The big story regarding COLD PURSUIT (2019), the latest action movie starring Liam Neeson, comes from real life, where recently Neeson made controversial comments that some have deemed racially offensive, and there’s no doubt, what he said is indeed racially offensive.
But it was an odd thing to say, considering he spoke of thoughts he once had, thoughts that never turned into actions, and so at the end of the day, Neeson didn’t commit the racially charged crime he thought about doing, but even so, why talk about something you once only thought about? To me, this was an absolutely stupid thing for Neeson to say. What was he thinking?
Anyway, since no crime was committed or accusation of a crime made, the biggest thing I saw Neeson guilty of was putting his foot in his mouth. And so as a fan, I still went to the theater to see COLD PURSUIT.
And the reason I absolutely did not like this movie has nothing to do with all the real life drama mentioned above.
In short, of all the action movies Neeson has made starting with TAKEN (2008) this might be the worst.
The story is simple and sounds much better than it actually is. Nels Coxman (Liam Neeson) is a humble snow plow driver who quietly and faithfully plows the snowy roads of a ski resort community just outside Denver, Colorado. He’s so appreciated that at the beginning of the movie he is awarded the town’s “Citizen of the Year” award. Nels lives a modest, happy life with his wife Grace (Laura Dern).
All is good until their adult son is murdered by a powerful drug lord who lives in Denver, which is a big no-no, because if there’s one thing every movie fan knows, you don’t mess with the relative of a character played by Liam Neeson. So, yes, the rest of the movie is about Nels seeking vengeance for his son’s murder and taking on the powerful drug lord and his henchmen. As I said, this one sounds better than it is.
The biggest problem with COLD PURSUIT is its script by Frank Baldwin, based on the screenplay by Kim Fupz Aakeson to the 2014 Danish film IN ORDER OF DISAPPEARANCE. Rather than being a straightforward action thriller, COLD PURSUIT tries to be a dark comedy but fails miserably.
The film starts off well. I enjoyed its set-up and getting to know Nels and his wife Grace. And since I enjoy Liam Neeson and Laura Dern, I was looking forward to seeing these two in this movie, but that’s not how things unfold, as Dern’s character pretty much disappears from the story.
Plus, with Nels being a snow plow driver and a hunter, you’d think that he’d use these skills in getting back at the people who killed his son, but the film’s idea of his skill set is driving a snow plow and using a gun. Not exactly all that specific.
Strangely when the film should have gotten better, when Nels sets his sights on revenge, it gets worse. The biggest culprit is its misplaced sense of humor. The gimmick in this film is to place each deceased character’s name on the screen after their death, and the hope here seems to be that if the filmmakers do it enough (there are a lot of deaths in this movie) it will become funny. Nope. It wasn’t funny the first time, and it’s not funny later.
Now, I have no problem with a dark comedy, especially one about murder, but this one doesn’t work. The characters, including Nels, are all so superficial I didn’t care about any of them. And as the story goes along, Nels actually takes a back seat to rival drug gangs who are trying to wipe each other out. The result of this mess is a film that kinda glorifies murder. People are killed left and right and then the film tries to have fun with their deaths. If you’re going to take this approach, you either have to be really funny or at least have characters fleshed out enough that you feel something when they die. This film does neither.
Liam Neeson is okay as Nels Coxman, but his performance here is nothing we haven’t seen him do before, and frankly, he’s done it much better before. Also, Nels is a cold fish who displays about as much emotion avenging his son’s death as a man standing in the middle of a frozen lake ice fishing.
Laura Dern’s talents are completely wasted in a throwaway role as Nels’ wife Grace. Midway through the film she leaves Nels and that’s it for Dern. She leaves him a note, and it’s a blank piece of paper, which pretty much sums up the emotional impact of this movie.
The main villain “Viking”— and yes, all the bad buys here have nicknames, a la TOP GUN (1986), and in fact, one of the names comes right from that movie— as played by Tom Bateman is one of the most annoying bad guys I’ve seen in a movie in a while. Viking and the rest of his henchmen are about as believable as cartoon caricatures.
Two of the more notable performances belong to John Doman and Emmy Rossum who play two members of local law enforcement, but their storyline goes nowhere, and so they barely make an impact.
There’s also a completely ridiculous subplot involving Viking’s young son, which goes beyond ludicrous once Nels abducts the boy and the two become fast friends. Huh? As I’ve been saying, this one’s pretty bad.
COLD PURSUIT was directed by Hans Petter Moland, and things are so bad here that not even the beautiful snowy mountains of Colorado can save this one. It’s all very scenic, but the film doesn’t really use its frigid landscape to tell its story.
Plus I really wanted to know more about Neeson’s character. I wanted to know why he felt he could take on drug mobsters and succeed. The film never really gets inside Nels’ head. In fact, for large chunks of the movie, Nels disappears, and the film focuses on the various drug henchmen with all their nicknames.
At the end of the day, COLD PURSUIT is a cold and rather ugly film. The death count is high, yet none of the demises have any impact, with the possible exception of the very last one, which comes a little too late in the game.
In the interest of full disclosure, the audience I saw this one with, albeit a sparse one, seemed to like the movie more than I did. They chuckled on occasion. I did not.
For me, this one’s an easy call. COLD PURSUIT is the first clinker for 2019. I suggest giving it the cold shoulder.
It sounded a little dead-on-arrival for me… didn’t need the controversy. Although I do think Neeson was at least honest and trying to contribute to the international conversation, it was certainly not helpful to the film, and taken out of context as we all knew parts of the interview would be, not helpful to him either…because the listener really DOES have to listen to the whole interview to see what he was attempting to say. And “awkward” is the key word…