THE BATMAN (2022) – Film Noir Batman Goes On Way Too Long

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A funny thing happened while I was watching THE BATMAN (2022).

The latest Batman movie, which is yet another reimagining of the masked vigilante of Gotham city by one of my favorite movie directors working today, Matt Reeves, and which introduces Robert Pattinson to the role of the Caped Crusader, has been receiving heaps of praise from critics and fans alike since its theatrical premiere on March 4… it’s currently streaming on HBO Max… with some even calling it the best Batman movie yet!

For me, I was really enjoying it, and like many others was blown away by its dark film noir take on the subject, and at the end of two hours, I was leaning towards agreeing with those who were calling this the best Batman ever. But then that funny thing happened. The movie kept going. And going. And going. So… at the end of three hours, I didn’t hold that same opinion.

See, THE BATMAN is long. Like, super long! As in two hours and fifty-six minutes long. And yes, these days this is a pet peeve of mine. Movies in general are trending towards the time management equivalent of Major League Baseball games. If you’re going to make a movie that is three hours long, you darn well better have a good reason for it, and for my money, most films I see that run well over two hours, don’t. Someone needs to edit these would-be sagas down.

So, while I liked THE BATMAN, what I liked least about it was that it was so gosh darn long. And this is from someone who was really into this film and was enjoying the ride all the way up to that two-hour mark.

It also didn’t help that the plot as laid out in the screenplay by director Matt Reeves and Peter Craig isn’t anything to write home about. The story is all about corruption. The Riddler (Paul Dano) is targeting the corrupt public officials of Gotham City because he’s sick and tired of the lies and cheats of those running the city, and hence the Mayor, Police Commissioner, and others are all being murdered in the most horrific of ways, complete with personalized letters and riddles meant for Batman (Robert Pattinson) who decides he will find out who is killing the corrupt leaders of Gotham and why. He teams with Selina Kyle aka Catwoman (Zoe Kravitz) to do this, as Kyle is interested because her best friend was involved and was subsequently killed because of her involvement. Their investigation leads them to the dark underbelly of Gotham City, filled with organized crime and corruption, and folks like Oz aka The Penguin (Colin Farrell) and gangster Carmine Falcone (John Turturo).

At the end of the day, you know who wins.

You don’t need three hours to figure it out. Did I say THE BATMAN was long?

The screenplay is not a strength of this movie. It does a decent job with some of the characters. I liked the take on Batman where he’s viewed more as a detective and vigilante, who is quite shadowy and frightening, and I also liked how most of the comic book aspects of the villains took a back seat to more realistic interpretations, but sadly we’ve seen all this before.

Craig was one of the screenwriters who wrote THE UNFORGIVABLE (2021), the very dark Sandra Bullock drama where she played an ex-con out of prison dealing with people who continued to see her as a worthless monster who didn’t deserve to be alive. The feeling of hopelessness from that movie is often on display here in THE BATMAN, and that works well. Likewise, the dark tone is on par with Matt Reeves’ WAR FOR THE PLANET OF THE APES (2017) which Reeves wrote and directed. I have no problem this. In fact, I really liked the grim outlook which THE BATMAN presented.

The problem though is a question I asked myself before I sat down to watch this one, which was: do we really need yet another reimagining of Batman? I mean, it used to be years would pass before filmmakers would return to remaking great stories which had already been told. I mean, we just saw Ben Affleck in the role a mere five years ago in JUSTICE LEAGUE (2017).

So, while I liked a lot of what Matt Reeves did with this movie, most of it is just stuff I’ve seen before. And if I’m going to sit through a three hour movie, I’d prefer it not be on stuff I’ve seen before. Have I mentioned yet that this film is long???

As I said, Matt Reeves is one of my favorite movie directors. He directed CLOVERFIELD (2008), LET ME IN (2010) Hammer Films’ vampire remake starring Chloe Grace Moretz that I actually prefer over the original, as well as the very entertaining DAWN OF THE PLANET OF THE APES (2014) and WAR FOR THE PLANET OF THE APES (2017). For the most part, I enjoyed Reeves’ work here on THE BATMAN. I loved how he depicted Batman’s movements, with slow heavy footsteps that made him more monstrous and ominous than any previous interpretation. He instilled fear before he threw any punches. The film noir feel of the movie was awesome. With its constant rain pelting Gotham City, the film had a definite BLADE RUNNER (1982) feel to it.

The action sequences were okay. I’ve seen better. But the overall drama, conflict, and story simply doesn’t hold up for all three hours of this very long movie.

I’m a fan of Robert Pattinson. Not because of TWILIGHT, a series which I hated then and still hate now, but because of what he’s done since. He’s been terrific in such movies as THE LOST CITY OF Z (2016), GOOD TIME (2017), and most recently as a slimy reverend in THE DEVIL ALL THE TIME (2020). As Batman, Pattinson is excellent! He is certainly not the problem with this movie. In fact, I enjoyed Pattinson as Batman so much I would be more than happy to watch him play the role again. I liked his tortured take on the character… again, nothing new… but Pattinson did it well.

Where does Pattison rank with the movie Batmans? Tough to say now, as he has only played the role once. I love Christian Bale’s take on the character, and I’ve always been a fan of Michael Keaton’s work as the Caped Crusader in his two Batman movies. Interestingly enough, the Batman I believed Pattison resembled the most was… Adam West from the campy 60s version! There’s something about Pattison’s jawline beneath the cowl that calls to mind West. For such a dark movie, there are several nods to the Adam West version of Batman here in THE BATMAN, such as the bust of William Shakespeare in Wayne Manor.

The rest of the cast is solid, and all add to the pieces which make up THE BATMAN. Zoe Kravitz is okay as Selina Kyle. We just saw her in the thriller KIMI (2022), and I actually enjoyed her more in KIMI than here as Catwoman.

Jeffrey Wright, fresh off his memorable swan song as CIA agent and James Bond buddy Felix Leiter in NO TIME TO DIE (2021), makes for an effective James Gordon. An unrecognizable Colin Farrell is excellent as Oz aka The Penguin who looks like he would have been right at home operating inside the world of THE SOPRANOS (1999-2007) The same can be said for John Turturro as Carmine Falcone. Besides Pattinson, Farrell and Turturro deliver the best performances in the movie.

Andy Serkis does well as Alfred in limited screen time. Speaking of limited screen time, we barely see Paul Dano as the Riddler, which works against the movie. In his brief screen time, Dano didn’t really impress me as the villain.

THE BATMAN also features an atmospheric and haunting music score by Michael Giacchino, which reminded me a lot of the score he wrote for LET ME IN.

Is THE BATMAN the best Batman movie ever?

No.

Christopher Nolan’s THE DARK KNIGHT (2008) remains the gold standard of Batman movies, and for my money is the best Batman movie to date. Nolan’s BATMAN BEGINS (2005) is not that far behind. And while they have not aged well, Tim Burton’s BATMAN (1989) and BATMAN RETURNS (1992) are both excellent Batman movies. You have Michael Keaton as Batman in both, and Jack Nicholson’s Joker in BATMAN, and Michelle Pfeiffer’s Catwoman— still the best movie Catwoman yet— in BATMAN RETURNS.

Where does THE BATMAN rank?

Well, for its first two hours, it was right up there with THE DARK KNIGHT. But it goes on far too long and just doesn’t have the legs to go the distance. It lost me in its final hour, and by the time Batman and Catwoman are taking down the Riddler and friends, the only thing I was thinking about was finally being able to stand up again.

Did I mention this movie was very long?

—END—

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Movie Lists: SPIKE LEE MOVIES

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spike lee

Welcome back to MOVIE LISTS, the column where we look at— lists pertaining to movies. Duh!

Up today, it’s a look at the career of director Spike Lee, which of course is still going strong, so while this is an incomplete list, it’s still an important one because Spike Lee is an important filmmaker.

Now, I haven’t really seen enough Spike Lee movies to consider myself a true fan, but I’ve generally enjoyed his work, and his most recent movies have spoken to current racial tensions in ways that have really resonated, so Lee has been on my mind lately more than ever. And rightly so. Lee makes movies that make you pay attention.

Okay, here’s a partial list of Spike Lee’s 93 directorial credits:

JOE’S BED-STUY BARBERSHOP: WE CUT HEADS (1983)- Lee’s first directorial credit.

SHE’S GOTTA HAVE IT (1986) – Spike Lee’s first legitimate hit, a comedy about a young woman and her three lovers. Well-received by critics upon its initial release. I was fortunate enough to see it when it first came out, as I was in my senior year at Boston University and saw it when it premiered as part of one of my film classes.

In addition to directing and writing the screenplay, Lee also appears in the movie as one of the boyfriends.

SCHOOL DAZE (1988) – Lee’s next film, a comedy/drama/musical about a fraternity pledge at a black college. Starring Laurence Fishburne and a young Giancarlo Esposito who would go on to star in a lot of Lee’s movies.

DO THE RIGHT THING (1989) – Powerful tale of race relations in Brooklyn. Starring Danny Aiello, John Turturro, and again, Giancarlo Esposito.

MO’ BETTER BLUES (1990) – again directed, written by, and starring Spike Lee, this one is the story of two jazz musicians played by Denzel Washington and Wesley Snipes.

JUNGLE FEVER (1991) – Lee’s take on interracial relationships, starring Wesley Snipes and Annabella Sciorra.

MALCOLM X (1992) – probably my favorite Spike Lee movie. This riveting bio pic of African American leader Malcolm X also features one of my favorite performances by Denzel Washington of all time, in the lead role as Malcolm X.

CROOKLYN (1994) – a look at a black family in Brooklyn in 1973.

CLOCKERS (1995)- crime thriller about drug pushers and cops in Brooklyn, starring Harvey Keitel and Lee regular John Turturro.

GIRL 6 (1996) -comedy/drama about a struggling actress who turns to sex to make money.

GET ON THE BUS (1996) – chronicles a bus ride to Washington D.C. for the Million Man March.

HE GOT GAME (1998)- basketball player drama starring Denzel Washington.

SUMMER OF SAM (1999) -Lee’s take on the Son of Sam murders.

BAMBOOZLED (2000)- comedy drama about a frustrated African American writer who in a fit of frustration comes up with a blackface minstrel show only to see it become a hit.

25TH HOUR (2002) – drama about the last 24 hours of a convicted drug dealer, starring Edward Norton.

INSIDE MAN (2006) – Tense crime drama about negotiations over a hostage situation following a bank robbery, starring Denzel Washington, Clive Owen, and Jodie Foster.

MIRACLE AT ST. ANNA (2008) – World War II drama about a group of black soldiers who get trapped in a village.

RED HOOK SUMMER (2012) – drama about a boy who spends a summer with his deeply religious grandfather.

OLDBOY (2013) – weird action drama, a remake, about a man, played by Josh Brolin, held captive for twenty years who is then suddenly released, and he sets out to find answers to why this happened to him. This one just didn’t work for me.

DA SWEET BLOOD OF JESUS (2014) – thriller about a mysterious curse which results in a thirst for blood.

CHI-RAQ (2015) – modern day adaptation of a play by Aristophanes.

BLACKKKLANSMAN (2018) – the first Spike Lee film since MALCOLM X that I really, really enjoyed. Intriguing from start to finish, it tells the story of a black cop played by John David Washington who infiltrates the KKK but then needs the help of a fellow white cop played by Adam Driver to pull off the ruse. Thought-provokig throughout, it’s actually based on real events.

DA 5 BLOODS (2020)- Lee’s most recent film to date, and his first for Netflix. I actually enjoyed this one even more than BLACKKKLANSMAN, as its story of four black veterans of the Vietnam war who return to Vietnam in 2020 to reclaim the remains of their fallen platoon leader speaks to today’s modern day Black Lives Matter movement with a clarity that is seldom found in the movies. An outstanding movie that really speaks to the plight of the black male in the United States.

And there you have it, a brief, partial list of the movies of Spike Lee, one of the most influential film directors working today.

I hope you enjoyed this MOVIE LISTS column and will join me again next time when we look at another list pertaining to the movies.

As always, thanks for reading!

—Michael