While everyone and his grandmother seem to be eating up THE LIGHTHOUSE (2019), the latest movie by writer/director Robert Eggers, who also gave us the artistic horror movie THE WITCH (2015), I’m not among them.
In short, THE LIGHTHOUSE did not work for me.
Not. At. All.
For starters, you can be a whiz at cinematography. You can write a story full of symbols and metaphors. You can go nonstop highbrow for nearly two hours. But if you can’t write a story that includes characters I give two cents about, I’m not going to pay attention, which is exactly what happened with this movie. Half way in, I’d lost interest to the point where I was bored beyond tears.
THE LIGHTHOUSE is about two men, Thomas Wake (Willem Dafoe) and Ephraim Winslow (Robert Pattinson) who work at a New England lighthouse on a remote island in the 1890s. A storm prevents their relief shift from arriving, and they find themselves stranded together at this lighthouse for an extended period of time, an experience that taxes their patience and their sanity.
That’s the plot in a nutshell. So, as you can see, while THE LIGHTHOUSE is about two men stranded at a lighthouse, that’s not what the movie is really about. And no, it’s not really about two men going crazy because they’re stuck with each other on a remote island either. Well, it’s sort of about that, but this film attempts to delve deeper and speak on a number of things, from a duality of purpose, to the age gap between the young and old, to what men do when they’re alone, to what happens to the human mind when stuck in endless boredom, to class differences, and to insanity.
There’s a lot going on, and it’s all shot in haunting, mesmerizing black and white. There’s no denying that the photography is amazing. The film is full of weird and indelible images, and the ocean looks ominous, as the menace of turbulent seas and storm clouds are captured on camera with authentic ferocity.
Yet, strangely, the film somehow does not capture the essence of a New England lighthouse.Try as it might, and it does try, I never felt I was there, in spite of the impressive photography.
The bigger problem for me, though, wasn’t the photography, but the story and the characters. These two characters did not interest me in the least, nor did their story, and so as I said, all the deeper symbolism meant nothing since I wasn’t invested in the story.
Like the black and white photography, the acting is superb. Robert Pattison and Willem Dafoe are both convincing in their roles.
But still, I was bored throughout.
And while director Robert Eggers focused on a goat in THE WITCH, here he focuses on another animal, the seagull, which is integral to the plot.
Still, I was bored.
And then there’s the sound effects, especially the fog horn. Awesome and haunting.
Still— you got it, I was bored.
So, what you have here with THE LIGHTHOUSE is something unique, at least for me anyway. For me, THE LIGHTHOUSE was one of the most artistic, technically well-made, and well-acted films that I absolutely did not like. And that’s because it failed to make any emotional connection. I felt nothing watching this one.
I often judge my feelings towards a movie by how soon I want to watch it again.
With THE LIGHTHOUSE, the answer is simple.
I never want to watch THE LIGHTHOUSE again.
In spite of its attributes, THE LIGHTHOUSE was my least favorite film experience of the year.
Books by Michael Arruda:
DARK CORNERS, Michael Arruda’s second short story collection, contains ten tales of horror, six reprints and four stories original to this collection.
Waiting for you in Dark Corners are tales of vampires, monsters, werewolves, demonic circus animals, and eternal darkness. Be prepared to be both frightened and entertained. You never know what you will find lurking in dark corners.
TIME FRAME, science fiction novel by Michael Arruda.
How far would you go to save your family? Would you change the course of time? That’s the decision facing Adam Cabral in this mind-bending science fiction adventure by Michael Arruda.
IN THE SPOOKLIGHT, movie review collection by Michael Arruda.
Michael Arruda reviews horror movies throughout history, from the silent classics of the 1920s, Universal horror from the 1930s-40s, Hammer Films of the 1950s-70s, all the way through the instant classics of today. If you like to read about horror movies, this is the book for you!
FOR THE LOVE OF HORROR, first short story collection by Michael Arruda.
Michael Arruda’s first short story collection, featuring a wraparound story which links all the tales together, asks the question: can you have a relationship when your partner is surrounded by the supernatural? If you thought normal relationships were difficult, wait to you read about what the folks in these stories have to deal with. For the love of horror!