THE ADAM PROJECT (2022) – Ryan Reynolds Time Travel Tale Will Make You Laugh and Cry

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THE ADAM PROJECT (2022), a new Netflix time travel movie starring Ryan Reynolds, is marketed as witty, feel good, and exciting. It scores high on the first two categories, as it will make you laugh, and better yet, will tug at your heartstrings and you may even shed a few tears, but in terms of excitement, it’s rather lame.

That’s because the villains in this sci fi adventure are the least developed and the least interesting parts of this movie, and whenever our heroes break out into battle against the stormtrooper-like fighter drones from the future, the film plummets several notches, as we’re forced to watch dull video game style fight scenes that while they look fine are inferior to the quality of the rest of the movie.

The gimmick in THE ADAM PROJECT is that time travelling pilot from the future Adam (Ryan Reynolds) travels back in time where he meets his 12-year-old self (Walker Scobell), and the two team up to save the future. Specifically, older Adam is trying to both save his wife Laura (Zoe Saldana) who has also travelled back in time on a mission of her own, and to prevent some bad people from manipulating the timeline. Along the way, older Adam helps younger Adam deal with his emotional issues stemming from the recent death of their father, including helping him treat their mom (Jennifer Garner) better, and also helping him deal with bullies. On the flip side, younger Adam can’t help but be impressed by his older self and can’t stop interrogating him with nonstop questions about both time travel in general and his future experiences.

But the man who holds the key to solving the time travel conundrum, is the man who invented it, which happens to be their deceased dad (Mark Ruffalo), and so the two Adams travel back in time again, this time together, to meet their dad before he dies and seek his help in putting the fractured timeline back together.

I like time travel stories just as much as the next person… heck, I even wrote a novel, Time Frame.… time for a shameless plug!… which if I must say so is much more ambitious in scope than the events described in this movie. The time travel story told here in THE ADAM PROJECT is a decent one. I’ve seen better, and I’ve seen worse.

But the best part of THE ADAM PROJECT is the story of the relationship between the two Adams and their dad, and to a lesser extent, their mom. The film soars when at long last the two Adams meet their dad and discuss not only the time travel concerns, the ones involving the less interesting plot of villains manipulating the future, but their own complicated family relationship. The scene where the three play catch is one of the best sequences in the movie, an emotional tender scene that packs a wallop. There are other scenes like this as well, like when young Adam remembers his older self’s advice and hugs his mom, and it’s here where the film is at its best.

The movie is equally as effective with its humor, as Ryan Reynolds and young Walker Scobell share great chemistry and timing, playing off each other effortlessly. The script is full of very funny dialogue.

Sure, we’ve seen Ryan Reynolds do this a gazillion times, but he does it well, and once more he’s funny, entertaining, and a lot of fun to watch here as older Adam. No, it’s not Deadpool caliber humor, but it’s a heck of a lot better than last year’s RED NOTICE (2021), a Netflix film in which Reynolds was paired with Dwayne Johnson where the humor did not work.

Walker Scobell is excellent as young Adam. He captures a lot of Ryan Reynolds’ mannerisms and delivery, and the two actors really play well off each other.

And then you have Mark Ruffalo as their father Louis Reed, Jennifer Garner as their mom Ellie, and Zoe Saldana as older Adam’s wife Laura, who are all superb in their roles, especially Ruffalo, who gets to enjoy some of the best scenes in the movie.

Catherine Keener plays the villain, Maya Sorian, and unfortunately, she is stuck in the least interesting part of the film.

The screenplay by Jonathan Tropper, T.S. Nowlin, and Jennifer Flackett works best when operating outside the action realm of good guys saving the world from bad guys. That part of the story is meh and definitely in the “been there, seen that” category. It handles the time travel elements well enough, and then really shines with its family storyline dealing with the relationships between both Adams and their mom and dad, especially their dad. This part of the film is the best part by far. And the banter between young Adam and old Adam is very funny throughout, which is also a nice plus.

Veteran director Shawn Levy helmed THE ADAM PROJECT. Levy has directed such films as REAL STEEL (2011), DATE NIGHT (2010), NIGHT AT THE MUSEUM (2006), and the Steve Martin remake of THE PINK PANTHER (2006), to name just a few. I did not like most of these movies, and THE ADAM PROJECT is better than any of these films. In fact, of all the movies I’ve seen that Levy has directed, THE ADAM PROJECT just might be my favorite.

In terms of time travel, while it’s not a classic like George Pal’s version of H.G. Wells’ THE TIME MACHINE (1960) or Nicholas Meyer’s TIME AFTER TIME (1979), or even the various episodes of the many STAR TREK series and movies, which all had more to say on the subject than THE ADAM PROJECT, it still does a decent job with the topic. It’s not too out there, most of it makes sense, and the film doesn’t take itself too seriously and definitely has fun with it.

I liked THE ADAM PROJECT well enough. It has a moving story and sharp humor, and it’s also a showcase for Ryan Reynolds, so if you’re a fan, you’ll love this one.

Even if you’re not a fan, chances are you’ll have a good… time.

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THE TOMORROW WAR (2021) – Science Fiction Actioner Starring Chris Pratt An Entertaining Summer Popcorn Movie

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If this were a normal year in the days before the Covid-19 pandemic, THE TOMORROW WAR (2021) would be playing in theaters everywhere and being hyped as a true summer blockbuster. It’s that kind of movie.

It features high octane action sequences pitting soldiers and everyday civilians against some very hungry and aggressive alien monsters, time travel, and it stars Chris Pratt. It has all the makings of a true summer hit. And it really is a fun movie. But you’ll need Amazon Prime Video to see it, because that’s where it’s playing. Not that there’s anything wrong with that. That’s just how things are for movies in the here and now.

In THE TOMORROW WAR, a group of soldiers from the future dramatically interrupt a major soccer match and declare to the world in a very cinematic scene that they have come from the future to recruit soldiers from present day to fight a war against vicious alien creatures that are wiping out the human race. While this is an interesting premise, I couldn’t help but wonder why with this time travelling technology they possess in the future they just couldn’t go back in time before the alien monsters arrive and come up with a way of stopping them before they invade. You know, what they do in the TERMINATOR movies. Then again, those plans always fail, so maybe that’s the reason!

The film does offer a couple of answers to this question, neither of which are overly satisfying. One, the humans in the future have failed to determine when the aliens first arrived, and two, there’s a quick scene of dialogue which explains that the time travel technology is new to the future humans and they are very limited in what they can do with it.

And also, there’s no way I see the world’s nations agreeing to send soldiers into the future. The idea that any nation would reduce its military might for any reason I find ludicrous and unrealistic.

The good news is none of this matters much. When Dan Forester (Chris Pratt) is drafted into the future and has to leave his wife and young daughter behind, he is immediately thrust into a world in which the alien monsters attack quickly and relentlessly, setting the stage for a series of very impressive action sequences. If you don’t think about things all that much, THE TOMORROW WAR is a lot of fun.

While Dan is in the future, he meets Colonel Muri Forester (Yvonne Strahovski) who happens to be his daughter all grown up. She sent for Dan from the future for a specific reason, and thus the time travel element of the plot begins in earnest.

I really enjoyed THE TOMORROW WAR. The action sequences are fun and frequent, and loud. Director Chris McKay sets up some very satisfying cinematic sequences, and while at times the action becomes intense, as the alien creatures are nasty and formidable, this one never becomes scary or horrific. The emphasis is on action. So, while I was reminded of classic movies like ALIENS (1986) and CLOVERFIELD (2008) when the alien creatures wreaked havoc, the film never ventures down the horror road, which for me, was a detriment.

That being said, the film doesn’t forget its roots and its connections to previous science fiction horror movies. There are nods to both ALIEN (1979) and THE THING (1982), which I appreciated.

THE TOMORROW WAR is also a bit long, clocking in at two hours and twenty minutes, and I can’t say that the whole thing was one nonstop thrill ride, although the pace is nonstop. It’s one of those movies that keeps pushing its way forward without taking a breath or giving the audience a chance to get to know the characters. I don’t usually like movies that are paced this way, but THE TOMORROW WAR supersedes this problem with its impressive action scenes, having Chris Pratt in the lead role, and finally deciding to take that much needed breath in the film’s final reel, in which the time travel elements come into full play and some of the characterizations finally come into the forefront.

And so while I knocked some of the time travel elements with this one, and the plot point about nations sending soldiers into the future, all in all I enjoyed the screenplay by Zach Dean. I definitely enjoyed the story, as well as the unusual plot construct of having things slow down a bit towards the end, setting up a very satisfying conclusion. I enjoyed the theme which ran through this one of not having second chances, and when some of the characters are finally able to get those second chances at film’s end, it makes for some rewarding moments.

The dialogue runs hot and cold. Sometimes the banter is tired and cliche, and other times there are some really memorable lines. One of my favorites is right near the end when James Forester (J.K. Simmons) asks his son Dan if he just told the creature to die, and when Dan says yes, James quips, “It worked. Why didn’t you tell it sooner?” In another scene, one of the characters is being chased down a staircase by a rampaging alien, and the character is repeatedly crying out, “Sh*t! Sh*t! Sh*t” all the way down. It had me laughing out loud.

Chris Pratt channels his amiable hero personality which he has used so successfully in both the Marvel GUARDIANS OF THE GALAXY and AVENGERS movies, and the recent JURASSIC PARK films, to once again anchor an action packed summer blockbuster movie. I like Pratt a lot, and he doesn’t disappoint.

On the other hand, Yvonne Strahovski doesn’t fare as well as Forester’s adult daughter Muri. While she does get ample screen time, her scenes and dialogue are mostly reduced to her character reacting to her dad. The story really is about Pratt’s Dan Forester. He’s the central figure, and the film doesn’t seem to want to allow other characters to cross into that territory. That’s probably the biggest problem I had with THE TOMORROW WAR. It’s not very “today” in utilizing female characters. Yvonne Strahovski’s Muri should have played a much more prominent role and not just played second fiddle to Chris Pratt.

Even worse, Betty Gilpin plays Dan’s wife Emmy and she gets very little screen time, which for me, was a huge missed opportunity. You have Betty Gilpin in your cast and she’s reduced to playing a supportive wife? She should have been in the forefront of the future action sequences kicking alien butt alongside Chris Pratt. For me, this was the biggest disappointment about THE TOMORROW WAR.

Veteran actor J.K. Simmons is excellent as Dan’s estranged dad James, and of all the characters in the movie, he probably enjoys the most satisfying story arc. And both Sam Richardson and Edwin Hodge add fine support in smaller roles.

While it’s not perfect, THE TOMORROW WAR doesn’t have to be. Its riveting action sequences and intriguing time travel story are enough to make this one an enjoyable summer popcorn movie.

So, don’t wait for tomorrow to see THE TOMORROW WAR.

See it today.

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IN THE SPOOKLIGHT: BENEATH THE PLANET OF THE APES (1970)

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As a kid, I favored BENEATH THE PLANET OF THE APES (1970), the second film in the original PLANET OF THE APES series, and it was clearly my favorite of the five APES movies.

I appreciated its fast pace, its frequent action scenes, and its incredibly exciting ending. However, over the years, my opinion on this one has changed, and I don’t hold it in as high regard as I once did.

But wait! A review of BENEATH THE PLANET OF THE APES, a science fiction movie, in a column on horror movies? Well, I….as do most of you…have a broad definition of horror, and a film in which the entire world is blown to bits by a doomsday nuclear bomb, well, that’s horrific enough for me!

This first sequel to the original PLANET OF THE APES (1968) was originally going to follow the further adventures of astronaut George Taylor (Charlton Heston), but Heston wasn’t interested in the project, as by rule, he said he simply didn’t make sequels. However, he eventually agreed to reprise his role as long as it was brief (he made himself available for two weeks) and that they killed off the character. He also donated his salary for this one to charity.

And so the plot instead follows a second astronaut who crash lands on the planet, Brent (James Franciscus). While Fransciscus is very good in the lead role, the plot point of a second astronaut crash landing on Earth in the future at the same point in time as Taylor, I’ve always found difficult to swallow.

Anyway, Brent soon meets up with the mute Nova (Linda Harrison), who leads him back to Ape City where he meets Zira (Kim Hunter) and Cornelius (David Watson) who help him with his search to find Taylor. Meanwhile, the apes are being led by the militant General Ursus (James Gregory) who is intent on leading the apes into war against a mysterious unknown enemy lurking in the forbidden zone. Minister of Science Dr. Zaius (Maurice Evans) while not on board with Ursus’ militant methods, agrees the enemy in the forbidden zone must be confronted, as he believes it to be the tribe of dangerous humans from which Taylor had emerged.

Of course, Brent’s search for Taylor also leads him to the forbidden zone into the bizarre world lurking beneath the planet of the apes, where he engages in a direct confrontation with the inhabitants living there, setting up the stage for an all out action-packed conclusion as the apes attack the city just as Brent finds Taylor.

BENEATH THE PLANET OF THE APES has a lot of things going for it. Unfortunately, it has just as many things working against it.

For the most part, its story is a good one, as the screenplay by Paul Dehn, who would go on to write the rest of the movies in the APES series, is solid and tells an exciting tale as it follows Brent’s attempts to stay one step ahead of the apes as he searches for Taylor. And the social commentary also works, as we witness chimpanzees protesting against the militant gorillas, scenes which at the time mirrored the protests against the Vietnam war. Of course, here in 2020, the protests still have relevance.

However, as good as the script is, the screenplay for the first movie was written by Oscar winning screenwriter Michael Wilson and Rod Serling. There’s simply no comparison.

The original film has one of the most memorable and iconic endings of any science fiction movie… heck, any movie period!… ever! It seems this was inside the heads of the makers of the sequel, as they seemed to want to one-up the original ending and came up with the shocker of blowing up the world and killing everyone off.

As much as I used to like this ending, today it’s my least favorite part of the movie. It just doesn’t fit with the thought-provoking feel of the original film, and sadly sets the stage for the rest of the series which seemed intent on containing dark, violent, and tragic endings.

The budget for BENEAT THE PLANET OF THE APES was half the budget of the original film, and it shows. Most of the apes in the background in this one wear masks rather than John Chambers’ Oscar-winning make-up, used here for only the major ape characters.

Still, director Ted Post makes the most of what he had, and this one remains fast-paced and exciting throughout. It just doesn’t possess the same awe and otherworldly feel as the first film did.

James Franciscus is very good as Brent, although strangely he seems to be doing his best Charlton Heston impersonation. Evidently, Franciscus was very serious on set and hoped this film would be a major breakout role for him, which ultimately it was not. There are also stories of Fransciscus and Charlton Heston being very competitive during the shoot, and supposedly there was some genuine antagonism during their famous fight scene.

Kim Hunter returns as Zira, but her screen time is greatly reduced here in the sequel. Also, Roddy McDowall was unable to return as Cornelius in this movie, since he was committed to another project, and he is sorely missed here. David Watson plays Cornelius, and he’s simply nowhere near as good as McDowall.

Maurice Evans does get lots of screen time as Dr. Zaius, and James Gregory delivers a scene-stealing performance as General Ursus.

Linda Harrison also gets more screen time as the mute Nova, and her death, shot dead by a gorilla, marks the point in the movie where for me it all begins to unravel and go downhill.

Charlton Heston is fine once again as Taylor, but he is not in this one much at all, since he wasn’t interested in the project.

BENEATH THE PLANET OF THE APES does contain one of my all-time favorite lines in the series, as uttered by Ursus: “The only good human, is a dead human!”

And with its doomsday conclusion, BENEATH THE PLANET OF THE APES should have ended the series, but thanks to the imaginative minds of writers, there emerged a third film in the series, ESCAPE FROM THE PLANET OF THE APES (1971).

But that’s a story for another column.

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Books by Michael Arruda:

DARK CORNERS, Michael Arruda’s second short story collection, contains ten tales of horror, six reprints and four stories original to this collection.

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Waiting for you in Dark Corners are tales of vampires, monsters, werewolves, demonic circus animals, and eternal darkness. Be prepared to be both frightened and entertained. You never know what you will find lurking in dark corners.

Ebook: $3.99. Available at http://www.crossroadspress.com and at Amazon.com.  Print on demand version available at https://www.amazon.com/dp/1949914437.

TIME FRAME,  science fiction novel by Michael Arruda.  

How far would you go to save your family? Would you change the course of time? That’s the decision facing Adam Cabral in this mind-bending science fiction adventure by Michael Arruda.

Ebook version:  $2.99. Available at http://www.crossroadpress.com. Print version:  $18.00. Includes postage! Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

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Michael Arruda reviews horror movies throughout history, from the silent classics of the 1920s, Universal horror from the 1930s-40s, Hammer Films of the 1950s-70s, all the way through the instant classics of today. If you like to read about horror movies, this is the book for you!

 Ebook version:  $4.99.  Available at http://www.crossroadpress.com.  Print version:  $18.00.  Includes postage. Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, first short story collection by Michael Arruda.  

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Print cover

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Ebook cover

Michael Arruda’s first short story collection, featuring a wraparound story which links all the tales together, asks the question: can you have a relationship when your partner is surrounded by the supernatural? If you thought normal relationships were difficult, wait to you read about what the folks in these stories have to deal with. For the love of horror!

 Ebook version:  $4.99.  Available at http://www.crossroadpress.com. Print version:  $18.00.  Includes postage. Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

AVENGERS: ENDGAME (2019) – Final Chapter in Current Marvel Saga A Good One

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The best of the AVENGERS movies was the previous one, AVENGERS: INFINITY WAR (2018). In that film, the Avengers had their tails handed to them by the cosmic supervillian Thanos, who succeeded in wiping out half the population of the Universe, including many of our favorite Marvel superheroes. INFINITY WAR was the perfect balance of rousing action-adventure, lighthearted comical quips, and gut-wrenching emotional scenes, especially its now infamous ending.

Marvel fans have waited a whole year to find out what happens next, and now we know, as the final chapter of Marvel’s Avengers saga has arrived, AVENGERS: ENDGAME.

And that’s exactly what AVENGERS: ENDGAME is, a final chapter. Sure, there will still be other Marvel superhero movies going forward, but the current saga, which began with IRON MAN (2008) and continued with films for Captain America and Thor and eventually the Avengers comes to a close with AVENGERS: ENDGAME.

So, not only is this movie dealing with the aftermath of Thanos but also the legacy of the Avengers themselves. Yup, it has a lot on its plate. How, then, does it perform?

Well, let’s just say I don’t think there will be too many people who will leave the theater disappointed. That being said, my favorite AVENGERS movie remains the previous one, AVENGERS: INFINITY WAR.

AVENGERS: ENDGAME begins with a chilling scene as Hawkeye (Jeremy Renner), absent from the previous movie, experiences firsthand the horror of Thanos, as his family is wiped out by the infamous cosmic cleansing. The remaining Avengers, still reeling from both their overwhelming defeat and its aftermath, decide they have no choice but to pursue and track down Thanos, but then what? They can’t undo what Thanos has done.

Or can they?

I’m going to stop right there, because the less known about the plot the better.

I liked AVENGERS: ENDGAME well enough. Heck, I’m a huge Marvel fan, and so there was going to be very little chance I wouldn’t like this one.  The cast of characters alone are worth the price of admission, and as always in a Marvel movie, the cast of actors is second to none. We’ll get to that in a minute.

But there were some things I didn’t like. Take that cast of characters. One of the things I thought the previous movie AVENGERS: INFINITY WAR did extraordinarily well was giving all its characters equal screen time. While this may not have translated into equal minutes, it certainly meant nearly every character in the film enjoyed key moments and scenes.

AVENGERS: ENDGAME wasn’t as successful in that department this time around. Some of the Marvel characters get short-changed here. There were also far fewer key moments for the major characters. So, whereas directors Anthony and Joe Russo created a perfectly seamless and well-paced story in the previous entry, they weren’t as successful doing so in this movie. In terms of giving characters their due, things were a bit uneven.

The screenplay by Christopher Markus and Stephen McFeely was not as sharp, tight, or as comical as the one they wrote for INFINITY WAR. Things simply didn’t flow as well here.

There’s also a somber tone throughout, understandably, since Thanos has wiped out half the universe, but the film doesn’t shed this tone till its final reel, and even then, it’s not really gone.

I also didn’t completely enjoy the method of the Avengers’ endgame. While it was fun to watch what they were doing, it didn’t always make the most sense, and the film really didn’t go out of its way to try to have it make sense. I wanted more from the story in this department.

The story arcs for Iron Man and Captain America really are the two main ones in this movie, and neither one disappoints.

Robert Downey Jr. has been the face of the franchise as Tony Stark/Iron Man since his first Iron Man movie in 2008, and AVENGERS: ENDGAME provides a fitting conclusion for the character. Once again, Downey Jr. delivers a top-notch performance.

Some of the most satisfying scenes in the film are between Tony Stark and Captain America. They had spent the majority of the past few movies arguing and fighting with each other, and now they have finally put their differences aside.

Captain America also gets a fitting conclusion in the film, and Chris Evans once again does an admirable job as the Captain. While I’ve liked Robert Downey Jr. from the get-go, Chris Evans has only gotten better with each successive film. He has made Captain America one of the best parts of these movies.

Chris Hemsworth returns as Thor, and he’s largely reduced to comic relief here, although he does get one moving scene with his mother back on Asgard.

While I like Mark Ruffalo as Bruce Banner/the Hulk, I was disappointed with the interpretation of the Hulk this time around. We didn’t see much of the Hulk in the previous film either, as strangely, he retreated into the deepest parts of Bruce Banner’s subconscious, refusing to re-emerge after getting his butt kicked by Thanos. That doesn’t sound like the Hulk. This time, he’s a Hulk/Bruce Banner hybrid— “Professor Hulk”— which pretty much means he’s Hulk-lite. I think Hulk fans have been cheated in these past two films.

On the other hand, Scarlett Johansson as Black Widow enjoys some of her finest moments in the entire series. The same can be said for Jeremy Renner as Hawkeye. In fact, the two share one of the best scenes in the film, certainly the most emotionally riveting.

But no one else really has any key moments. Even Ant Man (Paul Rudd) who has a lot of screen time doesn’t have his usual comical presence. It’s not for a lack of trying. I just think the screenplay wasn’t as sharp.

When Josh Brolin played Thanos in the previous film, he was easily one of the best Marvel movie villains ever. You can’t say the same thing about him in this film. His screen time is drastically reduced, as is his impact.

The film really relies on the emotions from the previous movie, and it probably does this a little too much. I wanted more out of ENDGAME that was new.

And while I was glad to see the addition of Captain Marvel (Brie Larson) here, she doesn’t do a whole heck of a lot either.

But the cast you can’t beat. In addition to the actors already mentioned, the cast of AVENGERS: ENDGAME also includes Don Cheadle, Benedict Cumberbatch, Chadwick Boseman, Tom Holland, Karen Gillan, Zoe Saldana, Evangeline Lilly, Rene Russo, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Tom Hiddleston, Danai Gurira, Dave Bautista, John Slattery, Jon Favreau, Hayley Atwell, Natalie Portman, Marisa Tomei, Angela Basset, Michael Douglas, Michelle Pfeiffer, William Hurt, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, Robert Redford, Chris Pratt, and Samuel L. Jackson.

Wow.

As I said, just the cast itself is worth the price of a ticket.

The action scenes are well-done and the build-up to the second confrontation with Thanos is a good one. The conclusion does what it sets out to do, wrapping things up neat and tidy and restoring order to the universe.

Again, I believe fans will be pleased.

That being said, while I enjoyed ENDGAME a lot, I liked INFINITY WAR more. Maybe it’s because I prefer darker stories. Or maybe it’s just the better movie.

And perhaps to reinforce the notion that ENDGAME is a final chapter in this part of the Marvel saga, there is no after credit scene here. Say what? Yup, it’s true. No comical lunch gathering for the Avengers. No teaser for what’s coming next. Nothing.

Fitting for a movie called ENDGAME.

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LEADING LADIES: Linda Hamilton

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Linda Hamilton in probably her most famous role, as Sarah Connor in THE TERMINATOR (1984).

Welcome back to LEADING LADIES, the column where we look at leading ladies in the movies, especially horror movies.

Today on LEADING LADIES we look at the career of Linda Hamilton, who helped define 1980s cinema with her signature performance as Sarah Connor in THE TERMINATOR (1984).

In addition to her iconic portrayal of Sarah Connor in the TERMINATOR movies, Hamilton is also known for her role as Catherine Chandler on the TV series BEAUTY AND THE BEAST (1987-89).  Linda Hamilton has always been a favorite of mine, in spite of appearing in one of the worst monster movies ever made, KING KONG LIVES (1986)— by far the worst King Kong movie ever made.

Hamilton has 75 screen credits to date, and she’s still actively making movies today. Here’s a partial look at her career so far:

NIGHT-FLOWERS (1979) – Wafer – Hamilton’s film debut in a movie about rape and murder at the hands of two disturbed Vietnam vets.

RAPE AND MARRIAGE:  THE RIDEOUT CASE (1980) – Greta Rideout – Hamilton has the lead role in this TV movie based on the true story of Greta Rideout (Hamilton), an abused wife who was constantly raped by her husband John (Mickey Rourke).  The movie tells the story of how she fought back and charged him with rape, even though they were married.  Written by Hesper Anderson, who would go on to earn an Oscar nomination for her co-written screenplay for CHILDREN OF A LESSER GOD (1986) .

TAG:  THE ASSASSINATION GAME (1982) – Susan Swayze –  once again playing the lead, this time co-starring with Robert Carradine in a tale about a college assassination game turning deadly as it becomes the real thing.  Written and directed by Nick Castle, most famous for playing Michael Myers in the original HALLOWEEN (1978).

SECRETS OF A MOTHER AND DAUGHTER (1983) – Susan Decker – TV movie drama about a mother and daughter involved with the same man.  Katharine Ross plays the mother, Linda Hamilton the daughter, and Michael Nouri the man.

HILL STREET BLUES (1984) – Sandy Valpariso – recurring guest spot role on four episodes of Season 4 of the critically acclaimed TV show HILL STREET BLUES.

CHILDREN OF THE CORN (1984) – Vicky – big screen adaptation of the Stephen King short story was the first time I saw Linda Hamilton in a movie, and all I can say is I’m glad she made THE TERMINATOR that same year, because I did not like CHILDREN OF THE CORN at all and would have quickly forgotten Hamilton if not for her performance in THE TERMINATOR.  In spite of the source material, CHILDREN OF THE CORN is a pretty awful horror movie.

THE TERMINATOR (1984) – Sarah Connor – the movie that put Linda Hamilton on the map, as well as Arnold Schwarzenegger and James Cameron.  Iconic movie, one of the most memorable from the 1980s, so much so that in terms of movies, it arguably defines the decade.  The movie that propelled Arnold Schwarzenegger to superstardom, and gave him his signature line, “I’ll be back.”  Also director James Cameron’s first hit, coming before ALIENS (1986) and long before TITANIC (1997).

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A girl and her dog.  Linda Hamilton and a canine friend in THE TERMINATOR.

Hamilton plays Sarah Connor, the target of Schwarzenegger’s Terminator, who’d been sent back in time to kill her, since she gives birth to the man responsible for leading the resistance against the machines in the future, and so the machines decide that if they kill his mother, he’ll never exist.  Of course, you’d think it would just be easier to kill him. Pure fluff, but masterfully done, and Hamilton is excellent as the unlikely heroine, a young woman who sees herself as a failure, then victim, and ultimately rises up as the savior of the human race.  By far, my favorite Linda Hamilton performance.

SECRET WEAPONS (1985) – Elena Koslov/Joanna – TV movie where Hamilton plays a Russian spy.  Directed by Don Taylor, who during his long prolific career directed several notable genre films in the 1970s, including ESCAPE FROM THE PLANET OF THE APES (1971), THE ISLAND OF DR. MOREAU (1977), and DAMIEN:  OMEN II (1978).

BLACK MOON RISING (1986) – Nina – Hamilton plays a car thief in this tale of thieves, FBI agents, and a super car, the “Black Moon.”  Co-starring Tommy Lee Jones and Robert Vaughn.  Story by John Carpenter, who also co-wrote the screenplay.

KING KONG LIVES (1986) – Amy Franklin –  If there’s one movie that Linda Hamilton should not have made, it’s probably this one.  Why in the world would director John Guillermin, whose career was nearly destroyed by his first Kong venture KING KONG (1976) ever agree to make a sequel ten years later?  Bad move, John!  This horrible sequel has gone down in film history as the worst Kong movie ever. And whereas the 1976 KING KONG has aged well and has gained more respect over the decades, the same can’t be said for this awful sequel.  It’s still as bad as it ever was.

GO TOWARD THE LIGHT (1988) – Claire Madison – TV movie about a young couple caring for their child who has been diagnosed with AIDS.  Co-starring Richard Thomas.

BEAUTY AND THE BEAST (1987-89) – Assistant District Attorney Catherine Chandler- Hamilton’s second most famous role, after Sarah Connor in THE TERMINATOR, this modern-day update of the Beauty and the Beast tale featured Ron Perlman as the beast and Hamilton as the beauty, an assistant district attorney in New York City.

linda hamilton-beauty-and-the-beast

Linda Hamilton and Ron Perlman in the TV show BEAUTY AND THE BEAST.

MR. DESTINY (1990) -Ellen Burrows – Comedy fantasy starring James Belushi and Michael Caine.

TERMINATOR 2:  JUDGMENT DAY (1991) – Sarah Connor- Hamilton reprises her role as Sarah Connor in this big budget sequel to THE TERMINATOR which featured some of the most cutting edge special effects of its day.  This time around Hamilton’s Sarah Connor is a lean mean fighting machine, while Arnold Schwarzenegger’s Terminator is warm and fuzzy.  Yup, in this sequel, Arnold plays a  “good” Terminator, helping the humans fight off an even more advanced and dangerous Terminator from the future.  Once again written and directed by James Cameron.

linda hamilton terminator 2

A leaner, meaner Linda Hamilton in TERMINATOR 2:  JUDGMENT DAY (1991)

SILENT FALL (1994) – Karen Rainer – co-stars with Richard Dreyfuss and John Lithgow in this thriller about an Autistic boy who witnesses his parents’ double murder.

A MOTHER’S PRAYER (1995) – Rosemary Holmstrom – TV movie about a woman (Linda Hamilton) diagnosed with AIDS trying to raise her son as a single mother with the knowledge that she won’t be around for long.  Also starring Bruce Dern and Kate Nelligan.

DANTE’S PEAK (1997) – Rachel Wando – disaster movie about an erupting volcano.  With Pierce Brosnan.

RESCUERS:  STORIES OF COURAGE:  TWO COUPLES (1998) – Marie Taquet- TV movie about citizens rescuing Holocaust victims.

THE COLOR OF COURAGE (1998) – Anna Sipes – based on a true story, the movie chronicles the relationship between a white woman and a black woman.

BATMAN BEYOND:  THE MOVIE (1999) – Dr. Stephanie Lake – lends her voice to this animated Batman film.

SILENT NIGHT (2002) – Elisabeth Vincken- TV movie about a German mother (Hamilton) and her son on Christmas Eve in 1944 who find themselves bringing German and American soldiers together for one night.  Based on a true story.

MISSING IN AMERICA (2005) – Kate – Drama about a Vietnam veteran (Danny Glover) suddenly having to raise Vietnamese girl.

CHUCK (2010-2012) – Mary Bartowski – appeared in 12 episodes of the TV series CHUCK.

A SUNDAY HORSE (2016) – Margret Walden – Hamilton’s most recent screen credit, a drama about a horse and its young female rider.

Starting from about the early 2000s, the lead roles became fewer for Linda Hamilton, and she appeared more often in supporting roles. And the lead roles she did take were often in films that didn’t have the same resonance as the movies from her earlier days.

But she’s still busily acting, and so there are still more Linda Hamilton movies to come. And I for one am happy about that.

I hope you enjoyed this look at the career of Linda Hamilton, the subject of today’s LEADING LADIES column.

Thanks for reading!

—Michael

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Travel through time with TIME FRAME, my Debut Science Fiction Novel

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time frame cover

If you like time travel stories and exciting science fiction adventures, you might enjoy my novel TIME FRAME.

It’s my debut science fiction novel and it’s still available both as an EBook from NeconEbooks at http://www.neconebooks.com., and as a print paperback edition at https://www.createspace.com/5487293, or at Amazon.com.

I wrote TIME FRAME with the spirit of time travel movies and TV shows in mind, films like THE TIME MACHINE (1960), TIME AFTER TIME (1979), and any number of STAR TREK episodes.  If you enjoy time travel adventures, chance are you’ll enjoy TIME FRAME.

Writing TIME FRAME was a challenge because it’s a story with multiple timelines and I had to make sure that by the story’s end that they all made sense.  I think they do.  I also wanted to take things as far as possible, to write a story where I took those traditional time travel tropes and blew them out of the water.  Not sure if I succeeded, but the story does include a large explosion on the high seas.

I also didn’t want my science fiction tale to be cold and stoic.  I wanted heated and emotional, which is why I wrote as my main characters a close family, with the thought in mind:  how far would you go to protect your family?  Would you break the rules of time travel to save your loved ones?

This one also started with a single idea. I had recently lost my own grandfather, who I was very close to, and I couldn’t get the thought out of my head that I just wanted to see him one more time.  And so I came up with the single scene of a young man opening his front door and finding his grandfather standing there looking perfectly normal, which the man knew had to be impossible because his grandfather was dead.  This scene was the genesis for TIME FRAME, and I built the story around that, as I thought about possible scenarios that could make this scene true.  What could account for a man who had been dead for several years returning to his loved ones looking happy and healthy again?  The answer became the novel TIME FRAME.

TIME FRAME remains available as an Ebook and can be ordered for $2.99 at www.neconebooks.com.

You can also order a print paperback edition for $14.99 at https://www.createspace.com/5487293, or at Amazon.com, or you can order it directly through me by sending me an email at mjarruda33@gmail.com.

Thanks for reading!

—Michael

 

 

 

Worst Movies of 2015

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Here are my Top 10 Worst Movies for 2015:

get-hard-movie-poster

10.  GET HARD – ** – Unfunny comedy with Will Ferrell and Kevin Hart.  There was a time when I used to enjoy Will Ferrell movies.  Been a while.

9. PROJECT ALMANAC – ** – a group of teens build a time machine.  After a light start, this silly science fiction movie tries to become a serious thriller but collapses under the weight of its own pretensions.

8. INSIDIOUS CHAPTER 3 – ** – third entry in the INSIDIOUS series is the weakest yet.  I’m also just not that into prequels.

7. JUPITER ASCENDING – **- colorful but utterly preposterous tale of an intergalactic princess (Mila Kunis) seeking her birthright, with ramifications that will affect the entire universe!  Yeah, right.

jupiter ascending

6. THE LAZARUS EFFECT – * 1/2- This modern day Frankenstein tale of scientists attempting to resurrect the dead has its heart in the right place—heh heh—but is undone by a very weak story.  There’s no resurrecting this movie.

5. SAN ANDREAS- * 1/2-  a silly disaster film starring Dwayne “The Rock” Johnson as a chopper pilot who flies all over California— at the expense of the people he’s supposed to be rescuing, I might add!— in order to save his family from a deadly earthquake.  Is that Charlton Heston and George Kennedy I see?  This one is as bad as the epic of all bad disaster movies, EARTHQUAKE (1974).  At least that one had Sensurround!

This one is so bad not even the presence of Paul Giamatti as a scientist can save it.  Yet another story about an estranged married couple who have to put aside their differences in order to save their children from some extraordinary catastrophe.  Sorry, but if you couldn’t make it work during normal times, what makes you think you can do it during an earthquake?  Ugh!

4. SINISTER 2 – * 1/2-  This is as weak and tepid a horror sequel as you can get.  The saddest part of the whole thing is that the SINISTER movies have in them a really cool monster/demon, Bughuul, and sadly he’s not used to his potential in either movie.

Also, in this series, Bughuul makes children both kill their families and film the murder.  The original film had the murders taking place in the past, and so it made sense when the main character uncovered old 8mm films of the murders.  Here, the sequel takes place in the present day, yet the possessed children are still using film cameras to record their crimes.  Wouldn’t they just use a Smartphone or a Tablet?

A silly horror movie sequel, not worth your time.

3. 50 SHADES OF GREY- * 1/2-  This one should have been called 50 SHADES OF BLAH.  Talk about being dull and boring.  As tedious as the films in the TWILIGHT series.  Dakota Johnson is completed wasted in the role of Anastasia Steele.

Also, for a film that is supposed to be graphic and sexual  it’s about as tame as graphic and sexual can be.  I’ve seen more risqué stuff on Benny Hill.

2.TED 2 – * – This is probably the only film of the year that I hated.   While I enjoyed the first TED movie somewhat, I thought this one was a complete waste of time.  Nothing here for anyone over the age of 12.  Juvenile, tasteless, and worst of all, not very funny.  Its idea of humor is to have Mark Wahlberg and Ted sneak into Tom Brady’s bedroom in order to steal his sperm.  Three guesses on how they plan to do it, and the first two don’t count.  Oh, yeah, that’s funny!  No.  It’s flat out weird.

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1.THE GALLOWS – * – I wish my pick for the worst movie of the year wasn’t a horror movie, but alas, it is.  How dumb is this one?  Well, the main plot point is that in honor of the 20th anniversary of a high school play gone wrong— a student was accidentally hanged to death on stage- the school decides to put on the same play again.  Duh!  Needless to say, someone isn’t very happy about this decision, and once again more students turn up dead.  Unfortunately none of them were responsible for the script.

gallows poster

And that’s my list of the Worst Movies of 2015.

Thanks for reading!

—Michael

 

YOUR MOVIE LISTS: THE TERMINATOR MOVIES

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YOUR MOVIE LISTS:  THE TERMINATOR Movies TheTerminator

By Michael Arruda

With the upcoming release of TERMINATOR GENISYS (2015), the latest installment in the TERMINATOR series opening on June 30, 2015, here’s a look back at the TERMINATOR movies:

 

THE TERMINATOR (1984)

Directed by James Cameron

Screenplay by James Cameron and Gale Anne Hurd, with additional dialogue by William Wisher, Jr.

Terminator:  Arnold Schwarzenegger

Sarah Connor:  Linda Hamilton

Kyle Reese:  Michael Biehn

Lieutenant Ed Traxler:  Paul Winfield

Detective Hal Vukovich:  Lance Henriksen

Music by Brad Fiedel

Running Time:  107 minutes

The film that pretty much made Arnold Schwarzenegger a star.  His role as the brutal unstoppable robot Terminator is one of his best.

This early James Cameron film is tighter and less elaborate than his subsequent efforts and is better for it.  It’s a gripping thriller filled with edge-of-your-seat moments, a nonstop thrill ride that satisfies from beginning to end.

Linda Hamilton also stands out as Sarah Connor, the unknowing young woman who suddenly finds herself a target of the Terminator, sent back in time to kill her because in the future her son will lead the resistance against the machines which eventually try to take over the human race.

Notable also as the only film in the series where Arnold Schwarzenegger’s Terminator is the villain.  In future installments he becomes the hero, a switch that worked to some degree, but the fact of the matter is he was so good as the villainous Terminator that his evil take on the character is definitely lacking in future installments.

For my money, this first TERMINATOR movie is the best of the series.

 

 

TERMINATOR 2:  JUDGMENT DAY (1991)

Directed by James Cameron

Screenplay by James Cameron and William Wisher

The Terminator:  Arnold Schwarzenegger

Sarah Connor:  Linda Hamilton

John Connor:  Edward Furlong

T-1000:  Robert Patrick

Music by Brad Fiedel

Running Time: 137 minutes

This TERMINATOR sequel gets the full James Cameron treatment, as everything is bigger and more elaborate.  As a result, this one showcases superior special effects, and many consider this sequel to be the best in the series, although I give a slight edge to the original.

It would have been an even darker movie than the first one except that Schwarzenegger’s Terminator is now “good” and a hero, and the villain here is Robert Patrick’s T-1000.  Patrick isn’t bad, and the special effects which create his liquid transformation abilities are phenomenal, but he’s no Schwarzenegger, and the film suffers for it.  The Schwarzenegger baddie is definitely missed here.

Still, it’s another exciting thrill ride, a worthy successor to the original.

 

 

TERMINATOR 3:  RISE OF THE MACHINES (2003)

Directed by Jonathan Mostow

Screenplay by John D. Brancato and Michael Ferris

Terminator:  Arnold Schwarzenegger

John Connor:  Nick Stahl

Kate Brewster:  Claire Danes

T-X:  Kristanna Loken

Music by Marco Beltrami

Running Time:  109 minutes

Third film in the series is the weakest, although it has grown on me over the years.  This tale of another Terminator (Arnold Schwarzenegger) sent back in time to protect a now adult John Connor (Nick Stahl) from a more advanced and much more dangerous Terminator, the T-X (Kristanna Loken) suffers heavily from  the  “been there, done that” syndrome.  Notable for the first ever female terminator, the T-X, and Kristanna Loken does a nice job in the role, although still, she’s not as memorable or effective as Schwarzenegger was in the original film.

James Cameron’s talents are definitely missed in this third installment.

 

 

TERMINATOR:  SALVATION (2009)

Directed by McG

Screenplay by John D. Brancato and Michael Ferris

John Connor:  Christian Bale

Marcus Wright:  Sam Worthington

Blair Williams:  Moon Bloodgood

Dr. Serena Kogan:  Helena Bonham Carter

Kyle Reese:  Anton Yelchin

Kate Connor:  Bryce Dallas Howard

Music by Danny Elfman

Running Time:  115 minutes

First TERMINATOR movie without Arnold Schwarzenegger is an attempt to reinvent the series.  A lot of fans did not like this movie, but I found it interesting and fun.  Sam Worthington plays new character Marcus Wright whose mysterious past drives this story along.  Christian Bale is decent as John Connor, although the story revolves more around Wright than it does Connor.

Not bad, and certainly helped by a strong cast. Good job by all involved.

 

 

TERMINATOR GENISYS (2015)

Directed by Alan Taylor

Screenplay by Laeta Kalogridis and Patrick Lussier

Terminator:  Arnold Schwarzenegger

Sarah Connor:  Emilia Clarke

Kyle Reese:  Jai Courtney

Detective O’Brien:  J.K.Simmons

John Connor:  Jason Clarke

T-1000:  Byung-hun Lee

T-800: Aaron V. Williamson

Music by Lorne Balfe

Running Time:  125 minutes

Arnold Schwarzenegger returns to the series in a story that features an alternate timeline, as Kyle Reese is once again sent back in time to protect Sarah Connor, only this time things are completely different because the timeline has been changed.

Opens on June 30, 2015.

 

 

There was also the TV series TERMINATOR:  THE SARAH CHRONICLES which ran for two seasons (2008-2009) and followed Sarah Connor and her son John after the events of TERMINATOR 2:  JUDGMENT DAY.

 

 

That’s it for now.

Thanks for reading!

—Michael

Print Edition of My Novel TIME FRAME Now Available!

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time frame coverTIME FRAME – My Debut Novel Now Available!

By

Michael Arruda

It’s time for some happy news.

My debut novel, TIME FRAME, previously only available as an EBook from Necon Ebooks at www.neconebooks.com, is now available as a print on demand paperback edition.

There are several ways you can get a print edition of TIME FRAME.  You can order it at https://www.createspace.com/5487293, you can order it at Amazon.com, or you can order it directly through me.  Just send me an email at mjarruda33@gmail.com with your request and we’ll take it from there.  The print edition is on sale for $14.99.

The Ebook remains available for $2.99 and can be ordered at www.neconebooks.com.

TIME FRAME is a story about time travel.  I love time travel stories, and I set out to write one that played with multiple timelines and had some fun taking traditional time travel tropes to the extreme.

I wrote TIME FRAME with the spirit of time travel movies and TV shows in mind, films like THE TIME MACHINE (1960), TIME AFTER TIME (1979), and any number of STAR TREK episodes.  If you enjoy time travel adventures, chance are you’ll enjoy TIME FRAME.  I hope you decide to check it out.

Thanks for reading!

—Michael

SNEAK PREVIEW: TIME FRAME By Michael Arruda – Chapter 5

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My science fiction novel TIME FRAME is now available as an EBook from NECON EBooks at time frame coverhttp://www.neconebooks.com. Previously on this blog I featured Chapters 1-4 of the novel.  Today the sneak preview continues with Chapter 5.

This could very well be the final sneak preview.

And remember, if you like what you read, please spread the word and feel free to post reviews on Amazon as well.

Hope you enjoy it.

Thanks for reading! —Michael

 

 

CHAPTER 5

“Kathryn, where’s your mother?”  Papa asked.

The question hit Adam in the face like a brick.  He looked across the living room at his mother, and she looked as mortified as he felt.  He wanted to ask his grandfather, you don’t know?

“Ma?”  Kathryn said.

Papa nodded.  His eyes were expectant, but Adam also saw fear in them, as if he knew what Kathryn was going to say.

“Ma died,” Kathryn whispered.  “Three years after you.”

“Died?”  Papa said, his voice barely audible.  He closed his eyes, squeezing them tightly together. His bottom lip quivered.  His cheeks flushed red, and as he sat there, with his eyes shut tight, he looked like a child blocking out the world.

“Daddy, are you okay?”  Kathryn asked.

He opened his eyes.  They were puffy and swollen.  He sniffled.

“How?”  He asked.

“Just old age,” Kathryn said.  “She went peacefully, in her sleep.”

“Good,” Papa muttered.  He sighed.  “I really wanted to see your mother.”

“I’m sorry,” Kathryn said.

Adam thought about his grandfather’s words and wondered, “Why didn’t you?”

“If you don’t mind my asking,” Adam said.  “Why didn’t you pick a date when Nana was still alive?  Why come back when she’s— how come you didn’t know?”

“I don’t mind your asking,” Papa said.  “I didn’t pick an exact date because I couldn’t.  The machine I used worked with decades.  I couldn’t pick one date.  I couldn’t even pick an exact year.  I had to pick a decade.  I chose the first decade after I died because I didn’t want to come back while I was still alive.  You’re not supposed to do that.  I don’t really understand the reasons why, but supposedly you’re not supposed to travel to a time in which you exist already because with two of the same people in the same time frame, I think that’s what they called it, a time frame, it would have a dangerous effect.  You’d both be sick, and they say, you’d both die.  I didn’t want that.”

“What kind of a time machine doesn’t let you pick an exact date to travel to?”  Adam asked.  It was a rhetorical question.

“A cheap one,” Papa answered.  “It was the only model I could afford.  Yes, even five hundred years from now, everything still comes down to money.”

“I w-want to go for a ride in one,” Sandy slurred.

“No can do,” Papa said.  “The machine doesn’t exist anymore.  It disintegrated.”

“Did you have an accident?”  Kathryn asked.

“No.  The cheap model also happened to be the one way model,” Papa said.

“What’s the one way model?”  Adam asked.

“It only goes one way, then disintegrates.  It’s like a paper plate.  Use it once, throw it away,” Papa said.

“What’s the point of that?”  Adam asked.  It didn’t seem to make much sense to him.

“It’s just cheaper,” Papa said.  “Most people don’t use them because you can’t get back.  I didn’t want to go back.”

“But why even make them?”  Adam asked.  “If you can’t get back, what’s the point?”

Papa shrugged.  “Why make a Slinky?  Because it’s cheap and someone will buy it.”

“Sounds like they’d be illegal,” Adam said.

“In some places they are,” Papa said.

“So, you’re stuck here, then?”  Kathryn asked.

“I wouldn’t put it that way.  I want to be here.  But no, I won’t be hopping back into my time machine to revisit history, or to see your mother.  I can’t do that.  I’m here to stay.”

—END Chapter 5—

And that also ends today’s sneak preview of my novel TIME FRAME ( available from NECON EBooks at time frame coverhttp://www.neconebooks.com.)

Once again, thanks so much for reading!

-Michael