WHITE NOISE (2022) – Bizarre Movie Lives Up to Its Title and Says Very Little

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I’m sure there’s an audience out there somewhere who will enjoy WHITE NOISE (2022).

To borrow a phrase from Woody Allen’s ANNIE HALL (1977), the rest of us are all due back on planet Earth.

WHITE NOISE is one bizarre movie.

Written and directed by Noah Baumbach, the man who gave us MARRIAGE STORY (2019), which I liked, WHITE NOISE is a story told in three parts, and none of them really work. Categorized as a comedy/drama/horror movie, and now available on Netflix, WHITE NOISE tells the story of a contemporary family in crisis. There’s the dad, college professor and Hitler expert Jack Gladney (Adam Driver), his wife Babette (Greta Gerwig), and their myriad of children who all act like an updated version of THE BRADY BUNCH.

On the surface, things seem wonderful. Jack and Babette seem extremely happy and act like the perfect couple, but soon cracks in the armor emerge, and it starts when their daughter Denise (Raffey Cassidy) spies her mom popping a pill and then denying it. The dialogue in this early sequence is playful and thoughtful, but it’s not easy to follow, and that’s because everyone in this movie speaks like an academic. We later see Jack and his fellow university professors chatting around a table, and their conversation is both highbrow and irrelevant, and it dawned on me as the rest of the movie played out that every character in this film, even the kids, speak this way. It’s as if Baumbach took notes on everything his college professors said to him and turned it into dialogue for his characters. As a result, the dialogue throughout the movie is not realistic because most everyday people don’t speak this way. I could even buy Jack and Babette’s kids talking in this manner, but everybody in this film sounds the same. And frankly, their conversations are difficult to follow, as they seemingly offer one non sequitur after another.

The second part of the story, and the movie’s centerpiece, follows the plot point of a truck colliding with a train, which releases toxic chemicals into the air, and Jack and his family like the rest of his town are forced to evacuate. This scenario should have been a laugh out loud one, but once more, the dialogue gets in the way and the hoped-for laughter never comes.

And the final part of the story follows Jack’s attempts to learn the truth about why Babette is taking a mysterious drug. This last sequence is the worst sequence in the movie, and so while I was on board for two thirds of this one, trying to buy into it in spite of the dialogue, the end completely lost me and it became a labor to sit through till the end credits, which actually feature a neat choreographed number with people in a grocery store, which sadly, is the liveliest part of the entire movie, the end credits. But you have to sit through the two hour plus movie first.

Ultimately, the story is about people’s fear of death, fear of the idea that we are simply working our way towards oblivion, that no one gets off this planet alive. A thought-provoking theme to be sure, but what a terribly convoluted way to go about it. Woody Allen tackled death much more effectively in most of his movies.

The screenplay here by Baumbach, based on the book by Don DeLillo, is a labor to sit through. I couldn’t relate to any of the characters, mostly because they did not seem or speak like real people.

I usually enjoy Adam Driver and Greta Gerwig, and for the most part I enjoyed them here, especially during the film’s initial sequence. They are a likable couple, and their conversations are thoughtful and refreshing, but the longer the movie goes on, the weirder things get, and the less relatable they become. By film’s end, I didn’t care about either character.

Don Cheadle is also in the cast as Jack’s friend and fellow professor Murray, who wants to become an Elvis expert. Cheadle is fine, even though his storyline is a snooze.

I really thought I was going to like WHITE NOISE. It had an interesting premise, a talented writer/director at the helm, and a good cast. But all this promise was sunk by a story that turned out not to be that interesting, with dialogue that was unrealistic, and a central theme about the fear of death that was never dealt with heads on.

WHITE NOISE is supposed to be a story about a family that is distracted from the real things in life by all the white noise which the world throws at them. But ironically, the film ends up living up to its title. It ends up being simply background noise with nothing of merit to say.

I give it one and a half stars.

—END—

RATING SYSTEM

Four stars- Excellent

Three stars- Very Good

Two stars- Fair

One star- Poor

Zero Stars- Awful

THE DEAD DON’T DIE (2019) – Understated Satire Just Happens to Have Zombies In It

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THE DEAD DON'T DIE

Some day, perhaps, THE DEAD DON’T DIE (2019) might be remembered as a masterpiece of understated humor and satire.

Alas, today is not that day.

THE DEAD DON’T DIE is a new horror comedy starring Bill Murray and Adam Driver that is being marketed as a zombie comedy, but you know what? It’s not really a zombie movie. Oh, there are zombies in it, but it’s the most non-zombie zombie movie I’ve ever seen, which is not going to make it a hit among horror fans.

In fact I’d wager to guess that most horror fans will not like this movie. Even though it mentions George Romero and throws in a few Easter eggs here and there, it largely ignores the zombie films which have come before it. Sometimes this can be a good thing, but in this case it is not.

Heck, since its comedy really isn’t all that biting— heh, heh!— comedy fans aren’t going to be too keen on this one either. Yup, I’m going to go out on a—limb— and predict that this one will not perform all that well at the box office.

That being said, THE DEAD DON’T DIE is not an awful film. I actually liked it, in a weird offbeat sort of way, and that’s because at the end of the day THE DEAD DON’T DIE is satire, that just happens to have zombies in it. It’s the type of comedy that Bob Newhart would have made in his heyday, with Murray filling in here for the Newhart role. It has a few pointed things to say about our present day society, but the writing is never as sharp, and the direction never as tight as a movie like this needs it to be. Even when the film breaks the fourth wall, the humor still struggles. Yet, there are places where it works and works well.

In THE DEAD DON’T DIE, Police Chief Cliff Robertson (Bill Murray) and his fellow officers Ronnie Peterson (Adam Driver) and Mindy Morrison (Chloe Sevigny) usually have nothing more urgent to do in their small town of Centerville than ask their local Hermit Bob (Tom Waits) whether or not he stole chickens from the annoying farmer Frank Miller (Steve Buscemi). But suddenly things grow strange.

The daylight lasts longer than usual, watches and cell phones stop working, and soon the dead start to rise and begin eating the townspeople. The culprit? The controversial use of global fracking has affected the earth’s rotation, and as a result all these freaky things start happening. Supposedly. The people aren’t sure, because the government cites global fracking as safe and accuses scientists of spreading false information. Sound familiar?

How Robertson and his fellow officers react to these horrific happenings is the story told in THE DEAD DON’T DIE. Trouble is, the biggest way they react is by standing around and doing nothing. So much for compelling storytelling!

THE DEAD DON’T DIE was written and directed by Jim Jarmusch, a director known for his deadpan style. Jarmusch is tenacious here with his slow-moving satire, which might be the film’s greatest asset, that it never deviates from its slow pace, its unassuming humor, and its coy messages on society.

The satire in THE DEAD DON’T DIE is there. It’s just not always all that clear. For instance, Steve Buscemi’s Farmer Frank wears a red cap which reads “Keep America White Again,” a slogan which in itself satirizes the modern-day message of the Trump presidency as well as poking fun at the overall intelligence of his followers with its grammatically incorrect slogan. It appears ever so briefly and is easily missed. Yet it got a good chuckle from the audience.

Speaking of which, I saw THE DEAD DON’T DIE in a full theater in which the majority in the audience were college-aged folks. It was a lively audience that was laughing and having fun even before the movie started. And they were generous with their laughter throughout the movie, laughing much more than I did.

As mentioned, the film breaks the fourth wall on more than one occasion, sequences where Murray and Driver discuss the theme song and even the script. But it’s not the type of lively screenplay that is filled with playful asides a la the works of Woody Allen or Mel Brooks. In fact, there is very little that is lively about the entire movie. There’s about as much energy surrounding this flick as a heavy-duty afternoon nap.

There are also some fun little in-jokes, like Adam Driver carrying a STAR WARS key chain, a direct nod to his role in the new STAR WARS trilogy.

A lot of the humor doesn’t work. The running gag about the theme song wasn’t funny at the beginning and it’s even less funny by the end.

There’s a GREAT GATSBY gaffe that I’m still not sure I understand. A character mentions she loves the name Zelda because of Zelda Fitzgerald, who she says was Jay Gatsby’s wife in THE GREAT GATSBY, but Gatsby wasn’t married, and his love interest in the novel was Daisy Buchanan. Zelda Fitzgerald was the wife of Gatsby author F. Scott Fitzgerald. It’s possible I’m missing something here, but since what I’m missing isn’t obvious, such a gaffe just comes off as lazy writing.

Speaking of lazy, there’s a heck of a lot of inaction going on here. Characters stand around and talk, and talk, and talk. There’s one sequence after the first zombie kill in the diner when Chief Robertson discovers the bodies, that features as its gag people saying the same lines when they see the bodies for this first time. Admittedly, this is funny, but it takes place during a sequence where we have to watch each character drive up to the diner, casually take their time entering and exiting before saying the aforementioned line. S-l-o-w.

There are a lot of satirical moments poking fun at today’s society, and most of these work, although they are exceedingly understated.

The horror elements are also downplayed here, and while there are some gory sequences, this one doesn’t really hold its own as a horror movie. There are also scenes of dialogue where the characters in a panic go on about the zombie epidemic, and they go on at lengths which aren’t supported by events in the movie. There’s basically one zombie scene before the film’s third and final act.

There’s also an annoying way the zombie’s die, as when they are killed they give off a puff of smoke. What is this, TWILIGHT?

THE DEAD DON’T DIE does have a terrific cast, which is one of its strengths, and they all play quirky characters.

Bill Murray is fine as Chief Robertson. He certainly has been funnier in his career, but he handles the deadpan humor well, again channeling a Bob Newhart vibe. There’s also an in-joke when his character breaks the fourth wall and asks Adam Driver if they are simply improvising here, since Murray began his career with improv, and is known to have improvised in some of his movies. Then again, maybe it simply means that Murray and Driver weren’t working with a script!

Adam Driver also nails the deadpan humor as Officer Peterson. I increasingly enjoy Driver in the movies, and while his biggest role to date has been the conflicted villain Kylo Ren in the new STAR WARS trilogy, I’ve enjoyed him more in such films as BLACKKKLANSMAN (2018) and LOGAN LUCKY (2017). He was probably my favorite part of THE DEAD DON’T DIE, and he certainly got the most laughs, but he also didn’t have to try very hard. The audience laughed when he showed up at a crime scene driving a miniscule car.

Chloe Sevigny is very good as Officer Morrison, and Tilda Swinton has the most unusual role as local mortician Zelda Winston, who’s an eccentric character whose idiosyncracies sometimes generate laughter and other times misfire. She’s the one character in the film who is a badass zombie killer, which provide Swinton with her best moments in the movie.

Steve Buscemi is on hand as the irritable farmer Frank, and he has a couple of comic moments, but for a guy like Buscemi, that’s less than you expect. The cast also includes Danny Glover, Selena Gomez, Caleb Landry Jones, and Tom Waits as Hermit Bob.

Hermit Bob’s line at the end of the film that we live in a crazy world kinda sums up the point of the film, that this world is a crazy place, and that zombies rising from the dead isn’t any nuttier than things we are already seeing.

As I said, one day this film may be remembered as a classic satire. But today, alas, due to its incredibly slow and lethargic pace and less than sharp writing, it’s going down in my book as a well-intentioned look at the crazy world in which we live that lacked the necessary energy and oomph to successfully make its case.

It also doesn’t help itself in that it’s not much of a zombie movie, a fact that most likely will keep its potential fan base away from the theater.

—END—

 

 

 

 

 

 

 

 

 

MOVIE LISTS: SCARLETT JOHANSSON – 2019

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MOVIE LISTS:  Scarlett Johansson

One of my favorite parts of AVENGERS: ENDGAME (2019) was Scarlett Johansson’s performance as Black Widow and the character’s story arc. So, with that in mind, I thought I would bring this column (originally from 2014) up to date.

Here’s the updated partial list of Johansson’s movie credits through April 2019:

 

EIGHT LEGGED FREAKS (2002) – frightened by giant spiders in this horror movie starring David Arquette.

LOST IN TRANSLATION (2003) – hanging out with Bill Murray in Japan in this quirky film by writer/director Sofia Coppola.

THE SPONGEBOB SQUAREPANTS MOVIE (2004) – lends her voice to this big screen adventure featuring SpongeBob, Patrick, and their undersea buddies.

MATCH POINT (2005) – really shines in this Woody Allen drama starring Jonathan Rhys Meyers.

THE PRESTIGE (2006) – Part of the rivalry between magicians Christian Bale and Hugh Jackman in this Christopher Nolan thriller.

VICKY CHRISTINA BARCELONA (2008) – Another Woody Allen drama, this time with Javier Bardem.

IRON MAN 2 (2010) – Hello Black Widow!  Johansson is the best part of this underwhelming IRON MAN sequel.

THE AVENGERS (2012) – Johansson’s Black Widow is the sexiest crime fighting heroine since Diana Rigg in the other THE AVENGERS, the 1960s TV show with Patrick MacNee.

HITCHCOCK (2012) – Playing Janet Leigh to Anthony Hopkins’ Hitch.

DON JON (2013) – Loses her boyfriend first to porn and then to older woman Julianne Moore in this quirky innovative movie by Joseph Gordon-Levitt.

UNDER THE SKIN (2013) – sexy alien who has the bad habit of killing those she seduces. Offbeat and weird, definitely worth a look.

HER (2013) – seduces Joaquin Phoenix with only her voice in this Oscar-nominated movie.

CHEF (2014) – has too small a role in this comedy drama by actor/director Jon Favreau.

CAPTAIN AMERICA:  THE WINTER SOLDIER (2014) – Black Widow is back and she’s still kicking butt and looking incredibly sexy doing it in this superior CAPTAIN AMERICA sequel.

LUCY (2014) – She’s the best part of this science fiction thriller about a woman who suddenly finds herself able to access her full brain capacity.

AVENGERS:  AGE OF ULTRON (2015) – fourth appearance as Black Widow in this AVENGERS sequel, which is not as good as the first.

HAIL, CAESAR! (2016) – has one of the best scenes in the movie, a hilariously sexy sequence with Jonah Hill, in this otherwise underwhelming misfire by the Coen Brothers.

THE JUNGLE BOOK (2016) – provides the voice for the snake Kaa in this impressive Disney remake of the Rudyard Kipling tale, well-directed by Jon Favreau.

CAPTAIN AMERICA:  CIVIL WAR (2016):  fifth turn as the sexy Black Widow in the third CAPTAIN AMERICA movie and one of Marvel’s all time best.  This rousing superhero film plays like THE AVENGERS 2.5 and contains some of the most entertaining sequences in the Marvel movie universe thus far.

GHOST IN THE SHELL (2017) – plays the lead role of the Major, a cyborg crime fighter, in this disappointing remake of the classic Japanese animated film.

ROUGH NIGHT (2017) –  it’s a girl’s night out gone wrong as Johansson plays a woman enjoying a reunion with her college friends when they accidentally kill a male stripper.

ISLE OF THE DOGS (2018) – lends her voice to this Oscar-nominated animated film which also features voice work from Bryan Cranston, Edward Norton, Bill Murray, and Jeff Goldblum.

AVENGERS: INFINITY WAR (2018) – back as Black Widow again in what for my money is the best AVENGERS film yet. Nonstop entertaining, and a gut-wrenching emotional finale, thanks to the unstoppable cosmic villain Thanos who will not be denied.

AVENGERS: ENDGAME (2019) – while I liked INFINITY WAR better than ENDGAME, Johansson enjoys some of her finest moments in the entire series as Black Widow right here in this movie. Indeed, Black Widow’s story and Johansson’s performance are some of the best parts of this film, which wraps up the AVENGERS saga as the Avengers go after Thanos and attempt to undo what he did in the previous film.

There you have it, a partial list of some notable Scarlett Johansson movies, updated for 2019.  Previously, I had written about looking forward to the rumored standalone movie for Black Widow, and supposedly, that film even though it’s been rumored for years, is in pre-production, which is interesting, considering what ultimately happened to Black Widow in AVENGERS: ENDGAME. Anyway, I would still be incredibly excited to see that standalone movie for Black Widow, and I do hope it still happens.

Okay, that’s it for now.

As always, thanks for reading!

—Michael

Memorable Movie Quotes: ANNIE HALL (1977)

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Diane Keaton and Woody Allen in ANNIE HALL (1977).

One of my favorite Woody Allen films is ANNIE HALL (1977), which just might be the quintessential Woody Allen movie.

I didn’t always feel this way.  I remember feeling quite bitter as a 13 year-old when ANNIE HALL bested my beloved STAR WARS (1977) for Best Picture that year.  Grrrr!!!

But it didn’t take me long to come around, as by the time I was in college I had watched ANNIE HALL multiple times and absolutely loved it. The jokes are nonstop and nearly all of them work, making ANNIE HALL the perfect subject for today’s MEMORABLE MOVIE QUOTES column, the column where we look at noteworthy quotes from some truly memorable movies.

ANNIE HALL works so well because Allen nails many of the truths that go along with relationships, and he finds humor in even their darkest moments. There’s an honesty in ANNIE HALL that lifts the humor to a whole other level.  There are enough memorable quotes in ANNIE HALL for several columns.  Today we’ll look at just a few of them.

The film opens with a memorable quote, as Woody Allen’s character Alvy Singer addresses the camera:

ALVY SINGER: There’s an old joke – um… two elderly women are at a Catskill mountain resort, and one of ’em says, “Boy, the food at this place is really terrible.” The other one says, “Yeah, I know; and such small portions.” Well, that’s essentially how I feel about life – full of loneliness, and misery, and suffering, and unhappiness, and it’s all over much too quickly. The… the other important joke, for me, is one that’s usually attributed to Groucho Marx; but, I think it appears originally in Freud’s “Wit and Its Relation to the Unconscious,” and it goes like this – I’m paraphrasing – um, “I would never want to belong to any club that would have someone like me for a member.” That’s the key joke of my adult life, in terms of my relationships with women.

 

There are a ton of hilarious quips regarding the relationship between Allen’s Alvy Singer and Diane Keaton’s Annie Hall, like this split-screen exchange when they’re each seeing their respective therapists:

ALVY SINGER’S THERAPIST: How often do you sleep together?

ANNIE HALL’S THERAPIST: Do you have sex often?

ALVY SINGER (complaining): Hardly ever. Maybe three times a week.

ANNIE HALL (annoyed): Constantly. I’d say three times a week.

 

And this conversation:

ALVY SINGER: Hey listen, gimme a kiss.

ANNIE HALL: Really?

ALVY SINGER: Yeah, why not, because we’re just gonna go home later, right, and then there’s gonna be all that tension, we’ve never kissed before and I’ll never know when to make the right move or anything. So we’ll kiss now and get it over with, and then we’ll go eat. We’ll digest our food better.

 

And here’s one of my favorite jokes in the film, where Alvy confronts Annie about having an affair:

ALVY SINGER: Well, I didn’t start out spying. I thought I’d surprise you. Pick you up after school.

ANNIE HALL: Yeah, but you wanted to keep the relationship flexible. Remember, it’s your phrase.

ALVY SINGER: Oh stop it, you’re having an affair with your college professor, that jerk that teaches that incredible crap course, Contemporary Crisis in Western Man…

ANNIE HALL:  Existential Motifs in Russian Literature. You’re really close.

ALVY SINGER; What’s the difference? It’s all mental masturbation.

ANNIE HALL: Oh, well, now we’re finally getting to a subject you know something about.

ALVY SINGER: Hey, don’t knock masturbation. It’s sex with someone I love.

 

Then there’s this observation on relationships:

ALVY SINGER: A relationship, I think, is like a shark. You know? It has to constantly move forward or it dies. And I think what we got on our hands is a dead shark.

 

And of course there are jokes that have nothing to do with relationships that are flat-out hilarious in ANNIE HALL, like this comment by Alvy on California when he and Annie are visiting The Golden State:

ANNIE HALL:  It’s so clean out here.

ALVY SINGER: That’s because they don’t throw their garbage away, they turn it into television shows.

 

Another of my favorite bits involves a scene with Christopher Walker as Duane.

DUANE:  Can I confess something? I tell you this as an artist, I think you’ll understand. Sometimes when I’m driving… on the road at night… I see two headlights coming toward me. Fast. I have this sudden impulse to turn the wheel quickly, head-on into the oncoming car. I can anticipate the explosion. The sound of shattering glass. The… flames rising out of the flowing gasoline.

ALVY SINGER: Right. Well, I have to – I have to go now, Duane, because I, I’m due back on the planet Earth.

 

And like it begins, ANNIE HALL ends with another memorable set of lines, once more spoken by Woody Allen’s Alvy Singer, to close out the film:

ALVY SINGER: After that it got pretty late, and we both had to go, but it was great seeing Annie again. I… I realized what a terrific person she was, and… and how much fun it was just knowing her; and I… I, I thought of that old joke, y’know, the, this… this guy goes to a psychiatrist and says, “Doc, uh, my brother’s crazy; he thinks he’s a chicken.” And, uh, the doctor says, “Well, why don’t you turn him in?” The guy says, “I would, but I need the eggs.” Well, I guess that’s pretty much now how I feel about relationships; y’know, they’re totally irrational, and crazy, and absurd, and… but, uh, I guess we keep goin’ through it because, uh, most of us… need the eggs.

 

As I said earlier, there are so many more memorable quotes and jokes in ANNIE HALL, there’s enough to fill an entire second and third column. But that’s it for today.  I hope you enjoyed today’s MEMORABLE MOVIE QUOTES column and join me again next time when I look at cool quotes from another classic movie.

Thanks for reading!

—Michael

YOUR MOVIE LISTS: SCARLET JOHANSSON – 2017

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YOUR MOVIE LISTS:  Scarlett Johansson

By Michael Arruda

Scarlett Johansson has made a few more movies since I posted this list in 2014.  Here’s an update, including movies through June 2017:

Welcome to another edition of YOUR MOVIE LISTS, the column where you’ll find lists of odds and ends about movies.  Up today, a look at films starring Scarlett Johansson.  Here is a partial list of her movies:

EIGHT LEGGED FREAKS (2002) – frightened by giant spiders in this horror movie starring David Arquette.

LOST IN TRANSLATION (2003) – hanging out with Bill Murray in Japan in this quirky film by writer/director Sofia Coppola.

THE SPONGEBOB SQUAREPANTS MOVIE (2004) – lends her voice to this big screen adventure featuring SpongeBob, Patrick, and their undersea buddies.

MATCH POINT (2005) – really shines in this Woody Allen drama starring Jonathan Rhys Meyers.

THE PRESTIGE (2006) – Part of the rivalry between magicians Christian Bale and Hugh Jackman in this Christopher Nolan thriller.

VICKY CHRISTINA BARCELONA (2008) – Another Woody Allen drama, this time with Javier Bardem.

IRON MAN 2 (2010) – Hello Black Widow!  Johansson is the best part of this underwhelming IRON MAN sequel.

THE AVENGERS (2012) – Johansson’s Black Widow is the sexiest crime fighting heroine since Diana Rigg in the other THE AVENGERS, the 1960s TV show with Patrick MacNee.

HITCHCOCK (2012) – Playing Janet Leigh to Anthony Hopkins’ Hitch.

DON JON (2013) – Loses her boyfriend first to porn and then to older woman Julianne Moore in this quirky innovative movie by Joseph Gordon-Levitt.

HER (2013) – seduces Joaquin Phoenix with only her voice in this Oscar-nominated movie.

CHEF (2014) – has too small a role in this comedy drama by actor/director Jon Favreau.

CAPTAIN AMERICA:  THE WINTER SOLDIER (2014) – Black Widow is back and she’s still kicking butt and looking incredibly sexy doing it in this superior CAPTAIN AMERICA sequel.

LUCY (2014) – She’s the best part of this science fiction thriller about a woman who suddenly finds herself able to access her full brain capacity.

AVENGERS:  AGE OF ULTRON (2015) – fourth appearance as Black Widow in this AVENGERS sequel, which is not as good as the first.

HAIL, CAESAR! (2016) – has one of the best scenes in the movie, a hilariously sexy sequence with Jonah Hill, in this otherwise underwhelming misfire by the Coen Brothers.

THE JUNGLE BOOK (2016) – provides the voice for the snake Kaa in this impressive Disney remake of the Rudyard Kipling tale, well-directed by Jon Favreau.

CAPTAIN AMERICA:  CIVIL WAR (2016):  fifth turn as the sexy Black Widow in the third CAPTAIN AMERICA movie and one of Marvel’s all time best.  This rousing superhero film plays like THE AVENGERS 2.5 and contains some of the most entertaining sequences in the Marvel movie universe thus far.

GHOST IN THE SHELL (2017) – plays the lead role of the Major, a cyborg crime fighter, in this disappointing remake of the classic Japanese animated film.

ROUGH NIGHT (2017) –  it’s a girl’s night out gone wrong as Johansson plays a woman enjoying a reunion with her college friends when they accidentally kill a male stripper.  This dreadful looking comedy opened to negative reviews and received a “pass” by me, as in “I’ll pass on this one, thank you very much.”

And look for Johansson to return as Black Widow for the sixth time in the third AVENGERS movie, AVENGERS: INFINITY WAR, due out in 2018.  Sadly still no sign of that stand alone Black Widow movie,  rumored to be in the works a few years ago.

There you have it, a partial list of some notable Scarlett Johansson movies.

Thanks for reading!

—Michael

Movie Lists: Gene Wilder

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Gene Wilder shrieking “Give my creation, life!” in YOUNG FRANKENSTEIN (1974).

Welcome to another edition of MOVIE LISTS, the column where you’ll find lists of odds and ends about movies.  Today, we look at films starring Gene Wilder.

Wilder, who passed away on August 29, 2016, was one of the most popular comic actors on the planet between 1974-1982.  Here is a partial list of his film credits:

THE PRODUCERS (1967)- Leo Bloom- if you’ve seen this Mel Brooks comedy, you’ll remember Wilder as the neurotic producer who can’t handle it when the sure-fire flop he and co-producer Max Bialystock (Zero Mostel) plan— a musical about Hitler— becomes a surprise hit.  Wilder at his unstable best.

START THE REVOLUTION WITHOUT ME (1970) –  Claude/Philippe – Having fun with Donald Sutherland during the French Revolution.

WILLY WONKA & THE CHOCOLATE FACTORY (1971) – Willy Wonka – Wilder is excellent in the lead in this Roald Dahl fantasy.  I believe this is the first Gene Wilder movie I ever saw, although it’s not the movie that made me a fan.  That would happen with YOUNG FRANKENSTEIN.

EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT SEX BUT WERE AFRAID TO ASK (1972)- Doctor Ross.  Wilder is hilarious here as a man who falls in love with a sheep in this wacky yet uneven Woody Allen comedy.  I saw this years after it came out, probably in the early 1980s when I was in college.

BLAZING SADDLES (1974) – Jim – another Gene Wilder/Mel Brooks classic that I didn’t see until years after its release, again in the early 1980s.  I was only 10 in 1974, and BLAZING SADDLES was Rated R, which meant it was off limits to me.

YOUNG FRANKENSTEIN (1974)- Dr. Frederick Frankenstein – this one I did see shortly after it came out, as it was rated PG, and it’s the movie that made me a lifelong Gene Wilder fan.  So many amazing memorable moments in the movie, generated by Wilder and the entire cast, and of course writer/director Mel Brooks.  Among my favorite Wilder bits:  “You just made a yummy sound,” “Put the candle back,”   and “I thought I told you never to disturb me while I’m working!”  

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Gene Wilder and Peter Boyle in YOUNG FRANKENSTEIN (1974).  Hello, handsome!

THE ADVENTURES OF SHERLOCK HOLMES’ SMARTER BROTHER (1975)- Sigerson Holmes- Funny film, but tried too hard to follow the same formula as YOUNG FRANKENSTEIN with inferior results.  Wilder’s directorial debut.

SILVER STREAK (1976) – George- Wilder’s first pairing with Richard Pryor.  Probably my second favorite Gene Wilder movie behind YOUNG FRANKENSTEIN.

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Richard Pryor and Gene Wilder

THE WORLD’S GREATEST LOVER (1977) -Rudy Hickman- Not one of my favorites.  This was the second film Wilder directed, after THE ADVENTURES OF SHERLOCK HOLMES’ SMARTER BROTHER. The jokes just aren’t as sharp this time around.

THE FRISCO KID (1979)- Avram-  This has always been one of my favorite Gene Wilder roles and movies.  Wilder plays a rabbi on an adventure in the wild west in this unlikely charmer by director Robert Aldrich.  Co-starring Harrison Ford.

STIR CRAZY (1980) – Skip Donahue – Wilder’s second pairing with Richard Pryor might be their funniest.  Directed by Sidney Poitier.

HANKY PANKY (1982) – Michael Jordon – Wilder co-stars with future wife Gilda Radner in this box office disaster originally written to feature both Wilder and Richard Pryor again.  Once more directed by Sidney Poitier.  Wilder considered this to be one of his worst movies.

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Gilda Radner and Gene Wilder

THE WOMAN IN RED (1984) – Teddy Pierce – Another one of my favorites.  Wilder becomes obsessed with a beautiful woman in red played by Kelly LeBrock in this amiable romantic comedy.  Co-starring Charles Grodin and Gilda Radner.  Wilder directed and co-wrote this remake of a French movie, which might be his best directorial effort.

HAUNTED HONEYMOON (1986) – Larry Abbot-  Wilder once more directs himself and wife Gilda Radner, in what would be both his final directorial effort and last movie that he and Radner made together.  Not surprisingly, this unfunny film bombed at the box office.

SEE NO EVIL, HEAR NO EVIL (1989) – Dave Lyons-  Wilder’s third pairing with Richard Pryor, directed by Arthur Hiller, who also directed Wilder’s/Pryor’s first pairing, SILVER STREAK.  Early film role for Kevin Spacey.

ANOTHER YOU (1991)- George/Abe Fielding – Wilder’s fourth and final movie with Richard Pryor.  This was also Wilder’s final theatrical release.  He would make four more movies, all of them made for TV.

Okay, there you have it, a partial list of the movies starring Gene Wilder.

Gene Wilder – June 11, 1933 – August 29, 2016

Thanks for reading everybody, and I’ll see you again next time for another MOVIE LISTS column where we’ll look at more odds and ends from the movies.

—Michael

 

 

 

 

 

 

 

 

CAFE SOCIETY (2016), Woody Allen’s Latest, Low Key Affair

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cafe society poster

CAFE SOCIETY (2016), the latest film by Woody Allen, is a bittersweet love story set in Hollywood in the 1930s.

Bobby (Jesse Eisenberg) leaves his family in the Bronx and sets out to make a name for himself, or at the very least, get a job, in Hollywood.  His mother  Rose (Jeannie Berlin) arranges for him to meet with his uncle Phil Stern (Steve Carell), who’s a successful Hollywood agent.  Phil hires Bobby as his personal errand boy, and he also introduces him to his secretary Vonnie (Kristen Stewart).  Phil asks Vonnie to show Bobby around town, which she happily does.

It doesn’t take long before Bobby falls for Vonnie, but she’s up front with him and tells him that although she likes him, she has a boyfriend.  As Bobby’s confidence grows, and as he receives a promotion at work where he’s now reading scripts, he vows not to give up on Vonnie, and it’s clear that Vonnie has feelings for him, too.  Things get more complicated when it’s revealed just who it is who Vonnie is seeing, and suddenly a rather uncomfortable triangle is formed.

CAFE SOCIETY presents us with three rather real and sympathetic characters, Bobby, Vonnie, and Phil, who are all likable enough so that you want all three of them to get what they want, yet they can’t. This part of the story works, and works well.

I’m not the biggest Jesse Eisenberg fan, but I enjoyed his performances in ZOMBIELAND (2009), NOW YOU SEE ME (2013), and AMERICAN ULTRA (2015).  On the other hand, he did little for me as Lex Luthor in BATMAN V SUPERMAN:  DAWN OF JUSTICE (2016).  He’s OK here as Bobby, but in a role that Woody Allen himself may have played had this been written back in the 1960s, he’s much too subdued to make Bobby all that exciting.  Bobby clearly comes off as a nice guy, but not much else.  He’s nowhere near as manic or depressed as he needs to be, and for most of the film it’s a one note performance.

Kristen Stewart continues to grow on me as an actor.  Forgetting the TWILIGHT movies which I try as hard as I can to forget each and every day, Stewart has made good impressions in STILL ALICE (2014) which is my personal favorite Stewart performance, where she played the daughter of Julianne Moore’s alzheimer’s stricken Alice, and in AMERICAN ULTRA (2015) in which she also co-starred with Jesse Eisenberg.

She’s very good here in CAFE SOCIETY as Vonnie, and it’s easy to see why Bobby falls in love with her so quickly. In a Hollywood society filled with egos and pretensions, Vonnie is down to earth and practical, and she’s a breath of fresh air for Bobby in this strange land so far away from his New York home.  And so when she makes choices that don’t go in Bobby’s favor, he not only feels disappointed but betrayed, because her decisions stray so far from what she had led him to believe she was all about.

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Bobby (Jesse Eisennberg) and Vonnie (Kristen Stewart) share a tender moment in CAFE SOCIETY (2016)

And yet it’s not hard to understand her decision.  She makes a choice which few women in her position in this time and place would be able to resist- to be with someone who had made it to the top in Hollywood and who would be able to give her a life she always dreamed of.

Stewart is also incredibly beautiful here, and the way Woody Allen photographed her throughout this movie, she has never looked more attractive.

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Kristen Stewart in CAFE SOCIETY (2016)

 

Steve Carell also plays it low key, delivering a much more subdued peformance than he did in last year’s THE BIG SHORT (2015).  But like Eisenberg and Stewart, he makes his character Phil Stern a genuine person.  Better yet, as Phil he rises above the standard Hollywood agent cliche.

Most of the laughs come from Bobby’s family back in the Bronx.  His very Jewish parents Rose (Jeannie Berlin) and Marty (Ken Stott) have some of the liveliest conversations in the movie, like when Marty tells his wife that she’s wrong, that he’s not clueless about death, that he won’t go quietly but that he’ll protest death, to which she says, “Protest to who?”  She also has a great line when their other son, a gangster, is facing the death penalty and as a result converts to Catholicism because it has an afterlife.  She laments “My son is going to the electric chair and he’s become a Christian.  I don’t know which is worse!”

Corey Stoll, nearly unrecognizable with a full head of hair, plays their gangster son Ben, and he too enjoys some of the movie’s more lively moments.  Then there’s Bobby’s caring Aunt Evelyn (Sari Lennick) and her philosophizing husband Leonard (Stephen Kunken) who sums up the theme of the movie when he paraphrases Socrates saying an unexamined life is not worth living but an examined life offers no assurances.

The characters in CAFE SOCIETY make decisions, some good and some questionable, but they go forward and deal with the ramifications of these decisions, even when these choices make their lives more difficult.  As expected, it’s a smart script by Woody Allen.

Blake Lively is also in the cast, and she’s quite enjoyable as the “other” Veronica who Bobby meets when he returns to New York.

CAFE SOCIETY looks great.  As a period piece, the film is perfect.  Woody Allen captures the look and feel of 1930s Hollywood to a T.

As such, the script works best as a period piece love story rather than a comedy.  There are certainly funny moments in the movie, but they mostly serve as comic relief to the love triangle drama.  The funniest bits, as you would expect in a Woody Allen movie, come in the convesations about death.

I liked CAFE SOCIETY, as I like most of Woody Allen’s movies.  That being said, it doesn’t rank with his best films, as it is a low key affair, but it still makes for a relaxing and diverting 90 minutes at the movies.

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