IN THE SHADOWS: ELISHA COOK, JR.

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Welcome back to IN THE SHADOWS, the column where we look at character actors in the movies, especially horror movies.

Up today, it’s Elisha Cook, Jr., one of the most recognizable character actors of all time. Small in stature, he often portrayed intense oftentimes frightened characters, especially in his horror movies. One of my favorite Cook performances in a genre film was in HOUSE ON HAUNTED HILL (1959), in which he co-starred with Vincent Price as the terrified Watson Pritchard, the one man in the movie who believed ghosts were haunting the house. Cook also enjoyed a memorable moment in THE NIGHT STALKER (1972) when he falls asleep in the back of Kolchak’s car, scaring the living daylight out of the reporter (Darren McGavin) when he bolts upright in the back seat!

Here now is a partial look at some of Elisha Cook, Jr.’s impressive 220 screen credits:

HER UNBORN CHILD (1930)- Stewart Kennedy – Cook’s first screen credit is in this 1930 love story drama.

STRANGER ON THE THIRD FLOOR (1940) – Joe Briggs – co-stars in this film noir with Peter Lorre. Often cited as the first film noir movie ever.

THE MALTESE FALCON (1941) – Wilmer Cook – one of my favorite Elisha Cook Jr. roles is in this classic film noir by John Huston starring Humphrey Bogart as Sam Spade. Cook plays the enforcer for Mr. Gutman (Sydney Greenstreet), who Bogart’s Sam Spade torments throughout, at one point slapping him around and eventually turning Gutman against him. Cook is wound up and intense throughout. Also starring Peter Lorre and Mary Astor. One of my favorite movies of all time.

A-HAUNTING WE WILL GO (1942) – Frank Lucas- supporting role in this Laurel and Hardy spooky comedy.

THE BIG SLEEP (1946) – Harry Jones – reunited with Humphrey Bogart, with Bogart this time playing Philip Marlowe. Directed by Howard Hawks and written by William Faulkner, Leigh Brackett, and Jules Furthman, this one is so complex that even after subsequent viewings it’s still difficult to figure out who did what to whom, and why! Bogart famously married co-star Lauren Bacall shortly after this movie.

SHANE (1953) – Stonewall Torrey – supporting role in this classic Alan Ladd western. His character is dramatically slain by the villainous gunslinger played by Jack Palance.

ADVENTURES OF SUPERMAN (1954)- “Semi-Private Eye” – Homer Garrity – plays private detective Homer Garrity hired by Lois Lane to prove that Clark Kent is really Superman in this episode of the George Reeves Superman TV series.

THE KILLING (1956)- George Peatty – supporting role in this film noir thriller directed by a young Stanley Kubrick.

VOODOO ISLAND (1957) – Martin Schuyler – zombie horror movie starring Boris Karloff, notable for featuring the screen debut of Adam West. Holy horror movie, Batman!

HOUSE ON HAUNTED HILL (1959) – Watson Pritchard – one of my favorite Elisha Cook, Jr. roles is in this William Castle horror movie starring Vincent Price as a cold, calculating husband who along with his equally manipulative wife plan a party in a haunted house where the guests are each paid a large sum of money if they remain in the house all night. And they have no choice once they agree, because they are all locked inside until dawn. Cook plays the one man there who believes in ghosts, and spends most of his time drinking and warning the others that they are all doomed. One of the earlier horror movies to employ jump scares, and the scene with the old woman who appears out of nowhere in the basement is a classic.

BLACK ZOO (1963) – Joe – horror movie starring the Hammer ham himself, Michael Gough, playing a character who uses his zoo animals to kill his enemies. Of course!

THE HAUNTED PALACE (1963) – Peter Smith – reunited with Vincent Price in this horror movie directed by Roger Corman based on a story by H.P. Lovecraft. Cook plays a frightened townsperson who is a yes-man to a tougher townsperson played by Leo Gordon, and they lead the villagers in attempts to oust Vincent Price’s Charles Dexter Ward from their community fearing that he is a menace to their community. And they’re right! Also stars Lon Chaney Jr., in a rare paring with Vincent Price. One of my favorite Roger Corman/Vincent Price movies.

ROSEMARY’S BABY (1968) – Mr. Nicklas – part of the terrific cast in Roman Polanski’s classic horror movie which also stars Mia Farrow, John Cassavetes, Ruth Gordon, Maurice Evans, and Ralph Bellamy.

THE NIGHT STALKER (1972) – Mickey Crawford – plays an informant for Darren McGavin’s Carl Kolchak in this groundbreaking vampire movie written by Richard Matheson. Cook provides one of the better jump scares in the movie as noted above.

BLACULA (1972) – Sam – Cook appears in back-to-back vampire movies, this one featuring a commanding performance by William Marshall in the lead role in this underrated horror movie which is actually very good.

THE BLACK BIRD (1975) – Wilmer Cook – Cook reprises his role from THE MALTESE FALCON (1941) in this comedy about the son of Sam Spade, played by George Segal.

SALEM’S LOT (1979) – Gordon ‘Weasel’ Phillips – this TV movie adaptation of Stephen King’s vampire novel starring David Soul and James Mason is considered by many fans and critics as one of the two greatest vampire TV movies ever made, along with THE NIGHT STALKER. Elisha Cook Jr. appeared in both these movies!

MAGNUM, P.I. (1980-1988) – Francis “Ice Pick” Hofstetler – Cook’s final screen appearances were on the popular TV series, MAGNUM, P.I., in which he appeared in 13 episodes.

Elisha Cook Jr. appeared in tons of TV shows over the years, including GUNSMOKE, THE WILD WILD WEST, STAR TREK, BATMAN, THE ODD COUPLE, and STARSKY AND HUTCH, to name just a few.

I hope you enjoyed this partial list of Elisha Cook Jr.’s career. He was a character actor who starred in many genre films, some, like ROSEMARY’S BABY and THE NIGHT STALKER, are some of the more important ones ever made.

Join me again next time for another edition of IN THE SHADOWS, where we look at the careers of character actors in the movies, especially horror movies.

As always, thanks for reading!

—Michael


MEMORABLE MOVIE QUOTES: NICHELLE NICHOLS – STAR TREK

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Welcome back to MEMORABLE MOVIE QUOTES, that column where we look at memorable quotes from the movies. Today we’re doing something a little different. Rather than look at quotes from one movie, we’re going to look at quotes from one character, Lieutenant Nyota Uhura, in the six original STAR TREK movies, in honor of the actor who played her, Nichelle Nichols, who passed away this past weekend on July 30, 2022.

Nichols played the character Lieutenant Uhura in the original STAR TREK TV series (1966-1969), and that’s really where she had her best moments. But she also played the character in the six STAR TREK movies which featured the original cast.

In honor of Nichelle Nichols, here’s a look now at some of her lines of dialogue from those movies;

STAR TREK: THE MOTION PICTURE (1979)

The first time the STAR TREK cast appeared on the big screen was in this thought-provoking special effects-laden film directed by Robert Wise which was considered somewhat of a misfire in 1979 but has stood the test of time and has only gotten better with age. Part of the fun during the first third of the movie was seeing all the show’s characters make their big screen debuts. This next conversation between Kirk (William Shatner) and Uhura was the set-up for Dr. McCoy’s (DeForest Kelley) first big screen appearance. Let’s listen:

UHURA: Captain, our final six replacements are ready to beam aboard, but one of them is refusing to step into the transporter.

KIRK: Oh! I’ll make sure he beams up!

And of course, Dr. McCoy would beam up shortly thereafter, complaining about having to have his molecules disassembled and reassembled.

When Kirk is given full command of the Enterprise again, it’s Uhura who puts it all in perspective:

SULU: He wanted her back. He got her.

ENSIGN: And Captain Decker? He’s been with this ship every minute of her refitting.

UHURA: Ensign, the possibilities of our returning from this mission in one piece may… have just doubled.

STAR TREK II: THE WRATH OF KHAN (1982)

Unlike STAR TREK: THE MOTION PICTURE, its sequel STAR TREK II: THE WRATH OF KHAN was both a critical and commercial success, and more importantly, a huge hit with fans, who felt at the time that it retained the flavor the original show, something that had been lacking in the first movie. It certainly set the stage for the remaining films in the series, as they all borrowed heavily from the look and feel of this one, rather than the first film.

In STAR TREK II, it’s Uhura who brings Kirk the news of a pending reunion with a former love.

UHURA: Bridge to Admiral Kirk.

KIRK: Kirk here.

UHURA: Sir, there’s a message coming in for you from station Regula One. Doctor Carol Marcus.

KIRK: I’ll take it in my quarters, Uhura.

MCCOY: Never rains, but it pours.

One of the themes in STAR TREK II is aging, as getting older and feeling older are in the forefront of Kirk’s mind, as seen here in this scene in which Uhura gets to ponder the situation.

MCCOY: Admiral, wouldn’t it be easier to put an experienced crew back on the ship?

KIRK: Galloping around the cosmos is a game for the young, Doctor. (Exits)

UHURA: Now what is that supposed to mean?

STAR TREK III: THE SEARCH FOR SPOCK (1983)

Uhura gets to enjoy some of her finer STAR TREK movie moments here in STAR TREK III, like in this scene where she completely overwhelms a young Star Fleet officer as she helps Kirk, McCoy and Sulu (George Takei) escape to search for Spock.

OFFICER: Look at you. You’re a twenty-year space veteran, yet you pick the worst duty station in town. I mean, look at this place. This is the hind end of space.

UHURA: Peace and quiet appeals to me, Lieutenant.

OFFICER; Well, maybe that’s okay for someone like you, whose career is winding down. But me, I need some excitement, some adventure… maybe even just a surprise or two.

UHURA: Well, you know what they say, Lieutenant. Be careful what you wish for. You might get it.

(KIRK, MCCOY and SULU enter the transporter room)

KIRK: Uhura, is everything ready?

UHURA: Step into my parlor, gentlemen.

OFFICER: That’s Admiral Kirk, my God!

UHURA: Very good for you, Lieutenant.

OFFICER: But it’s damned irregular. No destination points, no encoded IDs.

UHURA: All true.

OFFICER: So what are we gonna do about it?

UHURA: I’m not gonna do anything about it. You’re gonna sit in the closet.

OFFICER: The closet? Have you lost your sense of reality?

UHURA: This isn’t reality. (Aims phaser at him) This is fantasy. You wanted adventure, how’s this? The old adrenaline going, huh? Good boy. Now get in the closet.

OFFICER: All right…

UHURA: Go on.

OFFICER: I’ll just get in the closet. All right! Damn! (Enters closet and shuts door)

MCCOY: I’m glad you’re on our side!

KIRK: (points to closet): Are you sure you can handle…?

UHURA: Oh, I’ll have “Mr. Adventure” eating out of my hand, sir. And I’ll see all of you at the rendezvous.

STAR TREK IV: THE VOYAGE HOME (1986)

Clearly the most humorous of the STAR TREK movies, featuring a plot which saw the crew time travel back to 1986 San Francisco, STAR TREK IV featured comical bits with most of the characters, and Uhura was no exception, as in this scene when she, Chekov (Walter Koenig), and Sulu are on the streets of San Francisco trying to get directions to the Alameda naval base.

CHEKOV: Please, please – We’re looking for the naval base in Alameda. Can you tell us where the nuclear wessels are?

PASSERBY: Oh, I don’t know if I know the answer to that. I think it’s across the Bay. In Alameda!

CHEKOV: That’s what I said – Alameda, I know that.

UHURA (frustrated): But where is Alameda?

STAR TREK V: THE FINAL FRONTIER (1989)

The weakest of the STAR TREK movies tried to recapture the playful humor from the previous installment but largely failed. In this sequence, Sulu and Chekov embarrassingly pretend they can’t hear Uhura on their communicators.

UHURA: Is there a problem, gentlemen?

(Sulu and Chekov are lost in the woods)

SULU: Uh, yes. We’ve been caught in a… we’ve been caught in a blizzard.

(Chekov blows on the communicator, pretending that it’s wind)

CHEKOV: And we can’t see a thing. Request you direct us to the coordinates.

UHURA: My visual says sunny skies and seventy degrees.

CHEKOV: Sulu, look. The sun’s come out. It’s a miracle.

UHURA: Don’t worry, fellas. Your secret’s safe with me. I’ll send a shuttlecraft to pick you up.

Uhura also arrives in person to summon Kirk, Spock, and McCoy from shore leave back to the Enterprise.

UHURA: Captain, we’ve received important orders from Starfleet Command.

KIRK: Why didn’t you just beep my communicator?

UHURA: You “forgot” to take it with you.

KIRK: Oh… I wonder why I did that?

STAR TREK VI: THE UNDISCOVERED COUNTRY (1991)

The final film in the original film series is one of the better ones, as it’s exciting, humorous, and provides a poignant send-off for all the characters.

In a humorous moment, Uhura speaks with Spock (Leonard Nimoy) about the whereabouts of Kirk and McCoy.

UHURA: You understand, we have lost all contact with the Captain and Dr. McCoy.

SPOCK: Yes, at the moment, they are surrounded by a magnetic shield. However, if I know the Captain, by this time, he is deep into planning his escape.

(Cut to Kirk fighting and losing to an alien twice his size.)

Uhura also gets a key moment in the film’s conclusion, as the Enterprise crew is battling a cloaked Klingon vessel.

SPOCK: Gas. Gas, Captain. Under impulse power, she expends fuel like any other vessel. We call it plasma, but whatever the Klingon designation, it is merely ionized gas.

UHURA: Well, what about all that equipment we’re carrying to catalog gaseous anomalies? Well, the thing’s gotta have a tailpipe.

And Uhura is there on the bridge for the crew’s final ,moments on the big screen.

UHURA: Captain, I have orders from Starfleet Command. We’re to put back to space dock immediately to be decommissioned.

SPOCK: If I were human, I believe my response would be… “go to hell.” If I were human.

CHEKOV: Course heading, Captain?

KIRK: Second star to the right and straight on till morning.

I hope you enjoyed this MEMORABLE MOVIE QUOTES column where we looked at quotes spoken by Nichelle Nichols as Lieutenant Uhura in the six STAR TREK movies, and I hope you will join me again next time when we look at more memorable quotes from another classic movie.

As always, thanks for reading!

—Michael

Nichelle Nichols

December 28, 1932 – July 30, 2022

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Worst Movies of 2021

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Welcome back! As promised, here is my list of the Top 10 Worst Movies of 2021.

As I did with my Best Movies List, I’m placing an asterisk next to this one, as once again, the pandemic has prevented trips to the movie theaters from being a safe activity, and so with this in mind, I know we haven’t all seen the same movies since we are not all heading out to the movie theaters to see the same national releases. I know there are plenty of movies I missed this year.

Okay, let’s get on with it. Without further hesitation, here is my list of the Top 10 Worst Movies of 2021:

10. CRY MACHO – probably the dullest movie I watched all year. Clint Eastwood directs and stars in this tale of a former rodeo star (Eastwood) who goes to Mexico to bring back his boss’s teenage son to the States, and along the way, the two form a bond in this underwhelming buddy movie. While I am in awe of Clint Eastwood, who at 91 years old, is still making quality movies, the story here in CRY MACHO doesn’t do him any favors. The storytelling is muddled, and Eastwood seems to be playing a character who is much younger than 91, although the script never makes this clear. Not much to like about this one, even for Eastwood fans.

9. FEAR STREET: PART TWO – 1978 – Yeah, I know. For a lot of folks, this second installment in the Netflix FEAR STREET horror movie trilogy was the best of the lot, but for me, it was the worst. Each part served as an homage to a particular horror movie genre, and here in FEAR STREET: PART TWO – 1978 that genre is the FRIDAY THE THIRTEENTH movies. I’m going to ruffle more feathers here as well when I say honestly that I’ve never liked the FRIDAY THE THIRTEENTH movies and have found them all to be particularly bad. FEAR STREET: PART TWO does a nice job capturing the feel of these movies, but at the end of the day, it’s yet another variation of teenagers at a summer camp being slaughtered in the most unrealistically gruesome of ways. If that’s your cup of tea, you probably love this movie. But it’s not mine. I prefer intelligence in my horror.

8. GODZILLA VS. KONG – Again, this is one that a lot of people really liked, but for me, even as a fan of giant monster movies, especially King Kong movies, and Godzilla movies as well, this one was simply bad. I find it difficult to understand why this movie has so many fans when its script is so weak. The human characters are all forgettable, the situations unrealistic and uninspiring, and the dialogue is pretty poor. So, all you have left are the giant monsters in combat. And even those scenes didn’t do much for me. I know the argument is out there that that’s how the old Toho Godzilla movies all were. That’s a fair argument, up to a point. What always saved the Toho films was that Godzilla and his friends all had personality. The monsters in these modern-day versions do not. Plus, movies like KING KONG (1933) and THEM! (1954) did have superior scripts. These new giant monster movies do not. Instead, the modern-day giant monster movie (mostly Godzilla and Kong these days) has been reduced to special effects only, without any interest in creating any kind of a story worth telling.

7. COMING 2 AMERICA – the original COMING TO AMERICA (1988) starring Eddie Murphy and Arsenio Hall was very funny. This sequel, in spite of the return of Murphy and Hall, is not. Next movie…

6. TYGER TYGER – this was a movie that I fully expected to like, because it was so different and quirky, with a sense of style that I thought would make it a winner. But this tale of a pair of selfless robbers who kidnap a drug addict before they all find themselves hiding out in a bizarre psychedelic city is probably better enjoyed when you’re high! Seriously! The longer this one went on, the less sense it made, and by the time it was all over, it largely had become a wasted opportunity. No pun intended!

5. THE LITTLE THINGS – in spite of the presence of Denzel Washington, Rami Malek, and Jared Leto this one just doesn’t work. Washington plays a former detective who’s called in to help with a serial killer case, and the character he plays is known for spotting the little things others miss in these cases. Trouble is, the script barely shows him doing this. Malek plays the hotshot detective who calls in Washington for help, but the choices he makes throughout the movie make him seen anything but a hotshot detective. And Leto plays the man they suspect is the serial killer. This one should have been awesome. Instead, it’s a muddled meandering tale that gets worse as it goes along with a particularly weak ending.

4. WITHOUT REMORSE- With a script by one of my favorite screenwriters, Taylor Sheridan, I fully expected to like this adaptation of a Tom Clancy novel, but instead it proved to be Sheridan’s first real misfire. Michael B. Jordan plays an elite Navy Seal who’s gone rogue to solve the murder of his wife, only to find— of course— that it’s all part of a larger conspiracy. What. A. Surprise. Yawn.

And now, the drum roll please. Here are my Top 3 Worst Movies from 2021:

3. SWEET GIRL -Hands down, the worst action movie of the year. Jason Momoa plays a man who vows revenge against a pharmaceutical company after its “business decision” pulled a drug from the market which could have saved his terminally ill wife. So, hubby goes insane and plots to kill the heads of this company, who, while they are undesirable, probably don’t deserve to be killed. So, there’s that initial problem. But wait, there’s more! There’s a larger conspiracy! Of course, there always is. Plus, Momoa’s character against his better judgement is constantly bringing his teenage daughter with him and training her to protect herself and be an assassin vigilante like him… and then, thanks to a bizarre plot twist, his character disappears from the second half of the movie. So, yes, you have an action film headlined by Jason Momoa, that halfway through ditches its star. Ugh.

2. MADRES – the worst horror movie of the year. This tale of a Mexican American couple who move to a new community in 1970s California that seems to have a weird sinister secret involving pregnant women, doesn’t know how to get out of its own way. The film aims for a ROSEMARY’S BABY (1968) and THE STEPFORD WIVES (1975) vibe but fails on both counts. This one is based on true events, and its reveal at the end is actually very good, but the problem is the film tries so hard to hide this reveal with a supernatural tale that is so lame it makes the movie completely ineffective. Had the filmmakers chosen to focus on what this film is ultimately about, it would have been a far darker, more memorable movie.

And now, drum roll please, the Worst Movie of 2021:

1. THUNDER FORCE – by far, the worst comedy of the year. Melissa McCarthy plays a woman who inherits superpowers thanks to her scientist friend played by Octavia Spencer. They then take on the world’s supervillains. Should have been funny. But it’s not. Jason Bateman fares the best as a supervillain known as The Crab. Written and directed by McCarthy’s husband Ben Falcone.

And there you have it. My picks for the Top 10 Worst Movies of 2021. Now, let’s move on to 2022.

As always, thanks for reading!

—Michael

Best Movies of 2021

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Here’s a look at my TOP 10 LIST of BEST MOVIES from 2021.

As I did last year, I’d like to put an asterisk next to this list due to the pandemic. One of the drawbacks of not seeing movies at the theater, is that we don’t all get to see the same movies, as lots of smaller, obscure releases don’t always make it to the various streaming services. So, as much as I enjoyed watching movies once again this year on Netflix, Prime Video, HBO Max, and Disney +, to name a few, I didn’t get to see many of the movies that didn’t make it to these streaming services.

Hence, I know there are a lot of films from 2021 that I did not see, that I would have seen had I been able to go to the movie theaters like I used to before the pandemic struck in March 2020.

So, with that being said, here are my TOP 10 movies… all watched at home on streaming services…. from 2021:

10. THE TOMORROW WAR

One of the things I miss most watching movies at home, is that movie theater feeling. THE TOMORROW WAR, a science fiction action movie from Amazon Prime starring Chris Pratt, was one of the few movies I saw this year that by itself captured that movie theater feeling. This action-packed tale of humans travelling into the future to help battle invading aliens didn’t always make sense, but it was a fun ride, so much so that I could almost smell the buttery popcorn wafting through the air!

9. FEAR STREET: PART THREE – 1666

My take on this Netflix horror trilogy was completely opposite most folks, who found the third installment to be the weakest. For me, it was the best, mostly because the trilogy’s wraparound story about a witch’s curse I thought was pretty lame until this final installment where we find out its origins, and the writers flipped the story on its head, giving new insight into what really cursed the town. I really liked this revelation. The entire trilogy is uneven at best, but it finishes strong, so much so that it’s the only horror movie from 2021 to make it into my Top 10 List.

8. NO SUDDEN MOVE

Atmospheric crime thriller by director Steven Soderbergh, starring Don Cheadle, Benicio Del Toro, David Harbour, Jon Hamm, and Brendan Fraser, makes for a compelling flick.

7. MOXIE (2021)

I really enjoyed this comedy drama directed by Amy Poehler about an awkward teen played by Hadley Robinson who draws inspiration from her mom’s activist past to take on sexism at her high school. Very satisfying, strong screenplay by Tamara Chestna and Dylan Meyer, based on the novel by Jennifer Mathieu, well-directed by Poehler, who also plays the mom.

6. THE UNFORGIVABLE

Sandra Bullock delivers a transformative performance in this Netflix drama about a woman, played by Bullock, who after serving a twenty-year prison sentence for shooting a sheriff, tries to reunite with her younger sister who has lived with a foster family the past two decades and has no memory of her older sister, while fending off threats from both those who hate her in general because of her crime, and from the adult sons of the man she killed. Dark, depressing stuff, but fiercely acted by Bullock.

5. GUNPOWDER MILKSHAKE

One of my favorite action movies of the year. I loved this movie! It’s basically nothing more than female assassins kick ass, but the action is all so stylized and expertly choreographed. It contains some of the best action sequences I saw all year. Wonderfully directed by Navot Papushado, who charges this one with energy and pizzazz.

4. THE DIG

Wonderful period piece from Netflix, this one is much better than it sounds. Carey Mulligan and Ralph Fiennes co-star in this tale of the historic archeological dig in the English countryside at Sutton Hoo at the outset of World War II. Awe-inspiring, awesome movie.

And now, drum roll please, for my TOP 3 MOVIES from 2021:

3. THE COURIER

Another period piece, THE COURIER was actually filmed in 2020 but wasn’t released until 2021. Benedict Cumberbatch stars as Greville Wynne, a British salesman who because of his dealings in the Soviet Union becomes an unlikely spy for Britain just before the Cuban Missile Crisis. Another topnotch performance by Cumberbatch, who seems to be able to play these dramatic biographical roles in his sleep.

2. THE SUICIDE SQUAD

Hands down, both my favorite action movie and superhero film of the year. Hailing from the DC Universe (sorry, Marvel, they bested you this year!) this “sequel” to 2016’s SUICIDE SQUAD is far superior to the first film. While Margot Robbie returns as Harley Quinn, it’s Idris Elba as Bloodsport and John Cena as Peacemaker who steal the show. The real star however is writer/director James Gunn, who works the same magic he wielded with Marvel’s GUARDIANS OF THE GALAXY movies, creating an energetic, innovative, and nonstop laugh-out-loud actioner that never quits. This tale of supervillains turned superheroes is a must see for all superhero movie fans, although it is rated R for some pretty intense violence and language. A helluva fun ride.

And now, drum roll please: my Number One movie from 2021:

1. DON’T LOOK UP

Adam McKay’s sharp satire is so on-point that it is far more disturbing than funny. Leonardo DiCaprio and Jennifer Lawrence star as scientists who discover a large meteor on a collision course with Earth that will wipe out all life when it strikes in six months, but the President, played by Meryl Streep, won’t have any of it and plays fast and loose with their science, while the media simply isn’t interested in a negative story. Try as they might, they simply can’t get their message out. Eventually, when the meteor becomes visible to the naked eye, the president’s political party and followers adopt the ideology that those who want people to look up are doing so for political reasons, and their rallying cry becomes, “don’t look up!” A sad commentary on where we are as a nation in 2021 after suffering from four years of a presidential administration that also played fast and loose with the facts during a world crisis.

So, there you have it. My top 10 movies from 2021.

Coming soon, my Worst 10 Movie List from 2021.

Until then, as always, thanks for reading!

—Michael

LEADING LADIES: ADRIENNE BARBEAU

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Adrienne Barbeau in THE FOG (1980)

Welcome back to LEADING LADIES, that column where we look at lead actresses in the movies, especially horror movies.

Up today it’s Adrienne Barbeau, an actress whose long career continues through to this day as she is still actively making movies, but in her heyday, during the 1980s, she was on screen quite often in horror movies, especially those directed by John Carpenter. She and Carpenter were married from 1979 – 1984.

Here’s a partial look at her very impressive 152 screen credits:

MAUDE (1972- 1978) – Carol Trayner – The TV show on which Adrienne Barbeau became a household name, playing the adult daughter of main character Maude Findlay (Bea Arthur) in this Norman Lear spin-off from ALL IN THE FAMILY (1971-79). Maude is Edith Bunker’s cousin. Her liberal independent character was the complete opposite of bigot Archie Bunker. So, by the time Barbeau branched into movies, she was already well known to American audiences.

THE GREAT HOUDINI (1976) – Daisy White – Barbeau’s first movie screen credit was in this 1976 TV movie starring Paul Michael Glaser as Harry Houdini. I saw this one when it first aired, not just because I was a fan of STARSKY AND HUTCH (1975-79) the 70s cop show in which Glaser starred, but because in the cast I noticed was one Peter Cushing playing Sir Arthur Conan Doyle! It was Cushing’s first ever American TV movie, and he shot his scenes right after finishing work on STAR WARS (1977). THE GREAT HOUDINI is a really good movie, by the way, and features a very impressive cast. Besides Paul Michael Glaser, Adrienne Barbeau, and Peter Cushing, the film also starred Sally Struthers, Ruth Gordon, Vivian Vance, Bill Bixby, Nina Foch, Wilfrid Hyde-White, Geoffrey Lewis, Maureen O’Sullivan, and Clive Revill. Barbeau is excellent in a supporting role.

RED ALERT (1977) – Judy Wyche – TV movie thriller starring William Devane about a malfunction at a nuclear power plant. Pre-dates the more well-known THE CHINA SYNDROME (1979) by three years.

CRASH (1978) – Veronica Daniels – TV movie about the crash of Flight 401 into the Florida Everglades. Also starring William Shatner, Eddie Albert, Lorraine Gary, and Ron Glass, among others. Follows the formula of the AIRPORT movies, except this one is based on a true story.

SOMEONE’S WATCHING ME (1978) – Sophie – Another TV movie, this one written and directed by John Carpenter. In fact, it was on the set of this film that Carpenter and Barbeau first met. Long known as the “lost John Carpenter film,” as back in the day it never was released in the U.S. on VHS, and didn’t appear on DVD until 2007, this thriller centers on a woman played by Lauren Hutton being stalked and terrorized by an unknown male assailant. Barbeau plays the main character’s best friend.

THE DARKER SIDE OF TERROR (1979) – Margaret Corwin – Made for TV horror movie centering on clones. Also stars Robert Forster and Ray Milland.

THE FOG (1980) – Stevie Wayne – Barbeau’s first theatrical starring role is in this John Carpenter horror movie, which sadly, since it followed upon the heels of Carpenter’s breakthrough megahit HALLOWEEN (1978) was not well-received or treated kindly by critics at the time. I’ve always loved THE FOG, as it’s unique in that there aren’t too many other horror movies where fog and what arrives in it are the main menaces in the film. It’s an eerie ghost story, and the fog special effects are superior and when combined with Carpenter’s music, pretty much unforgettable. Curiously, one thing I’ve never liked about this movie, and it’s an unusual dislike for a John Carpenter film, is that in spite of a very impressive cast which includes Barbeau, Jamie Lee Curtis, Janet Leigh, Tom Atkins, Hal Holbrook, Nancy Loomis, Charles Cyphers, and John Houseman, there’s not a single character I like in this one. None of the characters come to life for me, nor are any of the performances memorable, with the possible exception of Charles Cyphers’ Dan the weatherman character, who also gets one of the the best scenes in the movie when he answers the door to his weather station in the fog. But it’s a small role. This is unusual, since in most John Carpenter films, you do have memorable characters and performances, whether it’s Jamie Lee Curtis and Donald Pleasence in HALLOWEEN, or Kurt Russell in ESCAPE FROM NEW YORK (1981) and THE THING (1982) to name just a couple.

Adrienne Barbeau and Harry Dean Stanton in ESCAPE FROM NEW YORK (1981)

ESCAPE FROM NEW YORK (1981) – Maggie -This is one of my favorite Adrienne Barbeau performances, in another genre film by John Carpenter. This futuristic science fiction actioner starring Kurt Russell as Snake Plissken, a hardened criminal sent into Manhattan which is now a maximum security prison in the “future” year of 1997 (!!!) by tough guy warden Hauk (Lee Van Cleef) to rescue the President (Donald Pleasence) from terrorists. Another John Carpenter classic. There’s a lot to love about this one even if believability is low throughout… Donald Pleasence as a U.S. President?… Great action scenes, another fantastic music score by Carpenter, and unlike in THE FOG, there are lots of memorable characters and fine performances, including Adrienne Barbeau as Maggie, the tough as nails unflappable girlfriend of super intelligent and resourceful Brain (Harry Dean Stanton), who both help Pliskin rescue the President from the villainous The Duke (Isaac Hayes).

SWAMP THING (1982) – Alice Cable – another theatrical horror/science fiction release, but this time not directed by John Carpenter, but by another classic horror movie director, Wes Craven. Not terribly well-received at the time, but I’ve always found this one mildly entertaining.

Hal Holbrook and Adrienne Barbeau in CREEPSHOW (1982)

CREEPSHOW (1982) – Wilma Northrup “The Crate” – this is another of my favorite Adrienne Barbeau performances. In fact, this one just might be my favorite, pure and simple. In this superior horror anthology movie, directed by George Romero and written by Stephen King, Barbeau appears in one my favorite segments, “The Crate” which is about a hideous man-eating creature living inside a crate. She plays the relentlessly harsh and belittling wife to Hal Holbrook’s meek Henry Northrup, so when his visibly shaken friend Dexter (Fritz Weaver) shows up at his door one night with a horrifying tale of a man-eating monster back at the college campus where they teach, it gives Henry one wild idea to help solve a nagging problem before he decides to help Dexter take care of his monster dilemma.

THE THING (1982) – Computer voice (uncredited) – back with husband John Carpenter again, this time providing the voice of a computer. Arguably Carpenter’s best movie, this classic remake which was also initially panned by critics is today on so many horror movie fans’ lists as the best horror movie ever made. Period.

THE NEXT ONE (1984) – Andrea – Intriguing science fiction film about a stranger from the future played by Keir Dullea who meets the widowed wife of an astronaut played by Barbeau and her son.

TERROR AT LONDON BRIDGE (1985) – Lynn Chandler – TV movie starring David Hasselhoff about Jack the Ripper committing murders in 1985 by the newly restored London Bridge in Arizona. Written by William F. Nolan, who also wrote the screenplays for such genre films as THE NORLISS TAPES (1973) and BURNT OFFERINGS (1976). Nolan just passed away days ago, on July 15, 2021.

OPEN HOUSE (1987)- Lisa Grant – horror movie about a serial killer targeting real estate agents!

TWO EVIL EYES (1990) – Jessica Valdemar – Horror anthology movie based on Edgar Allan Poe tales directed by George A. Romero and Dario Argento.

DEMOLITION MAN (1993)- Computer voice, uncredited – Barbeau once again provides her voice for a computer in this science fiction actioner starring Sylvester Stallone, Wesley Snipes, and Sandra Bullock.

JUDGE DREDD (1995) – Central voice – another Sylvester Stallone science fiction action film, another opportunity for Barbeau to lend only her voice to a film.

BATMAN: THE ANIMATED SERIES (1992-1995) – Catwoman/Selina Kyle/Martha Wayne – Barbeau provides voicework for this animated Batman TV show. Her voice work as Catwoman is arguably what she is most remembered for today.

THE NEW BATMAN ADVENTURES (1997-1998) – Catwoman/Selina Kyle- more voiceover work as Catwoman.

THE CONVENT (2000) – Adult Christine – Horror movie about demonic possession and a cursed convent.

GOTHAM GIRLS (2000-2002) – Catwoman/Selina Kyle – provides her voice yet again as the Catwoman in this animated TV series about female superheroes and female supervillains in Gotham City.

UNHOLY (2007) – Martha – Horror movie involving conspiracies, witches, Nazis, the occult, and secret government experiments. Should have been called UNBELIEVABLE.

WAR WOLVES (2009) – Gail Cash – Made for TV horror movie about werewolves, soldiers, and werewolf soldiers! Also starring John Saxon.

UNEARTH (2020) – Kathryn Dolan – Barbeau’s most recent theatrical film credit is in this horror movie about fracking.

Adrienne Barbeau in 2020.

While I jumped from 2009 to 2020, Barbeau was actively working during this decade, appearing in movies and on television nonstop during these years. And she has several projects in pre-production at present.

For me, Adrienne Barbeau will best be remembered as a leading lady from the 1980s in which she appeared in some of the decades biggest horror movies and contributed greatly to these films with her noteworthy performances. So there you have it. A brief partial look at the career of Adrienne Barbeau.

Hope you enjoyed the column and join me again next time when we look at the career of another leading lady.

As always, thanks for reading!

—Michael

—END—

The Horror! May Means Happy Birthday to Cushing, Lee, and Price

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Peter Cushing and Christopher Lee in HORROR EXPRESS (1972)

I often like to post tributes in May to horror icons Peter Cushing, Christopher Lee, and Vincent Price, as all three of these actors had birthdays in the fifth month of the year, Cushing on May 26, and both Lee and Price on May 27.

This year I’d like to have some fun with their genre of choice, horror! These three actors terrorized movie audiences from the 1950s through the 1980s, with Price actually starting way before that, in the 1940s, and while Lee continued to make movies all the way into the 2000s. The big screen may not see the likes of these three gentlemen ever again.

Each one has their devoted fans with their own ideas as to who is their personal favorite. For me, it’s Peter Cushing, but that doesn’t take away from my admiration and affection for Lee or Price.

For the sake of this column, they are all equally influential.

So, instead, as we celebrate their birthdays here in May 2021, we’ll look at some numbers.

For example, of the three, who made the most horror movies?

By my count, the prize goes to Christopher Lee for appearing in the most horror movies, 57!

Here’s the breakdown:

Christopher Lee: 57

Peter Cushing: 46

Vincent Price: 34

But who caused the most horror on screen? That’s debatable, but we can look at who starred in the most movies with the word “horror” in the title!

Again, the prize goes to Christopher Lee who made five movies with the word “horror” in the title. Strangely, Vincent Price never appeared in a movie with “horror” in the title.

Christopher Lee: 5. HORROR OF DRACULA (1958), HORROR HOTEL (1960), HORROR CASTLE (1963), DR. TERROR’S HOUSE OF HORRORS (1965), HORROR EXPRESS (1972)

Peter Cushing: 3. HORROR OF DRACULA (1958), DR TERROR’S HOUSE OF HORRORS (1965), HORROR EXPRESS (1972),

Vincent Price: 0.

Okay, so what about terror? Who instilled the most terror? Well, again, let’s look at the numbers. Let’s see who made the most movies with the word “terror” in the title? This time the prize goes to Peter Cushing, who starred in three movies with “terror” in the title.

Peter Cushing: 3. DR. TERROR’S HOUSE OF HORRORS (1965), ISLAND OF TERROR (1966), THE BLOOD BEAST TERROR (1968),

Christopher Lee: 2. THE TERROR OF THE TONGS (1961), DR. TERROR’S HOUSE OF HORRORS (1965),

Vincent Price: 2. – TALES OF TERROR (1962), THE COMEDY OF TERRORS (1963).

Vincent Price in TALES OF TERROR (1962).


So, there you have it. I hope you enjoyed this playful tribute to these three icons of horror. Of course, the best way to celebrate their birthdays is to watch one of their movies. So, on that note, I won’t keep you any longer.

Thanks for reading!

—Michael

LEADING LADIES: SUZAN FARMER

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Welcome back to LEADING LADIES, that column where we look at lead actresses in the movies, especially horror movies.

Up today is an actress mostly known to horror fans for one major horror movie. The actress is Suzan Farmer, and the movie is DRACULA: PRINCE OF DARKNESS (1966), Hammer Films’ second Dracula movie starring Christopher Lee, and the direct sequel to their mega-hit HORROR OF DRACULA (1958).

In DRACULA: PRINCE OF DARKNESS, the undead count is resurrected when his servant murders an unsuspecting guest at the castle and uses the man’s blood to rescuscitate his vampire master. Suzan Farmer plays one of the guests, Diana, who’s married to the brother of the slain sacrificial victim. It’s a memorable performance in a movie that has continued to age well over the years, and is held in much higher regard today than it was upon its initial release back in 1966, when it was widely viewed as an inferior sequel to HORROR OF DRACULA.

Here is a partial look at Suzan Farmer’s career:

THE SUPREME SECRET (1958) – Tess – Farmer’s movie debut in 1958 at the age of 15.

THE CRIMSON BLADE (1963) – Constance Beverley – High seas adventure which takes place in 1648 and also stars Lionel Jeffries, Oliver Reed, June Thorburn, and Hammer regulars Michael Ripper and Duncan Lamont.

THE DEVIL-SHIP PIRATES (1964) – Angela – Hammer pirate adventure written by Jimmy Sangster and directed by Don Sharp. Starring Christopher Lee, Andrew Keir, Duncan Lamont, and Michael Ripper.

DIE, MONSTER, DIE! (1965) – Susan Whitley – Farmer plays the daughter of a wheelchair-bound Boris Karloff. She’s stuck in the castle while Karloff conducts bizarre experiments, all the while her boyfriend Stephen (Nick Adams) tries to convince her to leave daddy and get the heck out of there! Based on H.P. Lovecraft’s “The Colour Out of Space.” Also starring Freda Jackson and Patrick Magee.

DRACULA: PRINCE OF DARKNESS (1966) – Diana- My favorite Suzan Farmer role and performance. A big reason for this is she’s in some of the best scenes in the movie, certainly the best Dracula scenes. The scene where Dracula (Christopher Lee) attacks her from an open window, and later when he slits open his chest and invites her to drink his blood, are two of the more memorable sequences in the film. Farmer also enjoys playful chemistry with Francis Matthews, who plays her husband Charles. Their dialogue together resonates throughout the movie, and they really do seem like a young married couple very much in love. Farmer also dubbed the high-pitched screams for co-star Barbara Shelley.

RASPUTIN: THE MAD MONK (1966) – Vanessa – Shot simultaneously with DRACULA: PRINCE OF DARKNESS, using many of the same sets and cast, including Christopher Lee, Barbara Shelley, Francis Matthews, and Farmer.

PERSECUTION (1974) – Janie Masters – Farmer’s last movie credit is in this thriller starring Lana Turner as an evil mom tormenting her adult son played by Ralph Bates and his family. Also starring Trevor Howard, Patrick Allen, and Ronald Howard.

LEAP IN THE DARK (1980) – Grace- Farmer’s final screen credit was in an episode of this horror anthology TV series.

Indeed, after 1966, the majority of Farmer’s screen appearances were on the small screen on various TV shows.

Suzan Farmer passed away on September 17, 2017 at the age of 75 from cancer.

I hope you enjoyed this brief partial look at the career of Suzan Farmer. She made a lasting impression with only a few appearances in horror films in the 1960s, especially in the Hammer Film DRACULA: PRINCE OF DARKNESS. Speaking of DRACULA: PRINCE OF DARKNESS, with the recent passing of Barbara Shelley, and six months earlier of Philip Latham who played Dracula’s loyal servant Klove, all the major cast members from that classic Dracula movie are now gone, sadly.

Here’s a toast to them, a wonderful cast in a classic Dracula movie.

Please join me again next time for the next LEADING LADIES column, where we’ll look at the career of another leading actress in the movies, especially horror movies.

As always, thanks for reading!

—Michael

Horror Movies: 2020

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Okay, here we go. Here’s my list of the horror movies I saw in 2020, from worst to first.

Enjoy!

THE BABYSITTER: KILLER QUEEN

14 THE BABYSITTER: KILLER QUEEN (2020) was by far the worst horror movie I saw this year. A pointless sequel to the superior original THE BABYSITER (2017). In spite of this being a horror comedy, this one is a snooze from start to finish.

13. THE TURNING

Turn this one off. Another clunker, this horror movie based on the Henry James’ novella “The Turn of the Screw,” and starring Mackenzie Davies and Finn Wolfhard, couldn’t turn a stomach, let alone a screw.

12. YOU SHOULD HAVE LEFT

Haunted house thriller starring Kevin Bacon and Amanda Seyfried is just standard. Offers no surprises.

11. HIS HOUSE

Netflix thriller about a refugee couple in a haunted house has its moments, but not enough of them to really make this worth your while.

THE DARK AND THE WICKED

10. THE DARK AND THE WICKED

Dark thriller about an adult sister and brother on a farm caring for their dying father who happens to be possessed is solidly made but suffers from the “you are all victims syndrome” in that none of the folks in this movie ever stand a chance. The dark wins. Easily.

9. RELIC

Intriguing tale of a mother and daughter caring for the daughter’s ailing grandmother who also seems to be possessed. Clever allegory about dementia doesn’t entirely work but it has its moments.

8. THE WRETCHED

Story of a witch living in the woods works because the main character, a teenage boy scarred by his parents’ divorce, feels empathy for his neighbors and decides to help them fend off the witch, but he has a troubled past, which gets in the way of his heroic efforts. Well-written horror flick.

7. WE SUMMON THE DARKNESS

Lively horror movie about three girlfriends who meet up with three guys at a rock concert as a serial killer is on the loose. Major plot twist takes this over-the top horror flick in an entirely different direction midway through. Takes place in the 1980s.

6. THE RENTAL

Alison Brie and Dan Stevens star in this effective thriller about two couples away for the weekend at a vacation home, very suspicious of the creepy sketchy owner. I liked this one.

5 #ALIVE

Stylish zombie thriller from South Korea is very entertaining even as it doesn’t really offer anything that is new to the zombie genre.

4. UNDERWATER

Fun underwater adventure starring Kristen Stewart . Far from perfect, but fun and suspenseful all the same.

3. ANTEBELLUM

I really liked this ambitious horror movie starring Janelle Monae about slaves on a Civil War era plantation run by sadistic Confederate soldiers. Jumps back and forth between the 1860s and modern times, and contains a VERY controversial plot twist that most fans hated. I didn’t like the twist, but I did like the movie. Powerful music score as well.

2. THE INVISIBLE MAN

Clever re-imagining of THE INVISIBLE MAN concept, stars Elizabeth Moss as a woman tormented by her supposedly deceased abusive husband. She thinks he’s invisible, her friends think she’s crazy. Works best as a psychologicial thriller. Plays its hand a bit too early, but still an above average horror movie.

SPUTNIK

  1. SPUTNIK

My favorite horror movie of 2020 is the tale of a Russian cosmonaut who returns to Earth harboring an alien creature inside his body. Oksana Akinshina steals the show as the psychologist brought in to study him. Superior horror film. Worthwhile viewing from start to finish.

And there you have it. The horror films I watched in 2020, from worst to first.

As always, thanks for reading!

—Michael

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10 Worst Movies of 2020

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And now for the 10 Worst Movies of 2020.

Just like with by Top 10 Best Movies List, this year’s list comes with a giant asterisk, thanks to COVID-19 closing movie theaters across the country. While I have continued to review movies throughout the year, they have been on streaming and OnDemand services, and so without national theater chains to provide the same movies for all of us, a lot of movies I saw this year, you may not have, and vice versa.

Okay, now that that is out of the way, let’s get to the list:

10. EMMA

This one doesn’t really belong on a Worst Movies List, but as I rank all the movies I see throughout the year, it did happen to fall 10th from the worst. This elegant version of Jane Austen’s novel is simply a colossal bore, pure and simple. Looked great, but the script and characterizations put me to sleep. Stars Anya Taylor-Joy in the lead role as Emma, and she’s much better in the current and superior Netflix TV show THE QUEEN’S GAMBIT (2020). The film also wastes the usually reliable Bill Nighy. One of the few movies this year I saw on the big screen. Still didn’t help.

9. COFFEE & KAREEM

Forgettable Netflix buddy comedy starring Ed Helms. So forgettable not even worth mentioning!

8. THE RHYTHM SECTION

I love Blake Lively, but this was a really stupid action movie that not even Lively could save. She plays a woman who learns that the plane crash that killed her family wasn’t an accident, and so she…with no prior experience… decides to learn how to become an international assassin to make the terrorists responsible for her family’s death pay. Yup. That’s believable. Her trainer, played by Jude Law, is so good at what he does that she becomes the female equivalent of Jason Bourne and wipes the floor with these terrorists all rather easily. The film tries for an ATOMIC BLONDE (2017) vibe, but the plot is too dumb for it to pull it off.

7. WONDER WOMAN 1984

Where to start with this one? There are so many ways that this sequel is awful. For starters, it’s everything the original WONDER WOMAN is not. I didn’t even enjoy Gal Gadot’s performance as Wonder Woman. But the biggest culprit is the script, and a plot built around a relic that… wait for it…. grants wishes! That’s right, Aladdin, you wish it, and it can happen! Heck, that’s how this story brings back a deceased character from the first movie, played by Chris Pine. No basis in reality. Instantly one of the worst DC superhero movies of all time.

6. SPENSER: CONFIDENTIAL

Another Netflix clunker. This time it’s Mark Wahlberg playing Boston private detective Spenser from the Robert B. Parker novels, only the film changes everything about the characters, and tries to turn this into a comedy. So, not only will Spenser purists be disappointed, but so will those of us who like a good comedy, since it’s not funny at all. You know things are bad when not even Alan Arkin can make you laugh!

5. THE TURNING

Forgettable horror movie starring Mackenzie Davis and Finn Wolfhard, loosely based on Henry James’ novel The Turn of the Screw. Turn this one off.

Betty Gilpin as Crystal in “The Hunt,” directed by Craig Zobel.

4. THE HUNT

A lot of folks liked this one, a dark action thriller about a group of liberals who are hunting human prey, folks they view as right wing low lifes. Stars Betty Gilpin as the one victim who won’t quit, and yes, she is very good and the best part of this movie. But for me, the rest of this film was a misfire from start to finish.

3. LIKE A BOSS

Another unfunny comedy, this one starring Tiffany Haddish and Rose Byrne as friends sparring with villainess Salma Hayek over a beauty company. Very few laughs here, making it a chore to sit through.

2. WASP NETWORK

Netflix film about Cuban spies in the United States completely wastes the talents of Edgar Ramirez, Penelope Cruz, Wagner Moura, and Ana de Armas. Features the most uneven script of the year, with characters appearing and then disappearing for long chunks of time. Fails to build any kind of momentum. Probably the dullest movie I watched all year.

THE BABYSITTER: KILLER QUEEN
  1. THE BABYSITER: KILLER QUEEN

My pick for the worst movie of 2020 is THE BABYSITTER: KILLER QUEEN, a testament as to why you shouldn’t make a sequel just for the same of making one. A sequel to the clever and lively horror/comedy THE BABYSTTER, this flick isn’t funny, isn’t scary, and isn’t enjoyable in the least. Terrible script. By far, the movie I enjoyed the least this year.

And there you have it, my list of the 10 Worst Movies I saw in 2020.

Okay, on to 2021!

Thanks for reading!

—Michael

Picture of the Day: Sean Connery

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In memory of Sean Connery, who passed away on October 31, 2020, at the age of 90, here’s a look in pictures at his James Bond performances:

DR. NO (1962)
FROM RUSSIA WITH LOVE (1963)
GOLDFINGER (1964)
THUNDERBALL (1965)
YOU ONLY LIVE TWICE (1967)
DIAMONDS ARE FOREVER (1971)
NEVER SAY NEVER AGAIN (1983)

I love words, but sometimes pictures say it better.

Sean Connery August 25, 1930 – October 31, 2020.

Thank you Sean Connery. As Bond, you left your villains shaken, and your audiences stirred. You live more than twice. Like diamonds, you are forever….

As always, thanks for reading!

—Michael

Books by Michael Arruda:

DARK CORNERS, Michael Arruda’s second short story collection, contains ten tales of horror, six reprints and four stories original to this collection.

Dark Corners cover (1)

Waiting for you in Dark Corners are tales of vampires, monsters, werewolves, demonic circus animals, and eternal darkness. Be prepared to be both frightened and entertained. You never know what you will find lurking in dark corners.

Ebook: $3.99. Available at http://www.crossroadspress.com and at Amazon.com.  Print on demand version available at https://www.amazon.com/dp/1949914437.

TIME FRAME,  science fiction novel by Michael Arruda.  

How far would you go to save your family? Would you change the course of time? That’s the decision facing Adam Cabral in this mind-bending science fiction adventure by Michael Arruda.

Ebook version:  $2.99. Available at http://www.crossroadpress.com. Print version:  $18.00. Includes postage! Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

Michael Arruda reviews horror movies throughout history, from the silent classics of the 1920s, Universal horror from the 1930s-40s, Hammer Films of the 1950s-70s, all the way through the instant classics of today. If you like to read about horror movies, this is the book for you!

 Ebook version:  $4.99.  Available at http://www.crossroadpress.com.  Print version:  $18.00.  Includes postage. Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, first short story collection by Michael Arruda.  

For_the_love_of_Horror- original cover
Print cover
For the Love of Horror cover (3)
Ebook cover

Michael Arruda’s first short story collection, featuring a wraparound story which links all the tales together, asks the question: can you have a relationship when your partner is surrounded by the supernatural? If you thought normal relationships were difficult, wait to you read about what the folks in these stories have to deal with. For the love of horror!

 Ebook version:  $4.99.  Available at http://www.crossroadpress.com. Print version:  $18.00.  Includes postage. Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.