his deceased dad.  And he goes through the film with a chip on his shoulder, but he’s not a jerk, as Jordan does a nice job keeping the character sympathetic.

Rounding out the acting performances is Tessa Thompson as Adonis’ girlfriend Bianca.  The beautiful Thompson makes Bianca a three-dimensional character who proves that she’s more than just a love interest in the film.  The relationship between Adonis and Bianca is reminiscent of the relationship between Rocky and Adrian (Talia Shire) in the original ROCKY (1976).

Likewise, in the training scenes, Rocky now has taken on the role of his original trainer Mickey (Burgess Meredith).  In fact, many of the training exercises come right out of Mickey’s regimen, including the memorable chicken chasing scene.

Phylicia Rashad is decent as Adonis’ step-mom Mary Anne, although it’s really just a small role, and there’s not a lot of screen time for Rashad.

And if there’s one thing the Rocky movies have always got right, it’s the boxing scenes, and CREED is no exception.  Once more, there are some riveting boxing matches, including the exciting finale.  Sure, there is certainly a little bit of “been there, done that” but with six Rocky movies before this, that’s inevitable.

CREED is the first ROCKY movie not written by Sylvester Stallone.  The screenplay was written by director Ryan Coogler and Aaron Covington, and it’s a good one.  It explores a later chapter in Rocky’s life while carving out the early plight of original character Adonis Johnson, and the way the two interact is both compelling and natural.  The two stories combine seamlessly

Coogler also directed, and his direction is strong throughout.  The boxing scenes are well done, as are the rousing training sequences.  More importantly, the tale of the two boxers, Rocky called out of retirement to be a trainer, and Adonis just starting his career, is engrossing and likable.

 CREED is a genuine crowd-pleaser.  It’s a worthy addition to the ROCKY saga, while also serving as a standalone film about newcomer Adonis Johnson, the son of Apollo Creed, fighting to make his mark in the boxing world, to prove that he’s worthy of the name Creed.

—END—

 

YOUR MOVIE LISTS: The ROCKY Movies

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YOUR MOVIE LISTSROCKY Movies

 

By

 

Michael ArrudaRocky - poster

 

With the upcoming release of CREED (2015) on November 25, the latest movie to feature Rocky Balboa (Sylvester Stallone), here’s a look back at the ROCKY movies:

 

 

ROCKY (1976)

Directed by John G. Avildsen

Screenplay by Sylvester Stallone

Rocky:  Sylvester Stallone

Adrian:  Talia Shire

Paulie:  Burt Young

Apollo:  Carl Weathers

Mickey:  Burgess Meredith

Duke: Tony Burton

Music by Bill Conti

Running Time:  119 minutes

 

The original, the Oscar winner, the movie that made Sylvester Stallone a star.  While Stallone was nominated for two Academy Awards for ROCKY, for Best Actor and for Best Screenplay, he did not win either award.  Neither did Talia Shire for Best Actress.  However, John G. Avildsen won for Best Director, and ROCKY took home Best Picture honors.

 

 

 

ROCKY II (1979)

Directed by Sylvester Stallone

Screenplay by Sylvester Stallone

Rocky:  Sylvester Stallone

Adrian:  Talia Shire

Paulie:  Burt Young

Apollo:  Carl Weathers

Mickey:  Burgess Meredith

Duke: Tony Burton

Music by Bill Conti

Running Time:  119 Minutes

 

This is actually the first ROCKY movie I ever saw, and as such, it remains my personal favorite ROCKY film.

 

 

 

 

 

ROCKY III (1982)

Directed by Sylvester Stallone

Screenplay by Sylvester Stallone

Stallone and Mr. T. square off in ROCKY III.

Stallone and Mr. T. square off in ROCKY III.

Rocky:  Sylvester Stallone

Adrian:  Talia Shire

Paulie:  Burt Young

Apollo:  Carl Weathers

Mickey:  Burgess Meredith

Duke: Tony Burton

Clubber Lang:  Mr. T

Thunderlips:  Hulk Hogan

Music by Bill Conti

Running Time:  99 minutes

 

The one with Mr. T.  It’s also the first ROCKY movie I saw at the movie theater.

 

 

 

ROCKY IV (1985)

Directed by Sylvester Stallone

Screenplay by Sylvester Stallone

Rocky:  Sylvester Stallone

Adrian:  Talia Shire

It's East vs. West, Lundgren vs. Stallone in ROCKY IV.

It’s East vs. West, Lundgren vs. Stallone in ROCKY IV.

Paulie:  Burt Young

Apollo:  Carl Weathers

Duke: Tony Burton

Drago:  Dolph Lundgren

Ludmilla:  Brigitte Nielsen

Music by Vince DiCola

Running Time:  91 minutes

 

I was hugely disappointed by this fourth ROCKY movie when it first came out, but I was clearly in the minority as ROCKY IV has the distinction of being the biggest money maker of the entire series.  Admittedly, this one has grown on me over the years.

 

 

 

ROCKY V (1990)

Directed by John G. Avildsen

Screenplay by Sylvester Stallone

Rocky:  Sylvester Stallone

Adrian:  Talia Shire

Paulie:  Burt Young

Duke: Tony Burton

Tommy “Machine” Gunn:  Tommy Morrison

Music by Bill Conti

Running Time:  104 minutes

 

 

The most forgettable of the ROCKY movies, and clearly the weakest film in the series.

 

 

ROCKY BALBOA (2006)

Directed by Sylvester Stallone

Screenplay by Sylvester Stallone

Rocky:  Sylvester Stallone

One final bout. The thrilling climactic match in ROCKY BALBOA (2006).

One final bout. The thrilling climactic match in ROCKY BALBOA (2006).

Paulie:  Burt Young

Duke: Tony Burton

Mason “The Line” Dixon:  Antonio Tarver

Marie:  Geraldine Hughes

Robert Balboa Jr.:  Milo Ventimiglia

Music by Bill Conti

Running Time:  102 minutes

 

An excellent movie, ROCKY BALBOA is one of the best in the series, as this tale of Rocky coming out of retirement for one last bout is actually pretty darn believable, and its climactic boxing match is compelling to boot.

 

 

 

 

CREED (2015)

Directed by Ryan Coogler

Screenplay by Ryan Coogler and Aaron Covington

Adonis Johnson:  Michael B. Jordan

Rocky Balboa:  Sylvester Stallone

Bianca:  Tessa Thompson

Mary Ann Creed:  Phylicia Rashad

Music by Ludwig Goransson

Running Time:  132 minutes

 

This tale of Apollo Creed’s son will feature Rocky Balboa as the young boxer’s mentor.  Looking forward to it.

 

This will also be the first film in the series not written by Sylvester Stallone.

 

That’s it for now!

 

Thanks for reading.

 

—Michael