Travel through time with TIME FRAME, my Debut Science Fiction Novel

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time frame cover

If you like time travel stories and exciting science fiction adventures, you might enjoy my novel TIME FRAME.

It’s my debut science fiction novel and it’s still available both as an EBook from NeconEbooks at http://www.neconebooks.com., and as a print paperback edition at https://www.createspace.com/5487293, or at Amazon.com.

I wrote TIME FRAME with the spirit of time travel movies and TV shows in mind, films like THE TIME MACHINE (1960), TIME AFTER TIME (1979), and any number of STAR TREK episodes.  If you enjoy time travel adventures, chance are you’ll enjoy TIME FRAME.

Writing TIME FRAME was a challenge because it’s a story with multiple timelines and I had to make sure that by the story’s end that they all made sense.  I think they do.  I also wanted to take things as far as possible, to write a story where I took those traditional time travel tropes and blew them out of the water.  Not sure if I succeeded, but the story does include a large explosion on the high seas.

I also didn’t want my science fiction tale to be cold and stoic.  I wanted heated and emotional, which is why I wrote as my main characters a close family, with the thought in mind:  how far would you go to protect your family?  Would you break the rules of time travel to save your loved ones?

This one also started with a single idea. I had recently lost my own grandfather, who I was very close to, and I couldn’t get the thought out of my head that I just wanted to see him one more time.  And so I came up with the single scene of a young man opening his front door and finding his grandfather standing there looking perfectly normal, which the man knew had to be impossible because his grandfather was dead.  This scene was the genesis for TIME FRAME, and I built the story around that, as I thought about possible scenarios that could make this scene true.  What could account for a man who had been dead for several years returning to his loved ones looking happy and healthy again?  The answer became the novel TIME FRAME.

TIME FRAME remains available as an Ebook and can be ordered for $2.99 at www.neconebooks.com.

You can also order a print paperback edition for $14.99 at https://www.createspace.com/5487293, or at Amazon.com, or you can order it directly through me by sending me an email at mjarruda33@gmail.com.

Thanks for reading!

—Michael

 

 

 

NECON 36 – The Most Electrifying NECON Yet!

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Necon 36 photo by Tony Tremblay

Panel audience at NECON 36.  Photo by Tony Tremblay.

NECON 36- July 21-24, 2016

Every summer, a group of writers and readers descend upon Roger Williams Convention Center in Bristol, Rhode Island for a writer’s convention unlike any other, NECON.

What makes NECON so special is that in addition to the first-rate writers’ panels, there is also ample time for socializing, meaning that you’ll have access to authors that you just don’t get anywhere else.  It’s the most laid back and casual con going.

I’ve been going to NECON since 2001.  This year’s NECON 36, was the most electrifying yet— literally!

THURSDAY July 21, 2016

Registration opened at 2:00 at the Roger Williams Convention Center on Thursday, July 21, 2016.  Authors Dan Foley and Jason and Jil Salzarulo hosted the first event, the Necon Primer for Newbies, an informal information session on what Necon is all about, for those first-timers, and this year there were quite a few folks attending Necon for the first time.  That’s a big reason why this year’s Necon was sold out, as attendance reached the capped number of 200 Necon Campers.  I did not attend this event, since I’m not a newbie, but I heard it was very successful.

At 10:00 the famous Saugie roast was held, where the campers partake in that famous grilled hot dog found only in Rhode Island.  For me, this first night is always special, as I get to see familar faces I haven’t seen since last year.  In this case it was extra fun hanging out with both L.L. Soares and Pete Dudar, as they both missed last year’s Necon.  I also got to see old friends Paul McNally, Morven Westfield, and Daniel and Trista Robichaud, who I hadn’t seen in about seven years!

FRIDAY July 22, 2016

With fellow Cinema Knife Fighters L.L. Soares, Nick Cato, Paul McMahon, Pete Dudar, and newcomer Catherine Scully, I took part in the 10:00 Kaffeeklatsch:  The World Died Streaming:  The Year in Film in Theaters and Online.  This was our annual movie panel, which is always well attended, where we discuss the movies we’ve seen this past year.  There were tons of recommendations, but the hot topic this year wasn’t a movie but a TV show, as everyone was talking about the new Netflix TV show, STRANGER THINGS.  And it wasn’t just on our movie panel.  I think I heard STRANGER THINGS mentioned on nearly every panel I attended this year!  It definitely was the highest recommended show of the weekend.

Necon 36 MichaelArrudaandLLSoares photo by Nick Cato

Yours truly and L.L. Soares at NECON 36.  Photo by Nick Cato.

As usual, we also received plenty of recommendations from Craig Shaw Gardner and Barbara Gardner.

After lunch, I attended the 1:00 panel The World Died Screaming:  Apocalyptic SF, Horror, and Fantasy, moderated by Douglas Wynne, and featuring Joe Hill, James Moore, Craig DiLouie, Lynne Hansen, and Mark Morris.  This panel focused on writing about the end of the world, especially in terms of the zombie apocalypse.  The point was made that these types of stories are popular because they resonate with people’s own fear of dying.

I next attended the 2:00 panel Not Dead Yet:  The State of Publishing Today, moderated by Matt Schwartz, and featuring Gina Wachtel, John Douglas, Sandra Kasturi, Ginjer Buchanan, and Jaime Levine.  The talk here centered on the Ebook trend which, rather than obliterating the traditional book publishing industry as some had predicted, has settled in nicely as a balanced alternative.  Ebooks and traditional print books seem to be coexisting together agreeably.  One area of growth in recent years that was not predicted was the growth of the audio book, which continues to grow as a market.

There was also discussion on the use of social media by authors to promote themselves and how today’s authors are extremely media savvy.

The 4:00 panel, The Scream of a Distant Sun:  Mixing SF and Horror, moderated by Brett Savory, and featuring Don D’Ammassa, Patrick Freivald, Erin Underwood, Linda Addison, and Gordon Linzner was a fascinating and highly entertaining and informative look at the way horror and science fiction go hand in hand, or not.  There was a lot of talk on getting the science right in a science fiction story, as getting the science wrong is a major turn off, so the advice to writers was do your homework.

There was talk about how movies like ALIEN (1979) while considered both horror and science fiction, are mostly horror, since its story about a monster can take place anywhere, not just in space. In pure science fiction, you can’t take the science out of the story.

There was also discussion on Mary Shelley’s novel Frankenstein, originally considered a horror novel but in ensuing years it has been also classified as science fiction.

Don D’Ammassa, who with his vast personal library is one of the most well read people on the planet, is always a joy to listen to.  As usual, his comments were on the money and pointedly informative.  I could listen to him all day.

After dinner, it was time for the Official Necon Toast by Toastmasters Sandra Kasturi and Brett Savory.  Tradition dictates that this toast pokes fun at the Guests of Honor, and Kasturi and Savory did not disappoint in this regard.  My favorite line came from Kasturi, who when speaking of Joe Hill, remarked that “it would have been nice had your dad showed up- Benny Hill.”  Of course, Joe’s real-life famous dad goes by a different last name, King.  Yep.  That King.

This was followed by Necon Update with Mike Myers (no, not that Mike Myers!) at 7:30, and Myers was funny as always.

After the Update, it was time for the NECON HALL OF FAME INDUCTION CEREMONY.  The recipients this year were authors Stephen Bissette and Linda Addison.

At 8:00 it was time for the Meet the Authors Party, that special time at the con when you can buy books from your favorite authors and have them signed up close and personal.  No surprise, the biggest line this year was for Joe Hill.

I set up shop next to fellow authors and friends Nick Cato, L.L. Soares, Peter Dudar, Dan Keohane, and William Carl.  Always fun to sell and sign a book or two.

After the party it was time to socialize, and I was fortunate enough to sit down and have a long chat  with author Morven Westfield who I hadn’t seen in a few years.  It was great to catch up.  Morven started coming to Necon right around the same time I did, back in 2001.

Remember I called this the most electrifying Necon ever?  I wasn’t just talking about the electricity generated by the authors.  I’m also referring to the wild thunderstorm which descended upon us around 10:00 pm and blew wind-swept rains and insane lightning at us for quite some time.  Perfectly atmospheric!

During this time, I caught up with author Sheri Sebastion-Gabriel, among others.  It was also time for the “Rick Hautala Cigar Tribute” in which a bunch of authors gather around to smoke cigars in honor of Rick, who sadly passed away in 2013.  Rick, a best-selling author, was a Necon fixture.  I always enjoyed talking to Rick and listening to him speak on the panels. Every time I heard him speak I learned something new.  Speaking at the informal but emotional tribute were Rick’s wife Holly Newstein, and Christopher Golden.

The relentless thunderstorm with its brilliant lightning flashes went on into the night, as did the social gatherings, where friends chatted long past midnight—.

 

SATURDAY, July 23, 2016

After breakfast, I caught the 10:00 panel Panel by Panel:  The Peculiar Power of Horror Comics. moderated by Angi Shearstone, and featuring Jason Ciaramella, Rebekah Isaacs, Stephen Bissette, Joe Hill, and James Chambers.  The panel discussed the happy marriage between horror and comics. It also covered some history, explaining that the modern reign of superhero comics owes itself to the ridiculous reports decades ago that erroneously linked horror comics to emotional problems in children.  This led to the outright banning of horror comics in the 1950s.  Superheroes then stepped in to fill the void, and they’ve been going strong ever since.

For my money, the 11:00 panel, Broken on the Outside & In:  Experts Discuss Writing about Physical & Mental Trauma (and Their Effects) may have been the best panel of the weekend.  Moderated by K.H. Vaughn, it featured Karen Deal, Rena Mason, Ellen Williams, Marianne Halbert, and Mercedes Yardley in a fascinating discussion of both physical and mental trauma.  On the physical side, it covered how much punishment a character can really take and survive, and it also discussed when you can get away with exaggerating these things.  For example, in the Marvel superhero films, Tony Stark would be dead from brain injuries from all those impacts in his Iron Man suit, but audiences are perfectly comfortable to let this slide.  We suspend disbelief because this is a superhero story, and we don’t hold the lack of accuracy here against the storytelling.

On the mental side, the bulk of the discussion covered how to write characters with mental illnesses in a realistic way.  Do your homework and research both the illnesses and the treatments, which change from year to year, was the major advice.

There also was a wince-inducing frank discussion of autopsies and all that goes on in an autopsy room.

Great stuff!

After lunch it was time for the Guests of Honor Interview in which Toastmasters Sandra Kasturi and Brett Savory interviewed Guests of Honor Joe Hill, Mark Morris, and Laura Anne Gilman. These interviews are always informative and enlightening, and today’s was no exception.

I caught the 2:30 panel Edge of Your Seat:  Pacing and Plotting the Thriller, in which moderator Bracken MacLeod and panelists Megan Hart, Michael Koryta, Chris Irvin, Sephera Giron, and John McIlveen discussed, among other things, how to pace oneself while writing a novel, including the use of outlines.

I missed the next two panels as I got caught up in a discussion about movies with L.L. Soares and Nick Cato that covered a lot of ground, and a lot of time.

After dinner, it was time for the Artists Reception which featured fine art work by the various artists in attendance this year, and also plenty of goodies and coffee.  The art show had a new venue this year, and the set-up was perfect.  Very comfortable with easy viewing access to the paintings and prints.

At 8:00 it was time for the first ever Necon “Pub Quiz” Trivia game, which in reality was a variation of Necon’s infamous “Game Show.”  This time around, volunteers were assembled into teams.  I was on Rebekah Isaac’s team, and we led the competition throughout, due mostly to having the knowledgeable Darrell Schweitzer on our team.  Alas, we finished in second place as we were overtaken in the final round, done in by a bonus round on music.

This was followed by A Very Special Episode which is code for the Necon Roast.  This year’s victim- er, honoree, was author Rio Youers, and he was a really good sport about the whole thing.  Host Jeff Strand did an awesome job, and other speakers included Christopher Golden, James Moore, Joe Hill, Linda Addison, Richard Dansky, and Matt Bechtel, among others.  This year’s roast also featured a new “lightning round” in which 10 folks each delivered a 30 second bit, and I was fortunate enough to be among this new group of ten.

The roast is always a highlight of the weekend.

Afterwards followed late night parties in the quad which go on into the wee hours of the morning, where we gather for the last time as a social group until next year.  The other event tonight was April Hawks shaving her head for charity.

Speaking of charity, this weekend my roommate and New England Horror Writers leader Scott Goudsward had himself “yarn bombed” for charity, as Trisha Wooldridge stitched an insanely ludicrous covering over him over the course of the weekend.  The final product had Scott resembling a long lost crew member of the Beatles’ Yellow Submarine.

Necon 36 Cinema Knife Fight photo by Paul McNally

Cinema Knife Fighters Pete Dudar, Paul McMahon, Nick Cato, myself, L.L. Soares, and Bill Carl gather for a group photo by Paul McNally.  That’s NEHW head honcho Scott Goudsward lurking in the shadows in between Paul & Nick.

 

SUNDAY July 24, 2016

I attended the 10:00 panel Lessons Learned:  Moving from Tyro to Journeyman in which moderator P.D. Cacek and panelists Kristin Dearborn, Scott Goudsward, Dan Keohane, and Megan Arcuri-Moran discussed how they’ve moved on from being newbie writers and have gradually become established writers.  Their advice was on the money and invaluable.

At 11:00 it was the Necon Town Meeting in which awards were distributed to the winners  of this year’s Necon Olympic events, and the ensuing discussion involved all things Necon, thanking the volunteers, and looking ahead to next year by listening to suggestions and complaints.  Speaking of complaints, there weren’t any.  This is an awesome con any way you slice it.

As always, thanks go out to the Booth family who run Necon every year, especially to Sara, who’s done an awesome job leading the con, and also to Dan and Mary, and to Matt Bechtel.  And of course, we continue to remember Bob Booth, Sara and Dan’s dad, and Mary’s husband, “Papa Necon” himself, who passed away from lung cancer in 2013.  Bob and Mary founded Necon back in 1980, and his spirit continues to be felt at Necon.

Bob also founded Necon Ebooks, which published my first novel, first movie review collection, and first short story collection.

After lunch, it was time to say so long to everyone until next year, which is clearly my least favorite part of Necon.

I enjoyed a fun conversation with Carole Whitney, as she shared with me her love of Hammer Films and told me the story of how her love for horror began in 1958 when she saw HORROR OF DRACULA at the movies.  Great story!

And that’s what Necon is all about.  The people and their stories.

If you’re a writer and/or a reader, plan on one day making the pilgrimage to Necon, a one-of-a-kind con that is more than just a con; it’s family.  And it’s still going strong.

This year’s Necon was absolutely electrifying, and we had a thunderstorm to prove it.  Who knows what’s in store for next year?

Whatever it is, I’ll be there to find out.

Thanks for reading!

—Michael

 

 

 

 

 

 

 

 

 

IN THE SPOOKLIGHT: ALIEN VS. PREDATOR (2004)

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This IN THE SPOOKLIGHT column on ALIEN VS. PREDATOR (2004) originally appeared in the HWA NEWSLETTER in March 2008.  It’s being reprinted this month in the March 2016 edition of the HORROR WRITERS ASSOCIATION NEWSLETTER.

Enjoy!

—Michael

alien-vs-predator-movie-poster

In the tradition of FRANKENSTEIN MEETS THE WOLF MAN (1943) and KING KONG VS. GODZILLA (1963), we have ALIEN VS. PREDATOR (2004).

I hate to admit it, but I like ALIEN VS. PREDATOR.  Here’s why.

The number one reason? It’s the monsters, stupid.  For those of us who love our movie monsters, it’s hard not to like a film like ALIEN VS. PREDATOR.  That’s not to say the film doesn’t have flaws.  It does.

The story is simple.  A group of experts make an expedition to the Antarctic in search of a strange underground pyramid.  While there,  they discover a breeding ground and learn that the predators are breeding the aliens for hunting practice.  Of course, to breed the aliens, the predators need humans to serve as hosts.  Nice vacation spot.

By far, this plot point of the relationship between the predators and the aliens is the worst part of the movie.  The first time these creatures meet it should have been something special.  We the audience should have been privy to it, but we’re not.  Imagine if in KING KONG VS. GODZILLA (1963) the filmmakers revealed that these two behemoths had already met, frequently, and that Godzilla uses King Kong for target practice on a regular basis.  Would you still want to watch the movie?  It just wouldn’t be the same.

It’s a major blemish on the screenplay by Paul W.S. Anderson, who also directed.

Still, it doesn’t ruin the entire movie, and to his credit, director Anderson does craft a neat first meeting between a predator and an alien in this movie.  It’s just that we know through the story that these creatures have met before, and so, much of the zing of what is to follow is lost.

Even so, the battle sequences are still entertaining, but oh what could have been.  Director Paul W.S. Anderson does a good job for the most part helming these cinematic monster battles, which at the very least are not boring.

And the film looks good.  The shots in the icy Antarctic bring to mind John Carpenter’s THE THING (1982), and the special effects aren’t that bad either.

Absent from the film however is the gripping suspense from the earlier ALIEN movies, though this isn’t a complete surprise because the suspense was also absent from the previous two ALIEN installments, ALIEN 3 (1992) and ALIEN RESURRECTION (1997).

The cast is pretty good though.  I enjoyed the lead character (Sanaa Lathan).  Nathan turns in a strong performance, in keeping with the ALIEN tradition of having a strong female lead, taking over the job from Sigourney Weaver.  She gets to say such tough gal lines as “When I lead my team, I don’t ever leave my team,” and “We’re in the middle of a war.  It’s time to pick a side.”  And did I mention she looks good?

The rest of the cast is OK, even though Lance Henriksen, a fine actor who appeared in ALIENS (1986) and ALIEN 3 (1992) is somewhat of a disappointment.  Compare Henriksen’s performance in this film to his performance in ALIENS as the android Bishop, and you’ll find that Henriksen showed more range as the android than as a human.

But who are we kidding?  ALIEN VS. PREDATOR is about the monsters, not the people, and there are plenty of monsters in this movie.  For this reason alone, it’s fun.

All in all, ALIEN VS. PREDATOR is a well-produced and well-acted film that in spite of its flaws, satisfies that hunger which those of us  who love movie monsters all share, a hunger for monsters.

—END—

And remember, if you enjoyed this column, you can read 150 of my IN THE SPOOKLIGHT columns in my book, IN THE SPOOKLIGHT.  It’s available as an Ebook at http://www.neconebooks.com, and if you’d like a print edition, just visit the “About” section of this blog for ordering details.

Thanks!

—Michael

 

 

 

 

 

 

IN THE SPOOKLIGHT: THE TOMB OF LIGEIA (1964)

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tomb of ligeia - posterThis is a reprint of a column that originally ran in the October 2007 issue of The HWA Newsletter, on the Vincent Price movie THE TOMB OF LIGEIA (1964). It’s reprinted in the current October 2015 issue of the HWA Newsletter as well as here.  And don’t forget:  if you like this column, you can read 115 more in my IN THE SPOOKLIGHT collection, available both as an EBook (www.neconebooks.com)  and in a print-on-demand edition (https://www.createspace.com/4293038.).

Enjoy!

—Michael

IN THE SPOOKLIGHT

BY

MICHAEL ARRUDA

I prefer horror to be an emotional experience, which is why, sometimes Roger Corman’s Edgar Allan Poe adaptations don’t work for me.

THE TOMB OF LIGEIA (1964), starring Vincent Price, Corman’s eighth and final Poe adaptation, is a perfect example.

Technically, the film is flawless.  It’s arguably Corman’s best job at the helm.  The film looks phenomenal, there’s great use of locations, and the camera work is extremely stylish.  For these reasons alone watching THE TOMB OF LIGEIA can be as rewarding and mouthwatering as reading a good novel.  Your intelligence won’t be let down.

It also has a decent screenplay by Robert Towne, which lives up to its source material.

However, THE TOMB OF LIGEIA has never been one of my favorites because as it plays out, it’s as cold as a corpse with about as much life (unless of course you’re talking vampire and zombies, which get around rather well, but there ain’t no vampires or zombies here!).  Perhaps this is on purpose, and perhaps it’s just another sign of Corman’s genius.  Could be.  But for me, the fact remains that as I watch THE TOMB OF LIGEIA, and as I recognize while watching that “hmm, this movie is extremely well made,” I also realize I’m not emotionally invested in the characters or the situations.

THE TOMB OF LIGEIA tells the story of Verden Fell (Vincent Price) who’s— what else?— brooding over the death of his wife, Ligeia.  When a new woman, the Lady Rowena (Elizabeth Shepherd, in a dual role, as she also appears as Ligeia) expresses interest in Verden, the ghost of Ligeia takes offense, setting off the usual, standard ghostly shenanigans.  We learn that Verden isn’t mourning his deceased wife— he’s afraid of her, afraid that she’s not really dead.  Turns out Ligeia was a bold, energetic woman who had asserted she would never die, and she definitely got inside Verden’s head.

It’s this part of the film that works best for me.  Is Ligeia really a ghost?   Or is it Verden?  So mind-washed by his deceased wife that he himself is causing the mayhem?  On this level, the film works well.

And the performances by the two leads are terrific.  Price stands out as Verden.  His look, with the dark brown hair and dark glasses, to shield his ultra-sensitive eyes from the light, is unique to this movie.  Price moves through this role effortlessly, as if he could do it in his sleep.  Elizabeth Shepherd is just as good as The Lady Rowena.  Her portrayal of Rowena as a strong woman who is not intimidated by evil spirits is refreshing.  Tomb-of-Ligeia-Price

But THE TOMB OF LIGEIA fails to connect on an emotional level.  Price’s Verden isn’t that likeable, and while Shepherd’s Lady Rowena is, she’s not a central enough character to carry the movie on her own.  I don’t really care about these characters, and as a result, I don’t care all that much about what happens to them, which makes for a lackluster movie viewing experience.

THE TOMB OF LIGEIA is a mixed bag, which for Halloween, is OK.  In a trick or treat bag, chances are you’ll get candy you’re not crazy about along with your favorites, but still, it’s candy, and you’re not going to throw it away.  Likewise, THE TOMB OF LIGEIA is a stylish, almost beautiful horror movie that is pleasing to the eye and to the intellect, but not so attractive to the heart.  For those of us who tell tales, the heart can be the difference maker.  Still, it’s Corman, it’s Price, it’s Poe, it’s candy.

It’s Halloween.  Eat up.

(October 2007)

NECON 35 – Relaxed Writer’s Con Unlike Any Other

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Michael Arruda, Dan Keohane, and Scott Goudsward sharing a goofy ice cream moment at NECON 35.  Photo courtesy of Nick Cato.

Michael Arruda, Dan Keohane, and Scott Goudsward sharing a goofy ice cream moment at NECON 35. Photo courtesy of Nick Cato.

NECON 35

July 16-19 2015

By Michael Arruda

Every summer a bunch of writers and readers descend upon Roger Williams University in Bristol, RI for Camp Necon, a writers’ convention unlike any other.

For me, I attended my first NECON back in 2001, as I had heard about it through Judi Rohrig, who at the time was editing the HWA Internet Mailer.  Since then I’ve been back every year.

NECON is the most relaxed laid back con you’ll ever attend, a place where you can socialize with authors up close.  It’s been said before, and it’s true:  when you attend this con, it really feels like family.  I can attest to this firsthand, because aside from my extroverted writer persona who can banter with the best of them on the written page, in person, I’m pretty much an introvert, and I’m never all that comfortable in social situations.  This doesn’t matter at Necon.  Whether you’re an introvert, extrovert, reader, writer, what have you, you are made to feel welcome.  It’s family.

Here’s a brief recap of this year’s Necon, NECON 35, held July 16-29 2015, at the Roger Williams Convention Center.

Thursday, July 16

 

In addition to the usual panels found at cons, NECON also runs the NECON Olympics, events throughout the weekend where you can kick back and have fun.  You even receive medals.  Yup, there are plenty of opportunities at NECON for you to win “valuable prizes.”

One of these events, the Necon Hawaiian Shirt Contest was tweaked a bit this year, as rather than being a stand-alone event, it occurred over the entire weekend.  Secret judges were on the prowl all weekend looking for folks with the best Hawaiian Shirts.

For Necon newbies there was a 5:00 event called Jitters: A Necon Primer for Newbies to help the newcomers feel comfortable and at home right off the bat.

I spent this time socializing in the lobby, the quad, and the new lounge, a spacious and very comfortable room in which to relax and chat.  At 10:00 it was the Saugie Roast, that time to enjoy grilled Saugies, Rhode Island’s own brand of hot dogs, and chat with friends, old and new, long into the night—.

 

Friday, July 17

 

After an 8:00 breakfast, I attended the 9:00 Kaffeeklatsch: Promotion in Motion, featuring Jill & Jason Salzarulo, Sephera Giron, David Dodd, and my roommate and New England Horror Authors head honcho Scott Goudsward.  This conversation was filled with practical tips and advice on how to better promote your work, especially using social media.

At 10:00 it was time for the Kaffeeklatsch: Best Worst Movies featuring myself, Sheri White, Bill Carl, and Nick Cato.  We discussed our picks for some of the best “bad movies” ever made, and both Bill and Nick provided extensive lists of classic “good” bad movies.

Sheri talked about her love of the bad SyFy movies, and I posed the question, “does it take years for a bad movie to become ‘good’ because most bad movies I see nowadays are simply bad, and the only bad movies I really like are old ones.  I suggested the grade z movies that Bela Lugosi made, and named THE DEVIL BAT (1941) as one of my favorite bad Lugosi flicks.

I also mentioned the HALLOWEEN series.  For me, other than the first movie, HALLOWEEN (1978) the rest of the movies in this series are not what I call good movies.  In fact, some of them are pretty awful, yet I like them all.

Before the panel ended, Craig Shaw Gardner asked us to recommend one film that we’ve seen this year, and I picked IT FOLLOWS (2015), citing it as one of my favorite horror movies of the year.  After the panel, it was nice to catch up with Craig and his lovely wife Barbara Gardner.

I skipped the 11:00 Kaffeeklatsch to catch up on some rest, and after a noon lunch, I spent some time at the New England Horror Writers table with Scott Goudsward and friends.

At 2:00 I attended the panel Everything Old Is New Again: Bringing New Life to Classic Tropes featuring Paul Tremblay, Lisa Manetti, Elizabeth Massie, John Dixon, and moderator Mary SanGiovanni, and it discussed among other things writing supernatural tropes in a scientific age.

Monica O’Rourke moderated the 4:00 panel Piece of Mind: Portraying Mental Illness in/as Horror which included Paul Tremblay, Kristin Dearborn, Dallas Mayr, Heather Graham, and Trevor Firetog.  This fascinating panel delved deep into what it takes to write about mental illness in horror effectively.

At 7:00 Toastmaster John McIlveen delivered the Official Necon Toast, followed by the hilarious Necon Update with Mike Myers.  This year Myers brought down the house with an uproarious account of a complicated hospital visit.  The audience was on the floor with laughter.

Myers comical update also featured the Necon Eggstravaganza Game which left contestants with eggs on their faces. Literally.

 

At the Meet the Authors Party I hung out with Daniel Keohane, who I hadn’t seen in several years.  Always fun to see Dan, who has the distinction of being the first person I ever met at Necon back in 2001.  I shared table space with Dan, and also with Scott Goudsward and Nick Cato.  I was selling copies of my science fiction novel, Time Frame.

I also got to chat with author Gary Frank during this event.

 

At 10:00 it was time for the Necon Olympic events Darts and Foosball. Afterwards, it was socializing on the quad, where I had some memorable conversations with friends old and new, as always.

Saturday, July 18

 

With the publication of my first science fiction novel Time Frame earlier this year, I was very much interested in the 10:00 panel The Horror of the Future: Making Science Fiction Scary, moderated by Gordon Linzner, and featuring Robert Boyczuk, Don D’Ammassa, Linda Addison, Lois Gresh, and Chuck Wendig.  This was a fun panel, as it discussed frightening science fiction from yesteryear, and mentioned some classic movies, including two prominent remakes which most folks these days consider superior to the originals, INVASION OF THE BODY SNATCHERS (1978) and John Carpenter’s THE THING (1982).

The 11:00 panel was just as good: Fear in Four Colors: Comics, Horror, and Inspiration. On this panel were Christopher Golden, Brian Keene, Errick Nunnally, Daniel Braum, Kimberly Long-Ewing, Duncan Eagleson, and serving as moderator was Charles Rutledge.  This panel hammered the point home that comics are an underappreciated literary form, and that they definitely make worthwhile reading.  It certainly made me sad for having stopped reading comics regularly many years ago.  Then again, I suppose it’s never too late to start up again.

At 1:00 John McIlveen interviewed the Necon Guests of Honor, Chuck Wendig, Seanan McGuire, and Paul Tremblay.  While I enjoyed all the guest of honor interviews, I have to admit I was most interested in listening to Paul Tremblay speak.  I first met Paul back in the late 1990s when we did some group book signings together for the vampire anthology THE DARKEST THIRST in which we both had stories.  It was my first pro sale as a matter of fact.  I’ve enjoyed following Paul’s career over the years, as his successes have been a nice inspiration.  I’m looking forward to reading his much talked about novel A Head Full of Ghosts.

The 2:30 panel was probably the most heavily attended panel of the entire weekend. Faustian Bargains & Plans for the Afterlife: Knowing Your Rights and Protecting Your Work Regarding Writers’ Contracts and Literary Estate Planning was also the most serious panel of the weekend, as well as one of the best.  Moderated by horror author and attorney Bracken McLeod, and featuring Christopher Golden, Brett Savory, Richard Dansky, Heather Graham, and Chet Williamson, this panel served as “everything you wanted to know about the legal aspects of writing but were afraid to ask.” It covered contract language, rights, wills and estate planning, and all sorts of other legal matters.  The 90 minutes allotted for this panel still wasn’t enough, as it went past its finishing time.  It proved so popular that later at the Necon Town Meeting it was agreed that there would be a follow-up panel and perhaps even a workshop at next year’s NECON.

At 4:00 it was time for Almost Human: The Art of the Monster, moderated by Cortney Skinner and including artists Duncan Eagleson, Jill Baumann, Ogmios, Rhea Ewing, and Glenn Chadbourne.  The panel featured a lively discussion about traditional drawing and painting vs. digital drawing and painting, which has come so far and yields such impressive results it’s difficult to ignore, and for most on the panel it’s warmly embraced.

After dinner, I attended the Artists’ Reception at 6:30.  It’s always a highlight of the weekend to walk through the gallery to see the latest prints, paintings, drawings, and sculptings by the featured artists.  This year I bought a colorful rendition of Carl Kolchak by Cortney Skinner.  This digital print of the popular NIGHT STALKER character contains a NECON in-joke, as one of the items in the painting has a NECON history.  During the reception coffee and some mighty delectable desserts were served.

At 7:30 it was Live DVD Extra: Director’s Showcase where some new film shorts were shown, including Lynne Hansen’s CHOMP and Izzy Lee’s POSTPARTUM. Both Hansen and Lee were available for questions and answers afterwards.

At 9:00 it was time for The Infamous Necon Roast. This year’s roastee was Sephera Giron, who was a real sport about the whole thing and seemed genuinely relaxed and appeared to be having a good time, which is how it should be.  As always, the roasters were hilarious, and included Christopher Golden, Mary SanGiovanni, Cortney Skinner, Linda Addison, Monica O’Rourke, Nick Kauffman, Jack Haringa, Jeff Strand, and Brian Keene.  All these folks are entertaining, although my personal favorite is Cortney Skinner whose impeccable timing is unmatched and who has the whole “Bob Newhart” deadpan mastered like a pro.

Afterwards it was more Saugies and socializing on the quad into the wee hours of the morning, since Saturday night is the last night at the con till next year.

Sunday, July 19, 2014

 

Today’s 10:00 panel was It Only Laughs When I Hurt: Comedy and Genre, a panel that looked at humor and horror and featured Craig Shaw Gardner, Hal Bodner, Jeff Strand, John McIlveen, Frank Raymond Michaels, and was moderated by P.D. Cacek.  The panel included many neat moments, amongst them Frank Raymond Michaels citing ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948) as one of the all-time best horror comedies, and the discussion of how to effectively mix humor and horror by placing horror characters in a comedic situation, and vice versa by placing comic characters into a horror situation.

At 11:00 it was time for the Necon Town Meeting, the chance for folks to give the Necon committee feedback about the weekend.  It was agreed by all that NECON 35 was another grand success.

At lunch, I sat with Nick Cato and his wife Ree, and before leaving for another year, I made the rounds and said goodbye to as many folks as possible, including Craig Shaw Gardener, Barbara Gardener, Matt Bechtel, and Laura Hickman.

I’m never able to see everyone during the weekend, but here are some folks I did get a chance to spend some time with or at the very least exchange a quick word with: Linda Addison, Meghan Arcuri-Moran, Matt Bechtel, Hal Bodner, Mary Booth, Ginjer Buchanan, P.D. Cacek, Sara Calia, Bill Carl, Nick Cato, Ree Cato, Glenn Chadbourne, JoAnn Cox, Dennis Cummins, Don D’Ammassa, Richard Dansky, Barry Lee Dejasu, John Dixon, Dan Foley, Gary Frank, Barbara Gardner, Craig Shaw Gardner, Christopher Golden, Scott Goudsward, Catherine Grant, Jack Haringa, Laura Hickman, Nicholas Kaufmann, Brian Keene, Nate Kenyon, Dan Keohane, Paul McMahon, Bracken Macleod, Elizabeth Massie, John McIlveen, Frank Raymond Michaels, James Moore, Mike Myers, Jose Nieto, Errick Nunnally, Monica O’Rourke, David Price, Matt Schwartz, Cortney Skinner, Jeff Strand, Paul Tremblay, Tony Tremblay, K.H. Vaughn, Bev Vincent, Sheri White, Scott Wooldridge, and Trish Wooldridge.

I apologize if I’ve missed anyone.

Another memorable NECON has come and gone.  Thanks to the Booth family, including Mary Booth and Sarah Calia, and Matt Bechtel, and the entire NECON committee and volunteers, for all the hard work they did to pull off yet another amazing con.

Can’t wait till next year.

Thanks for reading!

Michael

Print Edition of My Novel TIME FRAME Now Available!

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time frame coverTIME FRAME – My Debut Novel Now Available!

By

Michael Arruda

It’s time for some happy news.

My debut novel, TIME FRAME, previously only available as an EBook from Necon Ebooks at www.neconebooks.com, is now available as a print on demand paperback edition.

There are several ways you can get a print edition of TIME FRAME.  You can order it at https://www.createspace.com/5487293, you can order it at Amazon.com, or you can order it directly through me.  Just send me an email at mjarruda33@gmail.com with your request and we’ll take it from there.  The print edition is on sale for $14.99.

The Ebook remains available for $2.99 and can be ordered at www.neconebooks.com.

TIME FRAME is a story about time travel.  I love time travel stories, and I set out to write one that played with multiple timelines and had some fun taking traditional time travel tropes to the extreme.

I wrote TIME FRAME with the spirit of time travel movies and TV shows in mind, films like THE TIME MACHINE (1960), TIME AFTER TIME (1979), and any number of STAR TREK episodes.  If you enjoy time travel adventures, chance are you’ll enjoy TIME FRAME.  I hope you decide to check it out.

Thanks for reading!

—Michael

SNEAK PREVIEW: TIME FRAME By Michael Arruda – Chapter 5

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My science fiction novel TIME FRAME is now available as an EBook from NECON EBooks at time frame coverhttp://www.neconebooks.com. Previously on this blog I featured Chapters 1-4 of the novel.  Today the sneak preview continues with Chapter 5.

This could very well be the final sneak preview.

And remember, if you like what you read, please spread the word and feel free to post reviews on Amazon as well.

Hope you enjoy it.

Thanks for reading! —Michael

 

 

CHAPTER 5

“Kathryn, where’s your mother?”  Papa asked.

The question hit Adam in the face like a brick.  He looked across the living room at his mother, and she looked as mortified as he felt.  He wanted to ask his grandfather, you don’t know?

“Ma?”  Kathryn said.

Papa nodded.  His eyes were expectant, but Adam also saw fear in them, as if he knew what Kathryn was going to say.

“Ma died,” Kathryn whispered.  “Three years after you.”

“Died?”  Papa said, his voice barely audible.  He closed his eyes, squeezing them tightly together. His bottom lip quivered.  His cheeks flushed red, and as he sat there, with his eyes shut tight, he looked like a child blocking out the world.

“Daddy, are you okay?”  Kathryn asked.

He opened his eyes.  They were puffy and swollen.  He sniffled.

“How?”  He asked.

“Just old age,” Kathryn said.  “She went peacefully, in her sleep.”

“Good,” Papa muttered.  He sighed.  “I really wanted to see your mother.”

“I’m sorry,” Kathryn said.

Adam thought about his grandfather’s words and wondered, “Why didn’t you?”

“If you don’t mind my asking,” Adam said.  “Why didn’t you pick a date when Nana was still alive?  Why come back when she’s— how come you didn’t know?”

“I don’t mind your asking,” Papa said.  “I didn’t pick an exact date because I couldn’t.  The machine I used worked with decades.  I couldn’t pick one date.  I couldn’t even pick an exact year.  I had to pick a decade.  I chose the first decade after I died because I didn’t want to come back while I was still alive.  You’re not supposed to do that.  I don’t really understand the reasons why, but supposedly you’re not supposed to travel to a time in which you exist already because with two of the same people in the same time frame, I think that’s what they called it, a time frame, it would have a dangerous effect.  You’d both be sick, and they say, you’d both die.  I didn’t want that.”

“What kind of a time machine doesn’t let you pick an exact date to travel to?”  Adam asked.  It was a rhetorical question.

“A cheap one,” Papa answered.  “It was the only model I could afford.  Yes, even five hundred years from now, everything still comes down to money.”

“I w-want to go for a ride in one,” Sandy slurred.

“No can do,” Papa said.  “The machine doesn’t exist anymore.  It disintegrated.”

“Did you have an accident?”  Kathryn asked.

“No.  The cheap model also happened to be the one way model,” Papa said.

“What’s the one way model?”  Adam asked.

“It only goes one way, then disintegrates.  It’s like a paper plate.  Use it once, throw it away,” Papa said.

“What’s the point of that?”  Adam asked.  It didn’t seem to make much sense to him.

“It’s just cheaper,” Papa said.  “Most people don’t use them because you can’t get back.  I didn’t want to go back.”

“But why even make them?”  Adam asked.  “If you can’t get back, what’s the point?”

Papa shrugged.  “Why make a Slinky?  Because it’s cheap and someone will buy it.”

“Sounds like they’d be illegal,” Adam said.

“In some places they are,” Papa said.

“So, you’re stuck here, then?”  Kathryn asked.

“I wouldn’t put it that way.  I want to be here.  But no, I won’t be hopping back into my time machine to revisit history, or to see your mother.  I can’t do that.  I’m here to stay.”

—END Chapter 5—

And that also ends today’s sneak preview of my novel TIME FRAME ( available from NECON EBooks at time frame coverhttp://www.neconebooks.com.)

Once again, thanks so much for reading!

-Michael

 

 

 

TIME FRAME – Sneak Preview: Chapter 4

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time frame coverMy science fiction novel TIME FRAME is now available as an EBook from NECON EBooks at http://www.neconebooks.com.

Previously on this blog I featured Chapters 1-3 of the novel.  Today the sneak preview continues with Chapter 4.

Hope you enjoy it.

Thanks for reading!

—Michael

 

CHAPTER 4

The bald-headed bartender, with a white towel slung over his shoulder, turned from the cash register by the whiskey bottles and approached the two strangers sitting at his bar.

“Would you like another?”  He asked.

The two strangers each had been nursing their drinks for the past half hour.  The one who did most of the talking was a heavy set stocky fellow with dark curly hair and a chubby face that looked friendly.  He had a soft somewhat high voice and nodded a lot when he spoke.  He sipped a Guinness.

His friend was the one who made Duncan uneasy.  A big man, close to 6’ 6”, an imposing figure who looked incredibly fit and strong for someone who appeared to be past his prime, perhaps in his early 40s, as his hair sported spots of gray and his face weathered lines.  It was his face that disturbed Duncan the most, and more specifically, his eyes.

The eyes were cold, a killer’s eyes.  Duncan knew the type because he’d worked at the prison once, a long time ago, and he’d seen his share of murderers.  Not all of them had this particular look, but the ones that did, he’d always kept clear of.  It was the look of a predator, a wolf, eyes that spoke out loud, that said no one they encountered could best them.  I’m the top of the food chain.  The tall man sitting at his bar had these eyes.

The man made Duncan uncomfortable, and Duncan was not spooked easily.  After all, he was the champion arm wrestler of Kilgarvan, and at six foot one inch, he was an imposing figure himself who not only owned Duncan’s Pub and tended bar but also served as resident bouncer.  Still, it was one thing to throw out a drunken lug from your establishment, and quite another to tangle with a killer.  After all, Duncan used his muscles to prevent bloodshed, not inflict it.

The man sipped his whiskey, straight, no ice.  He licked his lips, all the while keeping his eyes on Duncan.  He didn’t blink.

“No, thank you.  We’ll keep to these,” the man said.  His voice was emotionless, yet penetrating, like a gun with a silencer.

Duncan swallowed.  “Just let me know if I can get you anything.”

“Certainly.  Thank you so much,” the chubby man smiled. “You’re very thoughtful.”

“And you two are the oddest couple I’ve ever seen,” Duncan thought.

He turned away from the two men, and his eyes fell upon the welcome sight of O’Leary, one of his regulars, the regular in his opinion.  Duncan’s Pub had been open for 11 years, and Duncan remembered clearly opening for business that first day and within the first five minutes of unlocking the front door, seeing O’Leary saunter in with a big smile and saying, “Pour me a stout, why don’t ya?”  That’s how it had begun, and now 11 years later, that’s how it continued.

“Pour me a stout, why don’t ya?” O’Leary said.  He looked over at the two strangers sitting at the bar to his right.

Duncan opened the tap and poured a frothy dark one into a tall mug.  He slapped it in front O’Leary.

“Ah, I thank you,” O’Leary said, lifting the mug to his lips and drawing in a long sip of the hearty brew.

“No. Thank you,” Duncan said.

“Me?  What for?  You’re the one who’s working,” O’Leary said.

“You keep me sane.  It’s good to see you every day,” Duncan said.  His eyes roved back towards the two strangers, and O’Leary followed them.

O’Leary nodded.  “I know what you mean.”

Duncan was able to have this conversation with O’Leary, in such close proximity to the two strangers, because as usual on a weekday afternoon after work, Duncan’s Pub was packed, packed and loud.

Funny about noise, Duncan thought.  It starts off low, then grows louder as the next guy raises his voice so his friend can hear, and then the next guy does the same, and so on and so on.  You’d think it would reach the point where it would burst the eardrums, but it doesn’t.  Day after day the same thing happens.  Suddenly, it gets quiet, all by itself, and inevitably someone makes a loud off color joke, breaking the silence, allowing the cycle to begin again.

It was loud now, and though the two strangers sat close to O’Leary, separated only by Tim and Tina, two other regulars who Duncan didn’t know as well as O’Leary since they only came in once a month or so, it was easy to hold a conversation without worry that they’d be heard.

Duncan didn’t know how old O’Leary was.  He had looked to be in his 60s on that day 11 years ago when he had first come into the pub, and he still looked like he was in his 60s now.  He was thin but had a round frame, and Duncan imagined he must have been a chubby young man.  He had very fine hair and very coarse skin, no doubt from his career as a fisherman.  He was retired now.  His face could be harsh with all its weathered lines, but as soon as he smiled, all the harshness disappeared and he became as warm as everyone’s favorite grandfather.

Duncan didn’t know if 11 years ago O’Leary simply looked older than he was, or if nowadays he simply looked great for his age.  Duncan just hoped the man remained healthy and kept coming in.  Sickness in old age came on fast.  He had seen it with his dad, and now with his mother.  They go on and on in apparent good health claiming they’re going to live to 90, but when sickness comes to a 70 year-old, serious sickness, the body just doesn’t recover.  Duncan didn’t want to see O’Leary sick.

“Just how old are you, O’Leary?”  Duncan asked.

O’Leary sipped his stout and placed the mug on the bar.  “Old enough to drink as many of these as I want.”

“You watching your health?”  Duncan asked.

“Take my medicine every day,” O’Leary said, raising his glass.

Duncan laughed.  He happened to notice the clock on the wall opposite the bar.

“You’re here early today,” Duncan said.  “What’s the occasion?”

“The wife’s out shopping,” O’Leary said.

“You rascal,” Duncan said.

He noticed the two strangers looking around the bar, as if they were looking for someone.  He told himself to leave well enough alone, to attend to the customers at the other end of the bar, but the man with the cold eyes suddenly looked perplexed.  The expression caught Duncan’s curiosity.  Still, he wanted nothing more to do with these two men, at least not until he had finished with the customers at the other end of the bar.  Duncan was about to turn to those customers when he realized the man had caught him staring.

“Oops,” Duncan thought, and he grinned.  How to get out of this one? He decided to simply do his job, and that would take care of it.  He stepped towards the two strangers.

“You look like your wheels are turning,” Duncan said.  “Something on your mind I can help you with?”

“No one’s smoking.  A pub without cigarette smoke.  Why is that?”  The tall stranger asked.

“Welcome to the 21st century,” said Tim, who sat just to the men’s left.

The stranger turned towards Tim and glared at him with wide opened eyes.        “It’s a new law,” Duncan said.  “No more smoking in the workplace, which includes the 10,000 pubs here in Ireland.  If you want to smoke, you’ll have to go outside.”

“Ireland, the world’s healthiest place to live,” O’Leary said, lifting his beer mug.  “Damned health minister!” Tim said.

The tall man turned to his chubby friend.  “Why didn’t you know about this?”

The chubby man shrugged.  “I don’t know.  I didn’t see anything in the literature about it.”

“Don’t come down on your buddy too hard,” Duncan said.  “It’s a brand new law. I’m sure it’s not in any of the travel guides yet.  I hope you weren’t looking forward to that smoke too badly.  You gentlemen on vacation?”

“No.  Business,” said the tall man.

“I see.  What do you do?”  Duncan asked.

The man made direct eye contact with Duncan but didn’t offer an answer, at least not by speaking.  His eyes, they did the talking, and Duncan knew what they were saying, “Stop asking me questions.”

“We’re in the travel business,” said the chubby man.  “That’s why we’re a bit put out that we didn’t know about the ‘no smoking’ law.  It’s our job to know these things.”

“Travel business,” Duncan repeated.  “Are you going to write up a report on my pub?  Should I be on my best behavior?”

The chubby man chuckled.  “No, it’s not like that.  We’re more interested in the people doing the traveling than the places they travel to.  We’re sort of like the People’s Choice awards.  We don’t rate the places we visit ourselves, but we talk to the real life travelers and see what they have to say.  Do you get many travelers here, or do you serve mostly locals?”

“Locals, for sure.  Very few travelers,” Duncan answered.  “On any given month you’d be the only ones, but it must be the week for visitors.”

“You’ve had some tourists in this week?” the chubby man asked.

“One.  A man.  Pretty sure he’s an American. He talks like an American.”

“He sounds like the kind of man we’d like to talk to,” the chubby man said.

“Really?  Too bad, because you’d learn much more if you talked to one of the regulars,” Duncan said.

The chubby man smiled.  “Don’t worry.  We don’t publish negative reviews.  That’s not what we’re about.  We’re interested only in people’s experiences in foreign lands.  We’re not critics.  We’re about human interest stories.  It’s too bad we missed this guy.”

“He’s been in more than once.  Maybe he’ll come in again today,” Duncan said.  He looked at his watch.  “Around this time, too.  Maybe you’ll get lucky.”

“Maybe,” the chubby man said.

Duncan noticed the chubby man’s beer mug was nearly empty.

“Are you sure I can’t get you another?  Duncan asked.

“You know, I think I will have another, thank you very much.”

“Another Guinness?”  Duncan asked, just to make sure.

“Yes.”

Duncan looked at the tall man, still nursing his whiskey.  The tall man shook his head.

“No thank you,” the man said.

Duncan moved to the tap.  “You are one creepy looking guy,” he thought.  “The sooner you’re out of here, the better!”

As he poured the beer, he thought about what the chubby man had just said, and he didn’t buy it.  Travel business.  He didn’t think so.  They didn’t look the part.  At least the tall guy didn’t.  He had killer written all over him.  Maybe to other people he didn’t look so obvious, but it was Duncan’s job to know people inside and out, and the vibes he got from this guy weren’t good.  Whether he was some sort of international agent, CIA perhaps, or hired gun or even terrorist, it didn’t matter.  Duncan wanted him out of his bar.

“Your kind is the last thing we need,” Duncan thought.  “Ireland has enough of its own problems.  We don’t need violence from the outside.”

Duncan filled the mug with a fresh Guinness.  He turned and gave the chubby man his drink.

The front door opened, and Duncan saw the American visitor.  His gut told him to keep his mouth shut, but the chubby guy had said the American was the type of person they wanted to talk to, as part of their travel business.  Maybe he’d call their bluff and see what happened.

“You gentlemen are in luck,” Duncan said.  “Our American tourist just came in for his afternoon brew.”

The two men looked over their shoulders.

The tall American, about 6’2”, and lanky, had the slim yet fit look of a runner.  He wore dark clothing, blue jeans and a dark blue sweatshirt with a hood which bunched up behind his neck.  His white running shoes helped him bounce when he walked.  His hair was jet black, wavy, and it possessed a gel shine.  He had handsome blue eyes that put people at ease.  He appeared a friendly chap.

He approached his usual table, a small circular job meant for two.  Though the pub was packed, the small table was still available.  Most of the patrons of Duncan’s Pub preferred to either stand or hang out by the bar.

Duncan and the two strangers weren’t the only ones who noticed the American come through the door.

Brenda, Duncan’s best waitress, was already moving his way.  He had just sat down, when she leaned her attractive body against him so that her hips touched his shoulder.   She made it a point to touch all the male customers.  Duncan let her do it because it was good for business.  She had a way of doing it without coming across trashy.  She came off like a kid sister who hadn’t seen her “brothers” in months.  The men loved it, and they loved her.  They rewarded her by giving her the best tips in the house.  Duncan didn’t mind because they also stayed longer and bought more beer.

She and the American struck up a conversation, and Duncan knew Brenda would soon be approaching the bar with the man’s order, a mug of frothy ale.

“Does he always come in alone?” the tall man asked.

“Yeah,” Duncan answered.  “Always picks the same table, right there, gets himself a beer and some dinner, and has a good time.”

“You’ve never seen him with anyone else?”  The tall man asked.

“No,” Duncan said.  “Why do you ask?”

Again, the man answered with his eyes, and they were none too happy.

“We ask different questions of solo travelers compared to couples or groups,” the chubby man said.  “Just doing our homework before we go over there and talk to him.”

“I see,” Duncan said.

The tall man reached into his pocket and tossed some money onto the bar.

“Thank you for the drinks,” he said.  He stood from his seat, and his chubby friend followed.  Together they approached the American.

Duncan took the money, nodded in approval at the size of the tip, and turned to deposit the cash in the cash register.

“Is it a full moon tonight, you think?” O’Leary asked.

“Why do you ask?”  Duncan said, looking over his shoulder.

“Those two.”

“You noticed?”

Duncan closed the cash drawer and approached his friend.

“Noticed?  I felt it!”

“The only thing you feel is a hangover in the morning!” Brenda said, coming up behind O’Leary and planting a friendly kiss on the back of his ear.

O’Leary smiled upon seeing Brenda.  “I can still feel more than that, just ask my wife!  Or perhaps you’d like a demonstration?”

“I have asked your wife, and I don’t have the two hours it’ll take to get you started!”  Brenda shot back, bringing howls from the patrons on both sides of O’Leary.  “Our American friend will have his usual,” she said to Duncan.

“Thank you, Brenda,” Duncan said.  He looked into the crowd to see the two strangers approaching the American’s table.

“Travel business,” Duncan muttered, shaking his head.  His stomach suddenly felt sour.

O’Leary made another off color joke causing more hearty laughter from the crowd around the bar.  Duncan smiled and poured the ale for the American.

“Good old O’Leary,” Duncan thought.  “How can anything bad happen with him around?”

 

And that ends Chapter 4.  Once again, thanks for reading!

—Michael

TIME FRAME by Michael Arruda – Sneak Preview- Chapter 3

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time frame coverMy science fiction novel TIME FRAME is now available as an EBook from NECON EBooks at http://www.neconebooks.com.

On January 21 I featured  Chapter 1 of the novel here on this blog, and on February 13 I unleashed Chapter 2.  Today the sneak preview continues with Chapter 3.  Hope you enjoy it.

Thanks for reading!

—Michael

CHAPTER 3

“How is it possible?” Kathryn asked.

“It’s not,” Sandy said.

“If you don’t mind, could I — hug you?” Papa asked his daughter.

Kathryn paused to consider the request, and then she nodded and stepped towards the man who looked exactly like her deceased father.

Papa opened his arms, and gently, very gently, Kathryn allowed herself to enter the man’s grasp. Papa closed his arms around her back, drawing her close, and Adam watched as the man’s face burst into tears.

“Excuse me,” Sandy said loudly, “but am I the only one here who remembers that this man friggin died seven years ago!”

Kathryn gently broke away from her father.

“No, you’re not the only one,” Kathryn said, sobbing.

Adam grabbed a tissue from the dispenser on the end table by the couch and handed it to his mother. Kathryn thanked her son and used the tissue to wipe her eyes and nose.

“He has an explanation,” Adam said.

Papa looked directly at Kathryn. “I am your father, Kathryn, and I am your grandfather, Adam, but — I’m also not him.”

“Damn it, old man, make some sense!” Sandy said.

“I’m not trying to speak in riddles,” Papa said. “Let me tell you the whole story. Then, you’ll understand.”

When they had settled into the comfortable seats in the living room, Papa began.

“We have to go back some years, to when I used to work for the gas company, to get to the beginning of how this happened. They were always shoving different forms in front of our faces. From ‘do you want to give to this charity’ to ‘do you want to be an organ donor?” That sort of thing. I remember distinctly this one time, there was a form from a private research company. They wanted permission to take blood samples from us. I remember it because it was the only time anyone ever asked us for blood, other than the blood bank, of course. I didn’t know what they wanted it for, but I believed in the principle of helping scientists, so a few of my buddies and me filled out the forms and gave these people some of our blood. Years went by, and we never saw or heard from these people again, and I never thought about them again. I went on with my uneventful life, and as you know, eventually had that stroke, and nothing was ever the same again.”

“You got that right,” Adam thought.

The stroke had knocked his grandfather out of the real world. His heart had taken such a hit his doctors had pretty much told him his career at the gas company was over.

He had to quit smoking, which to his credit, he did, cold turkey, and he had to be on medication for the rest of his life. He wasn’t allowed to exert himself in any way, which meant little or no exercise, activity, or travel. What he could do was eat and sleep and sit and watch television all day. In short, he was through being a whole person. He was only 62.

Still, it could have been much worse. He didn’t lose any of his mental faculties. He remained sharp and alert until the end. Of course, the end was a long time coming. Because of the advances of modern medicine, Papa lived on for 18 years this way.

The way Adam remembered it, the bulk of those years weren’t so bad for Papa, but the last couple had been brutal for the man. In the end, he was doing nothing for himself. Adam’s grandmother Nana could no longer take care of him. Nurses came to the house to bathe him and dress him. He even needed help going to the bathroom and cleaning up afterwards, it was horrible. As many family members remarked at the time, it was no way to live.

Eventually Papa succumbed to pneumonia and died at the age of 80.

In spite of his illness, he had always made Adam feel special, and Adam had always loved to visit him. He missed him dearly after he passed on.

“Do you know that my last memory was seeing your mother,” Papa said, looking directly at Kathryn, “in the hospital room. I was in bed. She stood over me. I told her I loved her, and we kissed each other, and she left for the night.

“Later I felt myself slipping away. It was like hanging onto a ladder and then letting go. I was so content with the knowledge that I was going to die. You can’t imagine the pain I’d been feeling for so long. I couldn’t take it anymore. It was so peaceful, drifting off, thinking of your mother, of all of you, of happy times gone by. No regrets, just peace and contentment that I had been blessed with a wonderful life. And that was it, that was the last thing I remembered, that was the end, until — .

“Until I woke up again in a different time in a different place, five hundred years from now, five hundred years in the future, give or take a few. That research company that had taken my blood all those years ago, they had frozen my DNA. Four hundred years from now another company buys my DNA. Five hundred years from now, they take my DNA, and they bring me back to life.”

Kathryn grimaced. “Why?”

“Simply put, my dear daughter, because they can,” Papa answered. “Science in that day and age has progressed so far, it’s unbelievable. Cloning there is like sex. Everyone does it. Parents sometimes even create their own children from a catalogue, like the way we pick out patterns for a room. DNA research is that advanced. Time travel is possible, which of course, is how I got here.”

“You came here in a time machine?” Sandy asked.

“Yes.”

Sandy burst out laughing.

Adam gently removed the wine glass from his wife’s hand.

“Sorry,” Adam said. “She’s had more than she’s used to.”

“It’s okay,” Papa said. “I know it sounds crazy, but it’s true, and the fact that I’m sitting here in this room with you now is proof that it’s true.”

“Are you a clone?” Kathryn asked.

Papa chewed over the question for a moment before answering. Adam wondered what he was thinking about. “I guess it’s cloning since this isn’t my original body, but it is exactly the same. I can’t tell any difference. Can you? And all my memories are intact, my whole life, from childhood to that last day in the hospital.” He pointed to his head. “It’s all in here. I don’t think of myself as a clone.”

“You’re not wearing your glasses,” Adam observed. “Can you see without them?”

“Yes, they made improvements,” Papa answered. “I’ve got perfect vision, even better than I had when I was a young man.”

“You look better too,” Sandy said with a hiccup. “He looks better.”

“I don’t know what to believe,” Kathryn said. “Daddy, let’s just say for the sake of the argument that everything you said is true, that you were brought back to life five hundred years from now using your frozen DNA. What are you doing here?”

“I missed my family,” Papa answered. “Who do I know five hundred years in the future? Nobody. I was homesick, and I’m not afraid to admit it.”

“Were you brought back to life as an adult or as a child?” Adam asked. “Did you have to relive your childhood all over again?”

“No, I came back as an adult,” Papa answered. “Both ways are possible. The company that resurrected me wanted me as an adult. They wanted me to tell them about my experiences in World War II. They still study history in the future. They’re fanatics about it.”

“Excuse me,” Adam said, “but it’s my understanding that clones don’t come with memories. If I were to be cloned today, my clone wouldn’t be born with my memories.”

Papa nodded. “You’re right, and that’s true of the clones today, but five hundred years from now, it’s quite the different story.”

“You’re asking me to believe that they harvested your memories from just a sample of your blood?” Adam asked. “I find that impossible to believe.”

“Not from my blood,” Papa answered. “From my atoms.”

Adam didn’t understand.

“It goes something like this,” Papa said, “and don’t expect a scientist’s explanation, because as you know, I’m not a scientist. The scientists from five hundred years in our future were able to break down my blood to an atomic level, atom by atom, and supposedly, what they’ve discovered, is at that level, memories are stored, and it’s possible to bring them back. That’s what they told me. All I know is, I have my memories.”

How could Adam argue with a science not yet invented?

“So, the people of the future. They wanted you to teach them about the past?” Adam asked.

“Yes, that was my job, to relay firsthand accounts of the war, and when I wasn’t working they went out of their way to make me feel comfortable and be a part of the culture of the day. Life in the 2500s is pretty good, let me tell you, but I missed my family. You know how much I love my family.”

Kathryn nodded. “Yes, I know.”

“Anyway, I soon learned that time travel was possible, and in my spare time, I read all about it, how it was done, how much it cost, and I started to save up for it, because I asked myself, what am I doing here? The ability to go back to my family, in the past, exists. Why not take it?”

“And that’s allowed?” Adam asked. “I mean, I would think there’d be problems with it. Interfering with history, for example?”

“It’s legal. Up to a point.” Papa didn’t elaborate.

“Up to what point?” Adam asked.

“Do we have to talk about this now?” Papa said.

“Daddy, what did you do?” Kathryn said.

“Well, I — I’m not supposed to make contact with any of you.”

“Ooops!” Sandy giggled.

Thank God for wine, Adam thought. He turned to his grandfather.

“What happens if you do?” Adam asked.

Papa shrugged.

“I don’t know. But listen, I didn’t return to change history,” Papa said. “I returned to see my family. That’s it. In the big scheme of life, I’m just a little man, and we’re just a little family in little old New Bedford, Massachusetts. What’s the worst that could happen?”

 

—-END Chapter 3—-

Okay, that’s Chapter 3.  Again, if you’d like to read the entire novel it’s now available as an EBook from NECON EBooks at http://www.neconebooks.com.

Thanks!

—Michael

SNEAK PREVIEW: TIME FRAME By Michael Arruda – Chapter 2

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time frame coverMy science fiction novel TIME FRAME is now available as an EBook from NECON EBooks at http://www.neconebooks.com.

Last month, on January 21, as a sneak preview I featured  Chapter 1 of the novel here on this blog.  Today the sneak preview continues with Chapter 2.  If you’d like to read Chapter 1, feel free to check out the January 21 post.

Hope you enjoy it.  Here’s Chapter 2 of TIME FRAME.

Thanks for reading!

—Michael

CHAPTER 2

“You should have a glass of wine.  It’ll relax you,” Adam said to his wife.

“Wine?”  Sandy said, her wheels spinning, as if she had never heard of the beverage before.  “Yes, wine sounds good.  I will have a glass of wine.”

Suddenly screams erupted from the second floor, followed by the cacophony of shouting boys.  Running feet came next, down the staircase.

“Mommy!  Daddy!  Stephen hit me!”

Adam raised his hand towards his wife in a calming gesture.

“I’ll take care of it,” He said.

His youngest son, Nate, charged towards him and wrapped his arms around his waist.  “Stephen hit me in the head, and it hurts!”

“I did not hit him!”  Stephen shouted.

His oldest son had also joined them in the dining room.

“Yes, you did!”  Nate hollered.

“Alright, alright,” Adam said.  “Everyone just keep calm.”

“He hit me, and I hate him!  I hate him!”

Nate let go of Adam and burst into the living room.

Adam looked at Sandy. Her hands were on her hips.

“Way to handle things, honey,” she said.

Little Nate trotted back into the doorway between the dining room and the living room.  He pointed into the living room.

“Who’s that?”  He asked.

Sandy placed her hands on her little son’s shoulders, and she looked at her husband.  “Yes, Adam, who’s that?”

Stephen was across the floor in a second and joined his mother and younger brother in the doorway.

“Who is that?” Stephen asked.

Adam’s grandfather had been seated in the rocking chair in front of the television set, but he was standing now.  Adam saw a look of joy and astonishment on his face.

“Your children,” Papa said.  “They’re beautiful.  That little one looks just like you. You look just like your father, little one.”

“My name’s Nate.”

“Hello, Nate,” Papa said.

“And this is Stephen, our oldest son,” Adam said, pointing to his light-haired boy, who shared a complexion and facial features with his mother.  Nate had dark hair and resembled Adam more.

“Who are you?”  Nate asked boldly.

“Who am I?  I’m—,” Papa paused and seemed to look to Adam for guidance.

“This is—,” Adam said, but then he paused.  Looking at Sandy, he realized that if he had to choose his words any more carefully, he’d have to hire a publicist.  “Remember I told you about my grandfather, Papa, the one who used to live in this house?”

Sandy cleared her throat, and Adam read her like a book.  Don’t you dare, she was saying.

“This is his brother,” Adam said.

“I thought Uncle Leo was his brother?”  Stephen asked.

“Yes, Uncle Leo is my grandfather’s brother.  This is another brother.  He’s not from around here.”

“I’m from the old country,” Papa said.  “My name is— Bela.  You can call me uncle Bela.”

“Yes, Uncle Bela,” Adam said. He appreciated the help.  He certainly needed it.  “Say hello to your uncle Bela, boys.”

“Hello uncle Bela,” the two boys droned.

“Hello, boys,” said ‘uncle Bela.’  “What fine looking boys you two are!  One that looks like the mother, and the other that looks just like his father!”

“Alright, boys, say bye to uncle Bela,” Sandy said.  “Mom and Dad need to talk to uncle Bela alone, please.  Go back and play.”

“But Stephen hit me!”  little Nate whined.

“I did not hit you!”  Stephen whined back.

Sandy rolled her eyes.  “Go play some video games or something!”

“But you said we couldn’t play until we cleaned our room,” Stephen said.

Well, I changed my mind!”  Sandy said.  “Go play!”

The boys cheered and immediately raced up the staircase, with all talk of who hit who erased from their vocabulary.

“You have beautiful children,” Papa said.

Adam approached him.  “Bela?”

“After Bela Lugosi. You know he was my favorite actor.”

“Yes, I remember,” Adam said.

“I am— Dracula,” the man said, doing his best Lugosi accent and showing his fangs.

“If I shove some garlic in your face, will you go away?”  Sandy said.

The doorbell rang.

“That must be mom,” Adam said.  “Are you ready?”

“As ready as I’ll ever be,” Papa said, his eyes watering, “to see my oldest daughter.”

“Stay here,” Adam said to his grandfather as he walked from the living room to the front door.

Adam opened the door and let his mother inside.

“Hello, mom.”

“So, what’s this about?  You said on the phone there was someone here I needed to see?”  Adam’s mom asked.  “Who?”             “Kathryn!  Good to see you!”

Sandy approached her mother-in-law holding a huge glass of red wine.  “Can I get you a glass of wine?  It’s really good.  This is my second.”

Kathryn smiled at her daughter-in-law.   “No, thank you, dear, it’s too early for me.”

“That’s too bad,” Sandy said.  “You’re going to need it.”

Kathryn leaned into her son’s ear.  “Wine in the morning?  What’s she talking about?”

“Aren’t you going to show your mom who’s in the living room?”  Sandy asked.

“Who is in the living room?”  Kathryn asked.

“I’ll show you,” Adam said.

Sandy raised her free hand.  “No!  You tell her before you bring her in there.  Don’t you dare spring this on her without telling her first!”

“Without telling me what?”  Kathryn asked.

“I’m not sure what to say,” Adam said.  “Just prepare yourself for a shock, but a good shock.  I mean, it’s nothing bad.”

“Tell her,” Sandy urged.

“Papa’s here,” Adam said.

“What?”  Kathryn asked.

Adam ushered his mother into the living room.

A man stood in the center of the room.

“Hello, Kathryn,” he said.  “So, how’s my oldest daughter?”

“Oh my God,” Kathryn gasped.

She slumped into her son’s arms.

—END Chapter 2—

Sneak preview of Chapter 3 coming soon!

Thanks for reading!

—Michael