The best part of CAPTAIN MARVEL (2019) is Brie Larson’s performance as the title character, a female superhero who kicks butt and takes guff from no man. The worst part is her origin story as told in this movie simply isn’t all that interesting. In fact, it’s all rather—dare I say it?— dull.
On the faraway planet of Hala, Vers (Brie Larson) is being trained by a member of the Kree race, Yon-Rogg (Jude Law) to combat terrorists, known as the Skrulls, but she is too emotional, and she continually fails in her training. As a result, she’s sent to see the Supreme Intelligence (Annette Bening), a being who appears differently to everyone who sees her, taking the shape of someone important in the lives of the visiting individual, but Vers doesn’t recognize the face of the Supreme Intelligence at all, and that’s because she has a problem with her memory and cannot remember her past.
When she is captured by the Skrulls terrorists, they probe her mind, which allows Vers to see images of her past, and she realizes she was once on Earth. Both she and the Skrulls make their way to Earth during the 1990s, and it’s here where she meets a young Nick Fury (Samuel L. Jackson), and together they take on the alien threat.
Captain Marvel, as played by Brie Larson, is clearly the best part of CAPTAIN MARVEL She personifies confidence and resilience, standing up to the insults and catcalls of men, pretty much stamping them out. Of course, since this is a Marvel superhero movie, she’s also about defeating the bad guys, and she does that well too. A little too well actually. No one in this film really stands up to her all that well, and that’s because once she figures out who she is, she’s pretty much unstoppable.
Larson is relaxed and confident in the lead role, and I enjoyed watching her throughout this movie. Sadly, she’s the one bright spot in an otherwise dull vehicle. Even the girl power aspect isn’t completely successful. Empowering women is a prominent theme here, and it works, but compared to a film like BLACK PANTHER (2018), which, thanks largely to Michael B. Jordan’s performance, I thought had the most powerful message on race relations of all the films I saw in 2018, the theme here is only window dressing. It’s clear what the film is trying to say, but it just doesn’t say it with much conviction.
Likewise, the plight of the Skrulls, which ties in to today’s current immigration crisis, fails to resonate. It’s too superficial to make a serious impact.
Samuel L. Jackson returns yet again as Nick Fury, this time with a CGI face to make him look much younger, and to be honest, there was just something off-putting about his appearance. In short, it didn’t work for me.
Jude Law makes for a very boring villain, while Ben Mendelson fares better as the shapeshifting Skrull Talos. Mendelson does a nice job imbuing the character with sympathy, and I have to say Talos was my favorite character in this movie other than Captain Marvel herself
And strangely, the liveliest character in the film is a cat named Goose. That’s not saying a whole lot.
The screenplay by directors Anna Boden and Ryan Fleck, and by Geneva Robertson-Dworet contains the signature Marvel humor, which works well throughout, and there are plenty of tie-ins to other Marvel movies, specifically the upcoming AVENGERS: ENDGAME (2019). Again, no problems here.
And it was fun to have the film set in the 1990s, which set up a lot of jokes, like Blockbuster Video stores, slow running computers, and very slow downloads.
But the story as a whole really did nothing for me. It also wasn’t told all that clearly. The film suffers from a sloppy opening, and it takes a good twenty minutes or so for this one to truly get started.
I enjoyed DC’s WONDER WOMAN (2017) more than I did CAPTAIN MARVEL. It told a better story, and did a better job presenting its lead character.
Directors Boden and Fleck struggle a bit at the helm of CAPTAIN MARVEL. In terms of visual satisfaction there aren’t any complaints here. The film looks great. But I was not impressed at how this one told its story, and that’s a combination of both the writing and the direction. I found the jumping around during the film’s early moments, between dreams, memories, reality, flashbacks, planets, times, was all over the place and made for a very distracting beginning.
I also wasn’t impressed by the pacing. There were far too many slow parts in this one.
CAPTAIN MARVEL is nowhere near as good or as fun as the Marvel films from 2018, BLACK PANTHER, AVENGERS: INFINITY WAR, and ANT-MAN AND THE WASP. It’s also not as good as the CAPTAIN AMERICA films. I did like it better than the first two THOR movies, and while Captain Marvel is certainly a far more likeable character than Doctor Strange, I preferred the Doctor’s film to this one as well.
Which is too bad because Captain Marvel is an important character, a female superhero who uses the negative experiences from her youth to empower her to be the strongest hero she can be. I liked her a lot, and I’m looking forward to seeing her again soon in the upcoming AVENGERS: ENDGAME which opens in April.
I also enjoyed the Stan Lee homage at the beginning of the movie.
And like all the Marvel superhero movies, there’s an after-credit scene, and once more there are two of these. The first one is the more important one, with a tie-in to the next AVENGERS film, while the last one is the silly one, good for a laugh only. Stay only if you want that one last chuckle.
CAPTAIN MARVEL introduces an exciting new superhero to the Marvel cinematic universe, but does it in a movie that is not on par with their better films.
While I loved the character, I can’t place the movie in Marvel’s upper echelon of superhero films. It’s one of their lesser entries for sure.