GLASS ONION: A KNIVES OUT MYSTERY (2022) – Mystery Comedy Sequel As Superficial and Contrived As First Film

0

Full disclosure: I was not a fan of the first KNIVES OUT (2019) movie. While most people loved this mystery comedy, I found it all too contrived and superficial to really enjoy.

So, if you liked the first movie, you probably will enjoy its sequel, GLASS ONION: A KNIVES OUT MYSTERY (2022) more than I did, because I didn’t like this one either, as I once again found it too contrived and superficial to enjoy.

It also rolls out some pretty awful characters, a group of friends who call themselves the disruptors and are about as enjoyable as a migraine headache, and we’re supposed to care if one of them is murdered? We just saw this same issue in the recent Santa Claus action-comedy VIOLENT NIGHT (2022) which featured some of the worst characters I’ve seen in a movie in quite a while. Well, the characters in this movie are equally as awful. Both sets are uber rich, so that seems to be becoming a thing, writing super rich annoying characters, but in both these cases, they were written so poorly that they don’t come off as real people but as caricatures.

GLASS ONION: A KNIVES OUT MYSTERY, which premiered on Netflix this weekend, once again stars Daniel Craig, reprising his role from the first movie as the world’s greatest detective, Benoit Blanc. He may be the world’s greatest detective, but he’s got the world’s worst Southern accent. Craig’s attempt at a Southern drawl grated on me in the first movie, and it’s no better this time around. Craig is the only cast member from the first movie to return, as a new all-star cast plays a brand-new set of suspects, murderers, and victims.

This time around, a group of friends and business associates all travel to the private island of their brilliant friend Miles Bron (Edward Norton). Which gives this one a similar opening and feel to a much better movie from a few weeks back, THE MENU (2022), when a group of rich guests traveled to the private island of famed Chef Slowik (Ralph Fiennes) and who also found themselves in harm’s way. THE MENU is a much, much better movie than GLASS ONION.

So, Bron has a controversial business proposition for his guests, one that would instigate all of them for numerous reasons of their own to do him in. Plus, to make things more “fun,” he has set up the island get away as a murder mystery party, in which they will have to solve his murder. Benoit Blanc also receives an invitation, and the guests assume Bron wanted to include the world’s greatest detective in his game, but once on the island, Bron tells Blanc that he didn’t invite him, which begs the question, who did? Ah, the mystery deepens! If I only cared…

The guests/suspects/victims include Birdie Jay (Kate Hudson), Duke Cody (Dave Bautista), Andi Brand (Janelle Monae), Lionel Toussaint (Leslie Odom, Jr.), Claire Debella (Kathryn Hahn), and a few others. As I said, this lot of characters are about as unlikable and unrealistic as you will find in a movie. I had zero interest in any of them.

There are also a whole bunch of additional cameos and appearances by other celebrities and stars, and it’s all oh-so-much-fun, except that it isn’t.

GLASS ONION: A KNIVES OUT MYSTERY was once again written and directed by Rian Johnson, who wrote and directed the first movie as well as STAR WARS: EPISODE VIII: THE LAST JEDI (2017). He does this movie no favors. He has created a glossy bright colorful movie that will look good playing in the background on TV sets inside your home, the type of film that seems like a fun time if you don’t pay attention to the actual script. Basically, it’s a good-looking piece of fluff that is about as satisfying as an empty plate.

Then there’s the clever, intricate mystery that is simply too complicated to figure out for anyone other than the world’s greatest detective, Benoit Blanc. You know why it’s complicated? Because it’s fabricated! It’s not a real mystery. Blanc goes around making pronouncements that have no basis in fact. He just says things and they turn out to be true, not the other way around. Unlike Sherlock Holmes who used logic and observation to solve mysteries, Blanc uses the “I have the screenplay in my hands” reasoning. He solves things because the writer says he does. We are never invited inside his mind to see just exactly what it is that makes him such a great detective. He just solves crimes.

But there are so many little “in” jokes peppered throughout this movie. Aren’t those funny?

In a word.

No.

As much as I didn’t enjoy his accent or his in-name only detective skills, Benoit Blanc was a more enjoyable character here in the sequel than he was in the first movie. In fact, one of the few things I enjoyed this time around was Daniel Craig’s performance. He actually made me laugh several times during this movie, albeit when he wasn’t trying to solve the crime. Some of his best moments come during random throw away lines, like when he talks about how much he hates the game Clue.

Edward Norton seems to be playing a variation of himself, or at least of his onscreen persona. He knows how to play an arrogant creep in his sleep. Janelle Monae gets a lot of screen time and is enjoyable, as she plays one of the less despicable characters in the movie, but she is overshadowed by the superficial annoying antics of everyone else.

The rest of the cast, in spite of the names involved, put me to sleep, frankly, mostly because the writing was so gosh darn awful. Rian Johnson has written a movie without one single realistic character appearing in it.

For some reason, the story takes place at the beginning of the Covid-19 outbreak. At first, I thought this would have some bearing on the plot, as the characters are all masked, but once they get to the island, they receive a “magic” shot which I guess gives them immunity as they are told they can shed their masks without fear. The pandemic does set up the reason why Blanc takes the case, as he’s stuck at home and bored and begging for a case to come his way, a plot point I didn’t really buy. I mean, crimes are still committed during the pandemic, and there would still be a need for his services.

There’s also an annoying flashback right in the middle of the story, which goes back and fills in a lot of the blanks that the story left out the first time around. While the revelations in the flashback were interesting, the flashback itself killed any pacing the movie had up until that point.

The Glass Onion refers to the Beatles’ song by the way, and the tune plays over the end credits. While there is an obvious connection between the movie and the song, no attempt is really made to connect the movie to the point of the song, which was that John Lennon was poking fun at fans who were reading too much into the Beatles’ lyrics.

Then again, maybe Rian Johnson is poking fun at movie audiences who take movies too seriously. Hmm. Could be. That could explain why he made such a dumb movie.

GLASS ONION: A KNIVES OUT MYSTERY is disguised as a clever comedy mystery, but in reality, it’s shallow and dumb.

I give GLASS ONION: A KNIVES OUT MYSTERY a mundane two stars.

—END—

RATING SYSTEM

Four stars- Excellent

Three stars- Very Good

Two stars- Fair

One star- Poor

Zero Stars- Awful

KNIVES OUT (2019) – Whodunit Mystery More Like Clue than Christie

1

 

knives out

I suspect foul play!

So says Daniel Craig’s Detective Benoit Blanc in his sometimes effective Southern drawl in the new whodunit mystery KNIVES OUT (2019).

Actually it’s not much of a pronouncement. Nearly everyone in this movie has a motive for murder.

KNIVES OUT is a lively comedic whodunit that is receiving high praise from critics and fans alike. Sure, it’s energetic and punchy, throwing its audience nonstop curves, keeping everyone guessing, and it pays homage to the classic murder mysteries of yesteryear. But I found its tale of murder and family intrigue contrived from the get-go, and as such, I had much less fun with this one than a lot of other folks.

Acclaimed author Harlan Thrombey (Christopher Plummer) is found slain in the opening moments of the movie, and soon after, famous detective Benoit Blanc (Daniel Craig) is on the case, which is at first ruled a suicide, but as Blanc says, he suspects foul play. And of course he should, because the night before Thrombey’s death, he celebrated his 85th birthday at a lavish party at his home with his family, who all had contentious moments with him, some even ending in shouting matches.

It seems that many in his family had reasons for doing him in. There’s his oldest daughter Linda (Jamie Lee Curtis), her husband Richard (Don Johnson), his daughter Joni (Toni Collette), his youngest son Walt (Michael Shannon), and his grandson Ransom (Chris Evans). There are more suspects as well, including his young personal nurse Marta (Ana de Armas) who Blanc takes particular interest in, mostly because of her peculiar trait of vomiting whenever she tells a lie.

And that’s the plot, as Blanc questions the suspects , and the audience sees past events shown in flashback, as we all try to figure out just who murdered Harlan Thrombey. As mysteries go, it’s a good one, as there are so many possibilities, the answer is not easy to decipher. Then again, and this is the main problem I had with this film, it’s all so convoluted and contrived. It’s confusing on purpose, the goal of writer/director Rian Johnson being to construct a story that’s nearly impossible to figure out because that’s what whodunits are all about, the thinking being that it’s fun not to know who committed the crime. That’s the intention, but the result is less fun as it’s all very forced and simply not believable. At the end of the day, it’s all very cartoonish and comical. So, for me it played less like an Agatha Christie tale and more like an homage to the old CLUE (1985) movie.

The best part of KNIVES OUT is its all-star cast. Yet, while everyone in this film is very good, nobody steals the show or has moments which lift the material to higher levels.

Chris Evans gets the best lines in the movie as the unpredictable and fiery grandson Ransom Drysdale, the relative who seems to miff everyone in the family on a day-to-day basis.

Jamie Lee Curtis, Don Johnson, Toni Collette, and Michael Shannon all have their moments, but none of these folks get scene-stealing bits. As much as I did not like the reimagining of HALLOWEEN (2018), Curtis’ performance in that film was more notable than what she’s given to do here. Likewise, Michael Shannon has certainly enjoyed meatier roles. For example, his performance as George Westinghouse in THE CURRENT WAR (2017), which was just released in 2019, was much more impressive. Of these folks, I probably enjoyed Don Johnson the best.

Daniel Craig is OK as Detective Benoit Blanc, but he certainly didn’t wow me. I enjoyed his previous take on a Southern character better, as the explosive Joe Bang in the comedy LOGAN LUCKY (2017).

The majority of the movie centers around the character of Marta, and Ana de Armas is more than up to the task of handling the bulk of the screen time. Interestingly enough, de Armas and Daniel Craig will be reunited in the upcoming Bond movie NO TIME TO DIE, due out in April of 2020.

Writer/director Rian Johnson, known for such films as STAR WARS: EPISODE VIII- THE LAST JEDI (2018) and LOOPER (2012), infuses KNIVES OUT with nonstop quirkiness and oomph, but the result is mixed. It’s a case I think of trying to be too clever and cute. The entire film plays as if everyone in front of the camera and behind it is winking at the audience, inviting them into their playful whodunit world of mystery and murder, and the audience for the most part knows it’s in on the joke, that this story is played for fun and laughs. The trouble is this strategy only goes so far. The general mood of the entire film is gamesome, but the specific moments where the characters and the script should be drawing the audience in really aren’t there. The contrivances rule the day. The connections to the audience do not.

I saw KNIVES OUT in a packed theater. yet the audience was largely quiet. While folks seemed amused, it certainly wasn’t a laugh-out-loud kind of movie.

KNIVES OUT was enjoyable for me in a silly way that was never anything more than fluff and contrivances, the way I would feel after playing the game of Clue, not after reading an Agatha Christie novel.

—END—