EMILY THE CRIMINAL (2022) – Aubrey Plaza Shines in Riveting New Thriller

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When the criminals treat you better than the employers, you know there’s something wrong.

I mean, if you’re going to work your fingers to the bone and get paid bare minimum, with no rights as an employee, why not work for the criminals who are paying you lots of money and are being more up front and honest with you than people in the workplace?

That’s the premise behind EMILY THE CRIMINAL (2022), a new thriller starring Aubrey Plaza about a young woman who is struggling to make ends meet who turns to crime when she is finally fed up with it all.

Emily (Aubrey Plaza) works long hours for a food delivery service and spends her days delivering and serving food to various clients. She is saddled with student debt that she cannot pay off… we witness one phone conversation where she learns that her recent payment only covered the accrued interest and not the principal of the loan…. and her efforts to find a better paying job continually fall short. She has a criminal record, for one incident of aggravated assault, and this hinders her job search. In one interview, the interviewer tells her he hasn’t read the record yet and asks her to explain it, and when she gives an alternate account, he reveals he has read it, which she sees, and rightly so, as an act of deception.

When she interviews for an upscale design position, she learns it’s actually an unpaid internship. And when her current boss changes her hours without warning, she complains, but he tells her there’s no union, no place to file grievances, so either work or leave.

All of this is why when a co-worker gives her a phone number and tells her to call it because it’s a gig that will pay her $200, she does it. After calling the number, she meets Youcef (Theo Rossi) who explains to her and the others who have also showed up that day that they will all make $200 cash, but that they will be doing something illegal. It turns out it’s a “dummy shopper” scheme where they use stolen credit card numbers to buy goods, in this case a flat screen TV, which they then turn over to Youcef who will then turn around and sell the TVs to make more money. Emily agrees, it goes well, and Youcef tells her there is another job if she’s interested, but the stakes are higher, but it will also pay $2,000.

After some soul searching, Emily decides to do the job, and even though it is more dangerous, she gets the money, and soon after decides to go all in with Youcef and continue this life of crime.

EMILY THE CRIMINAL is a well-made, smart and ultimately enjoyable thriller that I liked a lot. Its story works, like most good stories do, because it is based on truth. Employers often do treat workers terribly, prospective employers are sometimes less than honest in interviews, and there are lots of places that believe unpaid internships are real jobs. If you have spent time struggling to find work, especially work that pays well, you know this is the case. I certainly do.

Emily is an artist who loves to paint, but she can’t even think about doing what she loves because her life is a grind where she’s working only to pay bills and her student loans, and in spite of long hours, she’s failing at both. And so, it makes perfect sense for Emily when she discovers the illegal dummy shopper scheme, that she’s not going to say no. She’s desperate. And when she takes things to the next level, the audience understands her decision, because they understand her motives. She just wants to live her life. And capitalism just isn’t giving her a fair shake at the opportunities.

EMILY THE CRIMINAL features a terrific performance by Aubrey Plaza in the lead role. Plaza has been around for a while, and I have not seen a lot of her work, but she’s riveting here. She plays Emily as tough as nails, someone who is sick and tired of being pushed around, and when she decides to push back, it’s something to watch. Plaza of course played April on the TV show PARKS AND RECREATION (2009-2015) and she also starred in the TV show LEGION (2017-2019). She also starred in the remake CHILD’S PLAY (2019), which I liked, and she was in SCOTT PILGRIM VS. THE WORLD (2010) as well.

Theo Rossi, who has also been in a ton of stuff, plays Youcef, who in spite of seeming cold and detached at first, shows more honesty in his dealings with Emily than most of the traditional employers she has dealt with. He also has a soft side, and as the story goes along, he and Emily grow closer. Rossi nails the role, which was much more satisfying than his recent comedic turn in ARMY OF THE DEAD (2021). Rossi played the villain, Shades, in the Netflix Marvel TV show LUKE CAGE (2016-2018), and he was memorable as Juice on the TV show SONS OF ANARCHY (2008-2014).

Jonathan Avigdori makes for a nice villain, playing Youcef’s cousin Khalil, who is much more heavy-handed than Youcef, and who also doesn’t like Emily all that much.

EMILY THE CRIMINAL was written and directed by John Patton Ford, and it’s his first feature film credit. I loved the script, as it both tells a riveting story based on truth, and also creates a captivating character in Emily. You’ll root for Emily the same way you rooted for Bryan Cranston’s Walter White in BREAKING BAD (2008-2013).

There are some intense scenes here, like Emily’s attempt to steal an expensive car, and the sequence where a couple breaks into her apartment to turn the tables on her and rob her.

EMILY THE CRIMINAL is a satisfying small market movie that is more enjoyable and refreshing than many of the bigger budget movies in release today.

Definitely check this one out.

It would be a crime to miss it.

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CHILD’S PLAY (2019) – Smart, Funny, and Gory Remake Updates Chucky Story for 2019

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childs-play-2019

Do we really need a remake of CHILD’S PLAY?

Sure! Why not?

See, I’m not of the mindset that remakes are a bad thing. Did we really need remakes of the Universal monster movies? Yet Hammer Films made some of the best horror movies ever made doing just that. Did we need a remake of THE THING (1951)? Yet John Carpenter made arguably one of the finest horror movies of all time with his remake.

Sure, there are plenty of faulty remakes/reimaginings out there, but I like to keep an open mind and refuse to knock them on principle since a lot of amazingly good films have been remakes.

The original CHILD’S PLAY (1988) was a decent horror flick from the 1980s about a toy doll named Chucky possessed by the soul of a serial killer, and it starred Chris Sarandon as a police detective, following upon the heels of his success as vampire Jerry Dandrige in FRIGHT NIGHT (1985). It spawned a whole series of Chucky films.

So, how does the current reimagining hold up?

Very well.

In fact, the new CHILD’S PLAY (2019) gets off to a strong start within its first few minutes thanks to some sharp writing and spot-on storytelling.

This CHILD’S PLAY opens with a video of the president of Kaslan Industires Henry Kaslan (Tim Matheson) speaking to the camera about how their company cares for children, and he showcases their new Buddi doll, a doll that is more than just a toy. With its interactive technology, it connects to computers, phones, drones, and with its advanced robotics, it pretty much is the next best thing to a human companion/babysitter. And Kaslan stresses its safety factors, as it has safeguards that make it nearly impossible to do anyone harm.

And so you realize right off the bat that this is not going to be a story about a doll possessed by a serial killer, but about a doll with very real technology which today most likely could do all the things it does in the movie. Suddenly, Chucky’s story is based less on fantasy and more on reality. Very cool.

And when a disgruntled employee on his last day on the job removes all the safety protocols from one doll, that plot point makes sense as well.

Thirteen year-old Andy Barclay (Gabriel Bateman) lives with his young mom Karen (Aubrey Plaza) in a modest apartment. Since Andy has been having a hard time with their recent move, Karen decides to get her son an early birthday present. She works at a department store and when a customer returns a defective Buddi doll, she decides to rewrap it and give it to her son, believing it’s not all that defective since the main reason the customer cited for returning it was that it wasn’t the latest model which is due out in days.

When Andy comments that he’s kind of old for Buddi, Karen tells him that it could be a joke gift and that they could just have some fun with it. But the Buddi doll’s friendship program proves to be irresistible, and Andy, a loner, finds himself enjoying the company. When the doll asks Andy what he should name him, Andy says “Han Solo,” which is an in-joke since the doll is being voiced here by Mark Hamill, but the doll ignores Andy and says, “Chucky. My name will be Chucky.” Andy laughs off this unexpected moment of independence and fully embraces his new Chucky companion.

Of course, this is the doll without the safety protocols, and as a result it takes its job as Andy’s friend and protector very seriously. Too seriously. Anyone Chucky views as a threat to Andy ends up dead, and in the most unpleasant of ways.

I really enjoyed this new CHILD’S PLAY for a lot of reasons. For starters, Mark Hamill’s voice work for Chucky is outstanding. He’s creepy, he’s funny, and for a talking doll he’s very real. There’s a reason Hamill in spite of his STAR WARS superstardom is more known for his voice work than his onscreen acting performances. His voice work is very good. No knock against Brad Dourif who voiced the original Chucky, but Hamill made it so I wasn’t pining for the Chucky of yesteryear.

The rest of the cast is strong as well. Gabriel Bateman does a nice job as thirteen year-old Andy, and when he and his friends are on the case trying to stop Chucky, the film channels a STRANGER THINGS vibe.

I really liked Aubrey Plaza as Andy’s young mom Karen. Plaza has a comedic background. She played April on PARKS AND RECREATION (2009-2015). Her comedic timing is on full display here, and she takes things to the next level as she’s more than just a comedian in this movie. She makes for a convincing single mom.

I also enjoyed Brian Tyree Henry as Detective Mike Norris. He also has the light touch, as his Mike Norris is much more humorous than the character Chris Sarandon played in the original. Henry has been in a lot of stuff lately, appearing in HOTEL ARTEMIS (2018), WHITE BOY RICK (2018), WIDOWS (2018), and he provided voice work for the critically acclaimed animated superhero movie SPIDER-MAN: INTO THE SPIDER-VERSE (2018). ┬áHis roles in these films have all been different, and his work here in CHILD’S PLAY was much more playful than his roles in the aforementioned films.

CHILD’S PLAY has a smart and funny screenplay by Tyler Burton Smith. It carves out—heh, heh–likable characters, creates a surprisingly realistic threat in the Chucky doll, and tells a believable and often riveting story, even as it keeps things light throughout.

Director Lars Klevberg keeps the pace quick and the movie’s 90 minutes fly by easily. This one is rated R so be prepared for some grotesque horror movie violence in the spirit of the horror films from the 70s and 80s.

Speaking of which, how does this new CHILD’S PLAY stack up as a horror movie? Surprisingly well. First off, I thought it did a good job bringing Chucky into 2019, where our present day technology makes the notion of a murderous doll not that far-fetched since the science for making it happen exists in the real world. So, you have a realistic threat.

The gory murders hearken back to older films of this type and serve as an homage to these movies.

I didn’t really find CHILD’S PLAY scary, but that didn’t take away from my enjoying it. I cared for the characters and didn’t want to see them fall victim to Chucky. I also liked the look of this new Chucky, which had just enough differences to make it stand out from the original doll.

The film’s climactic third act, when Chucky exacts his revenge inside the department store at the unveiling and first sale of the new Buddi dolls, amid the rush of stampeding crazed customers, serves as a nice metaphor for the insanity of current day Black Friday shopping.

So, I’m not sure if we really needed a remake of CHILD’S PLAY, but this 2019 reimagining is a good one. So good in fact that you won’t even have to save your receipt. No refunds or returns are necessary.

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