BODIES BODIES BODIES (2022) – Horror Satire Defines Generation Z

BODIES BODIES BODIES (2022) is a generation-defining horror movie.

Its story, about a group of 20 somethings or members of Generation Z, who get together for a hurricane party and find themselves in the middle of a murder mystery game gone wrong, works because the filmmakers here know their subject matter.

This group of friends are toxic, mean, emotionally unstable, and when things go wrong, they flip out and overreact in the most tragic of ways. This isn’t to say that this is what all Generation Z folks are like, but it is to say, that the characters in this movie are unique to 2022, and a story like this couldn’t have been written the same way even just ten years ago, let alone twenty or thirty. If Michael Myers had set his sights on this group for his first HALLOWEEN adventure, they might not even have noticed him because they would have been too preoccupied with themselves and each other.

BODIES BODIES BODIES is billed as a horror comedy, and it is, but this label needs to be clarified. The horror is not gimmicky or manipulative. Not one iota. This is not SCREAM (1996). All the horror elements in this film are based on the characters and what happens to them in the story. And while BODIES BODIES BODIES is funny, it is not a spoof of horror movies. It’s a social satire of Generation Z. The best part of this movie is that it all works, and the result is a frightening movie that is instantly one of the better horror movies of the year.

Twenty something Sophie (Amandla Stenberg) brings her new girlfriend Bee (Maria Bakalova) to meet her friends at the elegant mansion… all these folks, with the exception of Bee, are very, very wealthy… owned by the parents of Sophie’s one-time best friend, David (Pete Davidson) who has the social graces and warmth of a great white shark. David is dating Emma (Chase Sui Wonders) an actress who doesn’t seem to know the difference between real life and acting. Also at the party is the emotional Alice (Rachel Sennott) who is there with her new boyfriend Greg (Lee Pace), who she met a couple of weeks earlier on Tinder and who is much older than everyone else there, and Jordan (Myha’la Herrold) who once she meets Bee also seems attracted to her, and when she gets Bee alone warns her to be careful around Sophie.

It’s also clear that David, Emma, Alice, and Jordan are not happy with Sophie because of something that happened in the not-too-distant past. This is a hurricane party, meaning that a hurricane is bearing down upon them, and they plan to party hearty during the monster storm. To which they drink and do drugs and eventually decide to play the murder mystery game “bodies, bodies, bodies,” in which one person is secretly chosen to be the “murderer” and they have to “murder” people by tapping them on the shoulder, and once someone finds a body, the game stops, and the players have to figure out the identity of the murderer.

One thing they’re not doing is having sex. I don’t know if you have noticed, but sex is gradually disappearing from American movies. Not sure why. I’m just making an observation. Whether the film is rated PG-13 or R, it doesn’t matter. Sex scenes just are not being done, and since sex is a part of life, I can’t imagine that this recent movie trend is a healthy one.

During the game, tensions rise, and emotions boil over because in their drunken drugged state they say some pretty mean things to each other— or maybe they’re just mean to begin with? — and then the storm knocks the power out saturating the place in darkness. Not long afterwards, they discover a dead body for real.

And then with their cool heads they logically come up with a plan to defend themselves from the murderer and — no. There are no cool heads here. They flip out. And what goes on inside the house after the discovery of the dead body makes what’s going on outside the house— the hurricane— seem like a harmless drizzle in comparison.

BODIES BODIES BODIES is an excellent movie. I really liked this one. I haven’t been this intrigued by a horror movie since IT FOLLOWS (2014), which had a style all its own that was exceedingly fresh. In terms of style and tone, BODIES BODIES BODIES is nothing like IT FOLLOWS. What they do have in common however is a freshness and an edge that lift them above the standard horror movie trope. Plus BODIES BODIES BODIES has the whole social satire thing going which works exceedingly well.

The screenplay by Sarah DeLappe based on a story by Kristen Ropenian says all the right words and phrases, from “toxic” to “trigger” to “I can’t believe you’re making this about you!” It also does a great job creating unlikable characters who you still enjoy watching. I didn’t like most of the characters in this film, but yet that didn’t stop me from liking the movie. And the story is a good one, as is the mystery, and it’s not ruined by some dumb plot twist or an over-reaching agenda by a secretly demented character. It all plays out as real, from start to finish, which makes it scary.

And it is scary! I have to admit, I was on the edge of my seat for most of this movie.

I enjoyed the direction here by Halina Rejin. The camerawork is kinetic, up close, and most of the time in the dark. Like the characters, the audience isn’t able to see things clearly which only adds to the suspense. This is also not a gross-out horror movie with over-the-top killings. In fact, the murders keep this one grounded in reality. The killings are not sensationalistic. They are simply tragic.

The cast does a bang up job. Amanda Stenberg is potent as Sophie, a young woman with a troubled past, whose friends helped her with her drug addiction and then felt abandoned when she got healthy and walked out of their lives. But she’s just edgy enough to make audiences question her make up, and if she is capable of harming those she loves.

Maria Bakalova is just as good as Bee, seemingly the most innocent of the characters, as she’s not really part of this group of friends. She also doesn’t have their wealth, is Russian, and comes from a poor family. But later when she’s caught in a lie, the others turn on her since they know so little about her.

Pete Davidson stands out as David, the toxic no filter friend who is described as being a complete d*ck by the others, and he is. It’s a terrific performance by Davidson. I also really enjoyed Rachel Sennott as the uber emotional Alice. She gets some of the best lines in the movie, like “Did you just f*cking shoot me?”

Chase Sui Wonders is sufficiently weird as the offbeat actress Emma, and Myha’la Herrold is icy cold as Jordan. Then there’s Lee Pace as Greg, one of the few characters besides Bee who seems somewhat likeable. Pace is perfect as the older “outsider” who is much more comfortable with himself and as such makes quite the impression on everyone there, but when things go wrong, he’s the first one the friends suspect since they know so little about him, and as he demonstrated when he opened a bottle of champagne, he’s also quite handy with a sword!

BODIES BODIES BODIES ranks with the best horror movies I’ve seen this year in 2022, including THE BLACK PHONE, X, and MASTER. But BODIES BODIES BODIES is the only one of these that is also a social satire which gives it an added element that the other don’t have.

Speaking of social satire, I don’t take the characters in BODIES BODIES BODIES to be the embodiment of all members of Generation Z, and so I don’t interpret this movie as slamming that generation. Rather, it shows their unique traits and emotions and uses them to tell a story about murder that couldn’t be told the same way with characters from a different generation. And for that reason, this is a horror movie that defines a generation.

So much so, that it probably needs its own trigger warning.

—END—

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