As a horror movie fan, I see most of the horror movies which make their way to my local theater, even those which I expect to be pretty bad. Sometimes I’m pleasantly surprised. Other times, I’m not.
In the case of THE CURSE OF LA LLORONA (2019), I was not.
THE CURSE OF LA LLORONA tells the story of a demon that steals children away from their families. Social worker Anna Tate-Garcia (Linda Cardellini) suspects a woman is abusing her children and has them removed from her custody against the mother’s wishes who tries to tell Anna that she’s locking them inside a closet to protect them. Yeah, right. Of course, in this case, it’s true.
When the children do end up dead, the mother tells Anna they were killed by La Llorona, and then she tells Anna that she prayed to La Llorona so it will take Anna’s children away as payback. Ouch! So, I guess you’re a bit bitter, eh?
Anyway, that’s exactly what happens. La Llorona sets her sights on Anna’s two children, and when Anna seeks the help of a local priest Father Perez (Tony Amendola), he sends her to a specialist in these things, a former priest who battles the supernatural by using unconventional methods. Anna agrees, and she meets with Rafael Olvera (Raymond Cruz), and he agrees to protect her children and do battle with La Llorona.
I like the idea of a demon that preys on children. It’s pretty scary. But THE CURSE OF LA LLORONA does little with this idea to keep it scary.
First off, the actual demon, La Llorona, doesn’t do a whole heck of a lot other than zoom into people’s faces and scream loudly at them. It shows up for some typical jump scares, and does enjoy a few fine creepy moments, like a scene where it sneaks up behind Anna’s daughter in the bath tub and tries to drown her, but these moments are few and far between.
The film isn’t scary. In fact, the audience laughed more than screamed, and it certainly didn’t seem like nervous laughter.
The story is pretty standard and not fleshed out. Very little about La Llorona is explained. Anna’s husband, a cop, is deceased, but we learn nothing about how he died, nor does his death have anything to do with this story, which seems like a missed opportunity. Anna accepts both Father Perez’s advice and Rafael’s help without batting an eye. We learn nothing about Rafael’s past or background to explain why he’s an expert in this sort of thing.
The whole story is rather superficial with details simply glossed over. It’s a mediocre screenplay by Mikki Daughtry and Tobias Iaconis.
Director Michael Chaves gives us nary a scare.
The story takes place in 1973, seemingly for no other reason than to fit into the timeline of THE CONJURING/ANNABELLE universe, in which this film takes place. Barely. There’s one very brief reference to the doll Annabelle by Father Perez. Blink and you’ll miss it.
Unfortunately, the film doesn’t really look like it’s taking place in 1973. Sure, there are old style TVs, landline phones, and 1970s era cars, but the clothes and hairstyles look like 2019.
The one thing THE CURSE OF LA LLORONA has going for it is the acting. Linda Cardellini is very good in the lead role as Anna. I like Cardellini a lot, as she has been excellent in such films as GREEN BOOK (2018) and THE FOUNDER (2016), as well as on the TV shows BLOODLINE (2015-2017) and MAD MEN (2013-2015), to name just some of her credits, and way back in the day of course she was on ER (2003-2009).
Raymond Cruz, who played drug dealer Tuco Salamanca on both BETTER CALL SAUL (2015-2016) and BREAKING BAD (2008-2009)— in fact someone in the audience called out, “Hey, it’s Tuco!”— is strangely cast as supernatural mystic Rafael Olvera. I’m tempted to say he was miscast. For much of the film he seems like he’s on downers, as if he’s going to doze off at any moment. But somehow by the time the film ends, he pulls it off. It’s an unconventional take on this type of character. The result is a performance that is weird at first but ends up as being rather refreshing.
THE CURSE OF LA LLORONA is a rather weak horror movie. Bereft of scares, it tells a story with no meat on its bones and features a demon whose bark is worse than its bite. It likes to scream a lot, but that’s about it.
For a horror movie about a demon that preys on children not to be frightening, that speaks volumes, and is really all you need to know about THE CURSE OF LA LLORONA.
For the life of me I can’t figure out why they can’t seem to do this urban myth right… I have yet to see a really good rendition…