HALLOWEEN ENDS… we can only hope!
Actually, I’m a big fan of the HALLOWEEN series and have been since seeing John Carpenter’s classic HALLOWEEN (1978) at the movies when it first came out, a long, long time ago. That first movie remains my favorite, and truth be told, most of the sequels and re-imaginings have been pretty bad, but I’ve enjoyed most of them, as guilty pleasures, I guess. I’ve had this conversation with friends, but one of the reasons I’ve always liked the HALLOWEEN movies even when they’re not that great is because of John Carpenter’s iconic HALLOWEEN music score. As soon as it starts playing on the soundtrack, I’m in!
And the music was about the only thing I liked about the reimagined sequel HALLOWEEN (2018) which brought back Jamie Lee Curtis to the series and told her character’s story about how she had been dealing with the fallout from Michael Myers for forty years, a film which pretty much ignored all the sequels and tried to be a sole sequel to the 1978 film. It was a worthy idea, but the script was pretty bad, and the film a disappointment.
I was one of the few people who actually enjoyed the sequel to that movie, HALLOWEEN KILLS (2021) more than the 2018 film.
Now comes the “final” installment in this new HALLOWEEN trilogy, HALLOWEEN ENDS— who is coming up with the titles to these movies?— and all three movies were directed by David Gordon Green.
HALLOWEEN ENDS is not getting good reviews, but I’ll cut right to the chase: I actually liked this one better than HALLOWEEN KILLS, which makes it my favorite of this new HALLOWEEN trilogy.
One of the biggest reasons I liked this one? It tries a lot that is new, and so if you are expecting two hours of Michael Myers vs. Jamie Lee Curtis’ Laurie Strode, that’s not what you’re going to get. I’m sure some fans will be put off by this. I wasn’t, mostly because what was in its place were story elements that were all rather intriguing.
HALLOWEEN ENDS opens in the here and now in Haddonfield, Illinois, the small town which seems to have been forever cursed by Michael Myers, with a different take on the babysitting trope, as this time the babysitter is a young man, Corey (Rohan Campbell). Corey is babysitting a bratty little kid who tells Corey he’s not afraid because Michael Myers doesn’t kill kids; he kills babysitters! Ouch! Before the night is over, the boy locks Corey inside an attic room. When Corey kicks the door open, tragedy results, and the little tyke is killed in front of his parents’ eyes who have just returned home.
Cue opening credits.
Usually, introducing new story elements and characters isn’t the best idea in a third film in a series, as you want to know what’s going on with the characters from the first two installments, but it somehow works here in HALLOWEEN ENDS, and Corey becomes an intriguing character. Even with all the Michael Myers history, Corey is now considered the town psycho after he is not convicted of murder. He’s the recipient of massive hating and bullying, and he has a mother who would be right at home being best friends with Norman Bates’ mother.
One thing HALLOWEEN ENDS gets right is it paints a portrait of hatred and vindictiveness in our modern-day culture, and I think it nails this throughout the movie. It reminded me a little bit of what Sandra Bullock’s character went through in the excellent Netflix movie THE UNFORGIVABLE (2021), where Bullock played an ex-con where pretty much everyone in society decided her crime was unforgivable and treated her like dirt.
When we finally catch up with Laurie Strode (Jamie Lee Curtis), she’s living with her granddaughter Allyson (Andi Matichak), and the two are trying to live their lives in Haddonfield after the events from the last movie where Allyson’s mom and Laurie’s daughter was murdered by Michael Myers. Laurie is writing her memoirs, and we learn that Michael Myers has disappeared.
When bullies actually push Corey off a bridge, he finds himself left for dead on the banks of the river. He makes his way into an underground tunnel and there discovers— you got it! Michael Myers has taken up residence underneath Haddonfield! When Myers attacks Corey, their eyes lock, and a strange thing happens. Is it a meeting of the minds? Does Myers see a fellow psycho? Or is the evil that inhabits Myers now transferred to Corey? Whatever the answer, Corey finds a newfound power, and an ally, and together they go on a vengeance killing spree.
Around this same time, Allyson meets Corey, thinks he’s cute, and pursues him, and the two characters grow close, finding common ground in their disdain for Haddonfield, and they speak openly of blowing everything up and then leaving for good. This story arc is rather interesting, as it brings together a Michael Myers disciple and Laurie’s granddaughter, now both working together for less than noble purposes.
Of course, Laurie disapproves, especially when she begins to receive Michael Myers’ vibes when she looks at Corey. As she says, she sees Myers’ eyes in Corey’s eyes. There’s a neat scene where Laurie looks out her window and sees Corey standing by some hanging laundry which mirrors a similar scene in the original HALLOWEEN.
Corey eventually wants more power, and battles Michael Myers and steals his mask, in effect becoming a new Michael Myers. But HALLOWEEN ENDS isn’t SON OF MICHAEL MYERS, and good old Michael isn’t interested in retiring just yet.
And Michael is old, as he should be in his 60s right about now, and the film stays true to that notion, and we see a killer who isn’t a young man anymore. That’s not to say he’s not in killing shape. He’s just a demonic killer who’s now in his 60s, which is something else about this movie that I liked.
HALLOWEEN ENDS makes good on its title and goes out of its way to make sure that Michael Myers isn’t coming back ever again—almost to a laughable degree—but never say never. This is the movies, after all, and anything can happen in the movies.
Also, as Laurie says in her voice over narration from the memoir she’s writing, evil never really dies. It just changes shape, an intriguing notion and choice of words, since Michael Myers is often credited as The Shape in the HALLOWEEN movies. Which is a neat way of wrapping up this series, with the idea that Michael was just a temporary shape of evil, housing some demonic entity, which may in fact live on even after its host body has been destroyed.
I thought there was a lot to like about HALLOWEEN ENDS. The screenplay by Paul Brad Logan somehow kept this story fresh throughout. I really didn’t think I was going to enjoy the story about Corey, but it works. I also thought Logan nailed the hate and vindictiveness in our modern-day society. Townpeople call out Laurie and blame her for their woes, because she had the gall to irk Michael Myers, rather than just leaving him alone.
One thing that doesn’t work, however, is the notion that this is a long-standing battle between Laurie and Michael. Sure, he attacked her in the original movie, but if anyone was truly his adversary, it was his doctor, Doctor Loomis, played by the late great Donald Pleasence. The idea that Laurie and Michael are bitter adversaries really was concocted for this trilogy.
Jamie Lee Curtis is fine, playing Laurie for what seems to be the final time. But one of my favorite performances however belongs to Andi Matichak as Laurie’s granddaughter Allyson, who is a much more interesting character, and her flirtations with evil and “burning down” Haddonfield are some of the more interesting parts of the film. Rohan Campbell is also very good as Corey, the misunderstood youth who becomes a Michael Myers disciple.
David Gordon Green’s direction isn’t bad. The film takes its time, which might turn off audiences, but it didn’t bother me because the story was firing on all cylinders. How does it stand up as a horror movie? Not bad. It’s not all that scary, which is not a good thing. How does it rank as a HALLOWEEN movie? It’s the best of this latest trilogy, but it still pales in comparison to John Carpenter’s original.
That being said, it was still way better than I expected, and so I have few complaints about this one. If you’re going to call your movie HALLOWEEN ENDS and plan to end a franchise, this was certainly a fitting way to do it. Then again, maybe it was just that iconic music score working its magic again…
Either way, this series started back in 1978, and although this installment actually included some new ideas, most of the films have not, and so on that note, I think it’s time we put this series to bed. So while I like this one, I’m still hoping HALLOWEEN ENDS lives up to its name.
I give HALLOWEEN ENDS three stars.
Four stars- Excellent
Three stars- Very Good
Two stars- Fair
One star- Poor
Zero Stars- Awful