SILVERTON SIEGE (2022) – Compelling Historical Drama Recounts Event Which Began “Free Nelson Mandela” Movement

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I first learned about apartheid when I was in college in the early 1980s. My professors at Boston University were talking about it, and I had several teaching assistants who were from South Africa and who shared firsthand knowledge of the brutal system of racism in that country.

Then came the movies, films like Richard Attenborough’s CRY FREEDOM (1987), which was the first time I saw Denzel Washington in a movie, and A WORLD APART (1988), which dramatized what was happening in South Africa, and at the time, it looked like apartheid was a present-day evil that wasn’t going away any time soon. But miraculously, it did, and Nelson Mandela was released from prison in 1990 and became president of that nation!

SILVERTON SIEGE (2022), a new Netflix movie, takes place ten years before Mandela’s release, in 1980, and tells the story, based on real events, of three freedom fighters who fled the police and took refuge inside a bank where not knowing what else to do, took hostages and demanded to be released. When they realized this wasn’t going to happen, they decided to raise the stakes, and they instead demanded the release of Nelson Mandela.

The movie depicts the tense events inside the bank, where the freedom fighters contend with the hostages, explaining to them that they are not there to rob the bank, and outside, where police captain Johan Langerman (Arnold Vosloo) is facing increasing pressure from his superiors to stop negotiating and simply storm the bank.

SILVERTON SIEGE is an excellent historical drama, anchored by two solid performances. The best belongs to Thabo Rametsi as Calvin, the leader of the three freedom fighters. He makes it clear that Calvin is not there to kill anyone. They are there to start a movement to free Nelson Mandela. Of course, this isn’t how it started, but once Calvin realized their own lives weren’t worth anything in the eyes of the government, he decided to wage their freedom on someone much bigger, the imprisoned Nelson Mandela. Rametsi makes Calvin a convincing character, a sincere man who most of the hostages come to believe and support.

Arnold Vosloo is also excellent as police captain Langerman. He wants to stamp out the “terrorists” as much as anyone, but he doesn’t want a bloodbath or any international incidents, as one of the hostages is an American, and so he desperately wants the negotiations to win out, but that’s not how his superiors view things. Vosloo has been around for a long time, making movies since the 1980s, and horror fans know him for playing Imhotep the Mummy in the Brendan Fraser remake of THE MUMMY (1999) and in its sequel THE MUMMY RETURNS (2001).

The rest of the cast is also solid, including Noxolo Dlamini as Terra, the lone woman of the three freedom fighters, who also happens to be the most brazen and probably the toughest.

SILVERTON SIEGE was directed by Mandla Dube who grew up in apartheid in South Africa. Dube has made an efficient movie that pulls no punches and does everything right in pointing out the ugliness that once was apartheid.

The drama here is pretty intense throughout, although if you know your history, you kinda know what is going to happen, because Mandela wasn’t released from prison until ten years later in 1990. But still, the story holds up and works well.

The screenplay by Sabelo Mgidi allows the audience to get to know the characters, especially the three freedom fighters and the police captain, and even some of the hostages. The tension remains high throughout and knowing that the efforts of these three fighters will ultimately fail, actually works to the film’s advantage, as for the most part they are depicted as people who just want freedom for everyone, and the audience definitely empathizes with their plight.

That being said, since this event is often credited as the beginning of the Free Nelson Mandela movement, even though the events of the day ended badly, in the long run, they were successful, as Mandela was eventually freed from prison in 1990.

SILVERTON SIEGE is a compelling historical drama that is highly recommended, and it also serves as a reminder that while there is still more work to do… apartheid may be over, but racism isn’t… the lives lost for the cause of freedom have not been lost in vain.

It makes sure that at least in this case, these lives will be remembered.

—END–

Worst Movies of 2021

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Welcome back! As promised, here is my list of the Top 10 Worst Movies of 2021.

As I did with my Best Movies List, I’m placing an asterisk next to this one, as once again, the pandemic has prevented trips to the movie theaters from being a safe activity, and so with this in mind, I know we haven’t all seen the same movies since we are not all heading out to the movie theaters to see the same national releases. I know there are plenty of movies I missed this year.

Okay, let’s get on with it. Without further hesitation, here is my list of the Top 10 Worst Movies of 2021:

10. CRY MACHO – probably the dullest movie I watched all year. Clint Eastwood directs and stars in this tale of a former rodeo star (Eastwood) who goes to Mexico to bring back his boss’s teenage son to the States, and along the way, the two form a bond in this underwhelming buddy movie. While I am in awe of Clint Eastwood, who at 91 years old, is still making quality movies, the story here in CRY MACHO doesn’t do him any favors. The storytelling is muddled, and Eastwood seems to be playing a character who is much younger than 91, although the script never makes this clear. Not much to like about this one, even for Eastwood fans.

9. FEAR STREET: PART TWO – 1978 – Yeah, I know. For a lot of folks, this second installment in the Netflix FEAR STREET horror movie trilogy was the best of the lot, but for me, it was the worst. Each part served as an homage to a particular horror movie genre, and here in FEAR STREET: PART TWO – 1978 that genre is the FRIDAY THE THIRTEENTH movies. I’m going to ruffle more feathers here as well when I say honestly that I’ve never liked the FRIDAY THE THIRTEENTH movies and have found them all to be particularly bad. FEAR STREET: PART TWO does a nice job capturing the feel of these movies, but at the end of the day, it’s yet another variation of teenagers at a summer camp being slaughtered in the most unrealistically gruesome of ways. If that’s your cup of tea, you probably love this movie. But it’s not mine. I prefer intelligence in my horror.

8. GODZILLA VS. KONG – Again, this is one that a lot of people really liked, but for me, even as a fan of giant monster movies, especially King Kong movies, and Godzilla movies as well, this one was simply bad. I find it difficult to understand why this movie has so many fans when its script is so weak. The human characters are all forgettable, the situations unrealistic and uninspiring, and the dialogue is pretty poor. So, all you have left are the giant monsters in combat. And even those scenes didn’t do much for me. I know the argument is out there that that’s how the old Toho Godzilla movies all were. That’s a fair argument, up to a point. What always saved the Toho films was that Godzilla and his friends all had personality. The monsters in these modern-day versions do not. Plus, movies like KING KONG (1933) and THEM! (1954) did have superior scripts. These new giant monster movies do not. Instead, the modern-day giant monster movie (mostly Godzilla and Kong these days) has been reduced to special effects only, without any interest in creating any kind of a story worth telling.

7. COMING 2 AMERICA – the original COMING TO AMERICA (1988) starring Eddie Murphy and Arsenio Hall was very funny. This sequel, in spite of the return of Murphy and Hall, is not. Next movie…

6. TYGER TYGER – this was a movie that I fully expected to like, because it was so different and quirky, with a sense of style that I thought would make it a winner. But this tale of a pair of selfless robbers who kidnap a drug addict before they all find themselves hiding out in a bizarre psychedelic city is probably better enjoyed when you’re high! Seriously! The longer this one went on, the less sense it made, and by the time it was all over, it largely had become a wasted opportunity. No pun intended!

5. THE LITTLE THINGS – in spite of the presence of Denzel Washington, Rami Malek, and Jared Leto this one just doesn’t work. Washington plays a former detective who’s called in to help with a serial killer case, and the character he plays is known for spotting the little things others miss in these cases. Trouble is, the script barely shows him doing this. Malek plays the hotshot detective who calls in Washington for help, but the choices he makes throughout the movie make him seen anything but a hotshot detective. And Leto plays the man they suspect is the serial killer. This one should have been awesome. Instead, it’s a muddled meandering tale that gets worse as it goes along with a particularly weak ending.

4. WITHOUT REMORSE- With a script by one of my favorite screenwriters, Taylor Sheridan, I fully expected to like this adaptation of a Tom Clancy novel, but instead it proved to be Sheridan’s first real misfire. Michael B. Jordan plays an elite Navy Seal who’s gone rogue to solve the murder of his wife, only to find— of course— that it’s all part of a larger conspiracy. What. A. Surprise. Yawn.

And now, the drum roll please. Here are my Top 3 Worst Movies from 2021:

3. SWEET GIRL -Hands down, the worst action movie of the year. Jason Momoa plays a man who vows revenge against a pharmaceutical company after its “business decision” pulled a drug from the market which could have saved his terminally ill wife. So, hubby goes insane and plots to kill the heads of this company, who, while they are undesirable, probably don’t deserve to be killed. So, there’s that initial problem. But wait, there’s more! There’s a larger conspiracy! Of course, there always is. Plus, Momoa’s character against his better judgement is constantly bringing his teenage daughter with him and training her to protect herself and be an assassin vigilante like him… and then, thanks to a bizarre plot twist, his character disappears from the second half of the movie. So, yes, you have an action film headlined by Jason Momoa, that halfway through ditches its star. Ugh.

2. MADRES – the worst horror movie of the year. This tale of a Mexican American couple who move to a new community in 1970s California that seems to have a weird sinister secret involving pregnant women, doesn’t know how to get out of its own way. The film aims for a ROSEMARY’S BABY (1968) and THE STEPFORD WIVES (1975) vibe but fails on both counts. This one is based on true events, and its reveal at the end is actually very good, but the problem is the film tries so hard to hide this reveal with a supernatural tale that is so lame it makes the movie completely ineffective. Had the filmmakers chosen to focus on what this film is ultimately about, it would have been a far darker, more memorable movie.

And now, drum roll please, the Worst Movie of 2021:

1. THUNDER FORCE – by far, the worst comedy of the year. Melissa McCarthy plays a woman who inherits superpowers thanks to her scientist friend played by Octavia Spencer. They then take on the world’s supervillains. Should have been funny. But it’s not. Jason Bateman fares the best as a supervillain known as The Crab. Written and directed by McCarthy’s husband Ben Falcone.

And there you have it. My picks for the Top 10 Worst Movies of 2021. Now, let’s move on to 2022.

As always, thanks for reading!

—Michael

THE LITTLE THINGS (2021) – Denzel Washington Thriller In Need of Some Big Things

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THE LITTLE THINGS (2021), a new serial killer thriller by writer/director John Lee Hancock, and starring the impressive trio of Denzel Washington, Rami Malek, and Jared Leto, stresses that it’s the little things that matter, the small details that even the most careful killers will miss. It’s those things that investigators have to find in order to nab their guy. In short, you gotta pay attention to the little things.

Too bad the movie didn’t take its own advice.

THE LITTLE THINGS takes place in California in 1990 and follows the story of former homicide detective Joe “Deke” Deacon (Denzel Washington). Deke worked so hard on his last case, trying to track down a serial killer, that it nearly killed him, and he was forced to move on to another position as a sheriff’s deputy. But when current homicide detective Jim Baxter (Rami Malek) is at his wit’s end trying to track down a serial killer of his own, he turns to Deke for help, and since Deke notices similarities between this case and the one he had been working on, he is only too happy to oblige. Deke is known for being able to find the “little things” which killers miss.

Deke and Baxter settle upon a person of interest, Albert Sparma (Jared Leto), and when Sparma doesn’t disappoint, the game of cat and mouse begins.

THE LITTLE THINGS takes place in 1990, pretty much for no other reason than that’s when John Lee Hancock first wrote the screenplay. Neither the year nor the decade adds anything of relevance to the story. And while you can tell it’s the 1990s by the cars being driven and the fact that no one has a wireless device of any kind, the movie isn’t exactly steeped in 1990s atmosphere.

The other noticeable thing about this having been written in 1990, which is especially noticeable here in 2021, is that there isn’t any major female characters in this story. None whatsoever. All the women here have smaller supporting roles. The fact that this is so noticeable in the here and now is a good thing. Let’s not return to the days of yesteryear, thank you very much!

It’s kind of strange script by Hancock. For starters, the time in the story just seems off. At first, it appears as if Deke has been off the job as a homicide detective for a long time, but as the story goes along, it’s revealed that it wasn’t that long at all. Which is weird because it plays better had Deke been off the force for years.

I enjoyed the story early on. The serial killer plot was interesting, as was Deke’s character, and the way he worked the case. But once prime suspect Albert Sparma shows up, things change, and it has little to do with Sparma, who is a creepy character and interesting to watch. No, it’s the characters of Deke and Baxter who become head scratchers, especially Baxter. He is supposed to be this hotshot police detective, but time and time again, the decisions he makes are rather stupid, especially towards the end. Speaking of which, the ending to this film is a huge letdown. The story doesn’t really build to a climax, and the ending is very flat.

This one also has a rather strange subtext. It stresses that the little things are important, but we barely see Deke take advantage of that, at least in the solving of a case. Instead, the message seems to be what the little things are important for are so that you can cover your tracks when you mess up, as these guys continually do in this movie. Ultimately, the story didn’t work at all for me.

John Lee Hancock also wrote and directed THE BLIND SIDE (2009) and directed SAVING MR. BANKS (2013). Prior to THE LITTLE THINGS, Hancock directed the Netflix movie THE HIGHWAYMEN (2019), starring Kevin Costner and Woody Harrelson as the men who successfully hunted down Bonnie and Clyde. It was a film I was only lukewarm to. One of my favorite Hancock-directed movies is THE FOUNDER (2016), a film in which Michael Keaton delivered a knockout performance as the controversial McDonalds “founder” Ray Kroc, and Hancock brilliantly captured the look and feel of the time period. So Hancock is a talented director, but his work here as both a director and writer on THE LITTLE THINGS isn’t his best.

The best thing about THE LITTLE THINGS is its cast. I can watch Denzel Washington all day, and as you would expect, he is excellent once again in the role of Deke, the homicide detective with the knack for finding the little things. The only problem is we don’t see this knack on display all that much.

Rami Malek is good as Detective Baxter, althought ultimately he proves to be a rather dumb character. He’s certainly not a worthy enough character for an actor like Malek, who won an Oscar for playing Freddie Mercury in BOHEMIAN RHAPSODY (2019).

I really enjoyed Jared Leto as creepy suspect Albert Sparma. Leto’s performance is every bit as good as Denzel Washington’s. He makes Sparma one very unsettling dude.

There are some fine supporting performances as well, especially Michael Hyatt as coroner Flo Dunigan. She has a special connection to Deke.

Ultimately, THE LITTLE THINGS is a mediocre thriller. It enjoys a stronger first half than its second, which strangely fails to generate much suspense or excitement. It does have strong acting, with Denzel Washington, Rami Malek, and Jared Leto leading the way, but when all was said and done, it just wasn’t a film that I was all that excited about.

While it may be all about the little things, in this movie the little things hardly seemed to matter at all.

Perhaps what it really should have been focusing on were some big things.

—END—

Movie Lists: SPIKE LEE MOVIES

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Welcome back to MOVIE LISTS, the column where we look at— lists pertaining to movies. Duh!

Up today, it’s a look at the career of director Spike Lee, which of course is still going strong, so while this is an incomplete list, it’s still an important one because Spike Lee is an important filmmaker.

Now, I haven’t really seen enough Spike Lee movies to consider myself a true fan, but I’ve generally enjoyed his work, and his most recent movies have spoken to current racial tensions in ways that have really resonated, so Lee has been on my mind lately more than ever. And rightly so. Lee makes movies that make you pay attention.

Okay, here’s a partial list of Spike Lee’s 93 directorial credits:

JOE’S BED-STUY BARBERSHOP: WE CUT HEADS (1983)- Lee’s first directorial credit.

SHE’S GOTTA HAVE IT (1986) – Spike Lee’s first legitimate hit, a comedy about a young woman and her three lovers. Well-received by critics upon its initial release. I was fortunate enough to see it when it first came out, as I was in my senior year at Boston University and saw it when it premiered as part of one of my film classes.

In addition to directing and writing the screenplay, Lee also appears in the movie as one of the boyfriends.

SCHOOL DAZE (1988) – Lee’s next film, a comedy/drama/musical about a fraternity pledge at a black college. Starring Laurence Fishburne and a young Giancarlo Esposito who would go on to star in a lot of Lee’s movies.

DO THE RIGHT THING (1989) – Powerful tale of race relations in Brooklyn. Starring Danny Aiello, John Turturro, and again, Giancarlo Esposito.

MO’ BETTER BLUES (1990) – again directed, written by, and starring Spike Lee, this one is the story of two jazz musicians played by Denzel Washington and Wesley Snipes.

JUNGLE FEVER (1991) – Lee’s take on interracial relationships, starring Wesley Snipes and Annabella Sciorra.

MALCOLM X (1992) – probably my favorite Spike Lee movie. This riveting bio pic of African American leader Malcolm X also features one of my favorite performances by Denzel Washington of all time, in the lead role as Malcolm X.

CROOKLYN (1994) – a look at a black family in Brooklyn in 1973.

CLOCKERS (1995)- crime thriller about drug pushers and cops in Brooklyn, starring Harvey Keitel and Lee regular John Turturro.

GIRL 6 (1996) -comedy/drama about a struggling actress who turns to sex to make money.

GET ON THE BUS (1996) – chronicles a bus ride to Washington D.C. for the Million Man March.

HE GOT GAME (1998)- basketball player drama starring Denzel Washington.

SUMMER OF SAM (1999) -Lee’s take on the Son of Sam murders.

BAMBOOZLED (2000)- comedy drama about a frustrated African American writer who in a fit of frustration comes up with a blackface minstrel show only to see it become a hit.

25TH HOUR (2002) – drama about the last 24 hours of a convicted drug dealer, starring Edward Norton.

INSIDE MAN (2006) – Tense crime drama about negotiations over a hostage situation following a bank robbery, starring Denzel Washington, Clive Owen, and Jodie Foster.

MIRACLE AT ST. ANNA (2008) – World War II drama about a group of black soldiers who get trapped in a village.

RED HOOK SUMMER (2012) – drama about a boy who spends a summer with his deeply religious grandfather.

OLDBOY (2013) – weird action drama, a remake, about a man, played by Josh Brolin, held captive for twenty years who is then suddenly released, and he sets out to find answers to why this happened to him. This one just didn’t work for me.

DA SWEET BLOOD OF JESUS (2014) – thriller about a mysterious curse which results in a thirst for blood.

CHI-RAQ (2015) – modern day adaptation of a play by Aristophanes.

BLACKKKLANSMAN (2018) – the first Spike Lee film since MALCOLM X that I really, really enjoyed. Intriguing from start to finish, it tells the story of a black cop played by John David Washington who infiltrates the KKK but then needs the help of a fellow white cop played by Adam Driver to pull off the ruse. Thought-provokig throughout, it’s actually based on real events.

DA 5 BLOODS (2020)- Lee’s most recent film to date, and his first for Netflix. I actually enjoyed this one even more than BLACKKKLANSMAN, as its story of four black veterans of the Vietnam war who return to Vietnam in 2020 to reclaim the remains of their fallen platoon leader speaks to today’s modern day Black Lives Matter movement with a clarity that is seldom found in the movies. An outstanding movie that really speaks to the plight of the black male in the United States.

And there you have it, a brief, partial list of the movies of Spike Lee, one of the most influential film directors working today.

I hope you enjoyed this MOVIE LISTS column and will join me again next time when we look at another list pertaining to the movies.

As always, thanks for reading!

—Michael

 

 

21 BRIDGES (2019) – Cliche Cop Drama Offers Nothing New

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21 BRIDGES (2019), the new cop thriller starring Chadwick Boseman, is a classic example of what happens when a screenplay doesn’t get as down and dirty as it should but remains painfully superficial instead.

Andre Davis (Chadwick Boseman [BLACK PANTHER {2018}]) is a cop with a reputation: he shoots first and asks questions later. Yup, he obviously went to the Dirty Harry school for police officers. When a drug theft goes awry, and the two thieves Michael (Stephan James) and Ray (Taylor Kitsch) find themselves surrounded by police officers, they engage in a fierce gun battle which leaves multiple officers dead while they escape into the night.

When Detective Davis arrives on the scene, Captain McKenna (J.K.Simmons) tells him point-blank that he’s the right man for the job, that they want these guys dead, not captured to stand trial and get off on technicalities. Ah, the dreaded technicalities which show up in every badly written police drama.

Anyway, Davis makes the bold decision to shut down the twenty-one bridges going in and out of Manhattan, in effect locking down the island until he can nab the two bad guys. Hence, the name of the movie, and its plot.

Of course, as Davis closes in on his prey, he learns that there’s more going on here, and that it involves police corruption, a plot point that is so blatantly obvious that even Inspector Clouseau would figure it out.

The plot is pretty bad. For instance, for a guy who is supposed to be trigger happy, Davis is the most conscientious cop in the film. It’s everyone else who shoots first and asks questions later, because they’re all corrupt. And it’s one of those films where nearly every one but Davis is involved in the conspiracy.

I really like Chadwick Boseman, and in fact he’s the reason I went out and saw 21 BRIDGES, and he’s fine here, but he’s stuck in a cliché role that doesn’t do him in any favors. Had the writing been stronger, it could have been the type of role that Denzel Washington would have played twenty years ago, or Al Pacino in the early 70s. But in Pacino’s case, the films he made in the 70s like SERPICO (1973) captured the grit and authentic feel of the time. There’s little that’s authentic about 21 BRIDGES.

Stephan James has a few good moments as Michael, a thief with a good head on his shoulders, but like everyone else in the film, his character is swallowed up by the weak screenplay. Taylor Kitsch is largely wasted as Michael’s fellow thief and mentor Ray.

Everything J. K. Simmons says as Captain McKenna is a cliché. Sienna Miller plays narcotics officer Frankie Burns, a character whose motivations are as believable as the rest of the film, which is to say, they’re not.

As you can tell, I did not like the screenplay by Adam Mervis and Matthew Michael Carnahan. Both the story and dialogue are cliché, offering nothing we haven’t seen before in other cop movies of this type. It also makes little effort to make the story it’s trying to tell believable. I didn’t believe any of it.

Director Brian Kirk offers little help. While the film certainly looks polished, it’s not gritty enough for a New York City police thriller. Plus there’s nary a memorable moment to be found.

What 21 BRIDGES does offer is solid acting, especially by Boseman and Stephan James, but neither one is strong enough to lift the mediocre material to a level where this film becomes recommended viewing.

21 BRIDGES is a largely forgettable entry in the canon of good cop vs. corrupt cop movies.

Dust off an old Dirty Harry flick instead.

—END—

 

THANKSGIVING TURKEY AWARDS 2018

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It’s Thanksgiving here in the U.S, that holiday where people kick back and relax, reflect on what they’re thankful for, and eat lots of food, especially turkey.

With that in mind, here are some Thanksgiving Turkey Movie Awards for 2018.  Of course, the year is not over, and so these lists are not final. There’s still room for more turkeys, so to speak.

Okay, let’s get right to it!

Here are my 2018 TURKEY AWARDS:

WORST MOVIE

(And again, this list is not final. There are still five weeks left before we close out 2018.)

Right now, my least favorite film of 2018 would be PEPPERMINT, a dreadful action film starring Jennifer Garner, followed closely by THE NUN, a flat-out awful horror movie, and THE HAPPYTIME MURDERS, a very unfunny comedy that wasted a cool concept. I mean, who wouldn’t want to see a raunchy R-rated Muppet comedy? But they blew it.

 

WORST ACTING PERFORMANCE

This is difficult because acting is not something that is lacking in today’s movies. Actors today perform at a level that I think generally speaking is much higher than actors in the past.  They convey emotions that come off as authentic more often than actors from  yesteryear. While there have been great actors in every generation, I think in terms of numbers, more actors today deliver performances that are spot on than ever before.

So, how to choose a poor performance when there really isn’t any? I’m going to cheat a bit. I’m going to go with the three main “actors” in Clint Eastwood’s THE 15:17 TO PARIS, and this is cheating because these three guys aren’t actors. Eastwood chose to cast the three real life men who thwarted a terrorist attack on a Paris train to play themselves in his retelling of this heroic tale. Decades from now, Eastwood’s decision may be deemed as genius, but right now, that’s not the case for the simple reason that those young men aren’t actors and as such were out-of-place in a movie, even playing themselves. As a result, their scenes were incredibly boring and lifeless.

 

WORST SCREENPLAY

THE HAPPYTIME MURDERS – This screenplay by Todd Berger couldn’t be less funny if it tried. They should have hired Fozzy Bear. Waka! Waka!

the happytime murders poster

There’s not much that’s happy in THE HAPPYTIME MURDERS (2018)

 

WORST DIRECTOR

Brian Henson, THE HAPPYTIME MURDERS. Henson has made real Muppet movies.  He should have known better and pulled off a far more successful movie. He dropped the ball with this one.

 

WORST HORROR MOVIE

THE NUN. Nun of this movie is worth your time.

 

WORST SEQUEL

INSIDIOUS: THE LAST KEY, followed by OCEAN’S 8, JURASSIC PARK: FALLEN KINGDOM, THE EQUALIZER 2, and MAMA MIA: HERE WE GO AGAIN! Not a good year for sequels. Then again, when is it ever a good year for sequels?

 

WORST SUPERHERO MOVIE

DEADPOOL 2 – now this is not really a bad movie. It’s simply the superhero film I liked the least in 2018.

So far.

 

And now for the THANKSGIVING AWARDS portion of the column. Movies I’m thankful for this year:

 

MARVEL

Three of the best films of the year so far have been Marvel Superhero movies: BLACK PANTHER, AVENGERS: INFINITY WAR, and ANT-MAN AND THE WASP. Yup, it’s been a marvelous year for superheroes!

 

DOCUMENTARIES

With WON’T YOU BE MY NEIGHBOR? the documentary on the life of Mister Rogers leading the pack, 2018 has been a stellar year for documentaries.

 

MOVIES ABOUT WOMEN

It’s been a great year so far for movies starring women, written and directed by women, and that are telling stories about women.  Some of these movies include BOOK CLUB, EIGHTH GRADE, ANT-MAN AND THE WASP, ANNIHILATION, and LEAVE NO TRACE.

bookclub1

BOOK CLUB (2018) is one of my favorite movies of the year so far, thanks largely to its female cast which includes Diane Keaton, Jane Fonda, Candice Bergen, and Mary Steenburgen.

 

BEST HORROR MOVIE

A QUIET PLACE – smart horror at its best, even if its ending isn’t nearly as intelligent as the rest of the movie. The horror genre is alive and well.

 

BEST SUPERHERO MOVIE

BLACK PANTHER – this Marvel superhero movie transcends the genre and is so good it has no business being a superhero film. Marvel continues its run of incredibly entertaining movies.

black-panther-poster

 

CLASSIC ACTORS

Veteran movie actors have graced the screen throughout 2018, including Diane Keaton, Jane Fonda, Andy Garcia, Mary Steenburgen, Candice Bergen, Bruce Dern, Robert Redford, Jodie Foster, Ben Kingsley, Jamie Lee Curtis, Meryl Streep, and Cher.

 

BEST MOVIE

Sorry, but you’ll just have to wait until the end of the year for this revelation.

 

So, these are just a few of the movies I’m thankful for this year, along with some cinematic turkeys.

Thanks for reading, and wishing you a happy holiday season!

Gobble! Gobble!

—Michael

 

 

 

 

 

 

 

 

 

THE EQUALIZER 2 (2018) – Denzel Washington is Excellent in this Subpar Sequel

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I could watch Denzel Washington all day.

The guy’s a tremendous actor, and he possesses a compelling screen persona with the ability to keep audiences riveted to everything he does and says. Of course, I’d enjoy Washington even more if he wasn’t starring in a subpar sequel to a movie that itself wasn’t so hot.

THE EQUALIZER (2014) was an okay movie that was loosely based on the old TV show of the same name starring Edward Woodward, which ran from 1985-1989. In the movie, Denzel impressed in the lead role, but the film itself was rather average.

Now comes the sequel THE EQUALIZER 2 (2018) which is less than average.

Director Antoine Fuqua, who directed the first movie, returns to helm this sequel.  Fuqua is a talented director with plenty of credits to his name, including TRAINING DAY (2001) which won Denzel Washington a Best Actor Oscar. That being said, I wasn’t all that crazy about Fuqua’s previous movie, the remake of THE MAGNIFICENT SEVEN (2016), which also starred Denzel. And I’m not too crazy about THE EQUALIZER 2, although Fuqua’s direction isn’t the main problem with this one.

It’s the story.

THE EQUALIZER 2 opens with an entertaining enough sequence, on a train, where we are re-acquainted with main character Robert McCall (Denzel Washington) as we see him do what he does best: handily beat up a bunch of bad guys and rescue a little girl who had been taken away from her mother. As opening sequences go, it’s all right, but it’s certainly not memorable, and as such, serves as the perfect table setter for the rest of the movie.

The action switches to Brussels, Belgium, where we witness a brutal execution of a man and his wife. After that, the setting jumps to Boston, where McCall is currently working as a Lyft driver, and we get to see him interacting with his passengers. Interestingly enough, some of Denzel Washington’s best scenes in this one are with with people not integral to the main crime plot. The whole subplot regarding his mentoring relationship with a young man Miles Whittaker (Ashton Sanders) from his neighborhood was my favorite part of the movie. On the contrary, the main plot of this one, regarding murder and betrayal, I found to be a snooze.

In that main plot, McCall’s friends Susan (Melissa Leo) and Brian Plummer (Bill Pullman) run afoul of some baddies with a connection to the prior murder in Brussels. Just what is that connection? Well, the bottom line is the film never really makes that clear, nor is it important. The only thing that matters here is McCall’s friends have been wronged, and one of them murdered, and so he’s on the job seeking justice for them. And while it’s certainly fun watching Denzel Washington’s character pursue this justice, it’s not enough to make THE EQUALIZER 2 a worthwhile movie.

The screenplay by Richard Wenk does a nice job with Denzel’s character, as we know and understand what he is all about.  The character’s issues with OCD also add to the mix, as rather than a hindrance, this anxiety seems to help McCall focus when fighting his enemies. The dialogue is also very good, especially in the aforementioned scenes between McCall and Miles.

But the main plot is way too underdeveloped to have any impact. It’s all very shadowy, and the story does not supply the necessary answers to its questions. It’s the old plot of the former government assassin thrown out to pasture and so to make ends meet he has to kill for private contracts and not be too choosy as to who he kills. This is all well and good, but the film doesn’t really get into the folks who are doing the hiring and so we don’t know why any of these people are being killed.

Wenk wrote the screenplay to the first EQUALIZER movie, and he also worked on the screenplays for THE MAGNIFICENT SEVEN (2016), JACK REACHER: NEVER GO BACK (2016), THE EXPENDABLES 2 (2012) and THE MECHANIC (2011).

DirectorAntoine Fuqua does an okay job here.  The fight scenes are polished and well-choreographed, but none of them blew me away. The entire movie takes place as a hurricane bears down upon the east coast, and it hits just in time for the film’s climax. I’m not exactly sure of the relevance of the stormy atmosphere, other than it sets the tone for the story’s volatile proceedings. Don’t see this movie expecting to see sunshine. But other than this the hurricane doesn’t add much to the story.

THE EQUALIZER 2 marks the first time Fuqua has directed a sequel.

Likewise, it’s also the first sequel for Denzel Washington. I really enjoyed Washington here. Like I said at the outset, he has that gift for making whoever he plays on screen be very compelling, to the point where you can’t stop watching him. And even though he’s 63, he still makes the violent exploits of Robert McCall believable, and that’s because Fuqua does a nice job keeping his action scenes believable. We don’t see McCall running around all over the place like he’s 25 years old. He moves like he’s 63. It’s just that when he moves, he’s deadly.  Okay, he moves like an incredibly agile and swift 63 year-old! At least his upper body does. Like I said, he’s not racing through the streets like the Flash.

Ashton Sanders [MOONLIGHT (2016)] is also very good as Miles Whittaker, the young man McCall pretty much takes under his wing. Again, this part of the movie was my favorite, and the scenes between Washington and Sanders were the best scenes in the movie, so good in fact that they deserve a better story than the one here. It’s a shame that THE EQUALIZER 2 wasn’t about McCall and Whittaker.

Both Melissa Leo and Bill Pullman are wasted in small throwaway roles as McCall’s friends, the ones he has to seek justice for. Leo and Pullman are reprising their roles from the first film.

The movie also suffers from not having a decent villain. The main villain, Dave (Pedro Pascal) is one of McCall’s former partners, and for most of the film we don’t even know he’s the bad guy, although truth be told, it’s not much of a twist.  I could tell early on that this guy was bad news. The character just doesn’t resonate.

And it’s too bad because Denzel Washington is so good as Robert McCall. He deserves a formiddable foe. But he doesn’t get one in this movie.

THE EQUALIZER 2 is a largely forgettable sequel.  Fans of Denzel Washington probably will not be disappointed, because Washington is indeed excellent in this one, but on his own he’s not enough, even with some fine support from Ashton Sanders, to make me recommend this movie.

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