CLOVERFIELD (2008) is the best giant monster movie from the last twenty years.
The recent Godzilla movies, including GODZILLA (2014) and SHIN GODZILLA (2016), the King Kong flicks, both Peter Jackson’s KING KONG (2005) and KONG: SKULL ISLAND (2017), and the well-regarded MONSTERS (2010), none of these even come close to matching the thrills and chills found in CLOVERFIELD.
In fact, CLOVERFIELD is so good I’d argue it’s one of the best giant monster movies ever made. Period. It’s in the conversation with such classics as KING KONG (1933), GODZILLA, KING OF THE MONSTERS! (1956) and THE BEAST FROM 20,000 FATHOMS (1953).
I’m still amazed that a film this good hasn’t spawned a direct sequel. There have been two recent movies that have shared the same Cloverfield “universe” but they haven’t been direct sequels. We’ve had 10 CLOVERFIELD LANE (2016), a decent movie, and THE CLOVERFIELD PARADOX (2018), a not-so-decent movie.
I suppose I shouldn’t be upset. I mean, most of the time, sequels don’t improve on the original, but for a movie that’s as good as CLOVERFIELD, it almost seems a shame that it may end up being a standalone one-and-done kinda deal. Imagine if you will, if Christopher Lee had never played Dracula again? He almost didn’t. It took him eight years before he agreed to do a sequel to HORROR OF DRACULA (1958). It’s been ten years since CLOVERFIELD. Rumor has it that a direct sequel is in the works. But I’ve heard that rumor before.
I hope it eventually happens, because sometimes you just need more. On the other hand, just when you thought it was safe to go back in the water—- yeah, we didn’t need JAWS 2,3 and 4. JAWS (1975) should have been a standalone movie.
Anyway, back to CLOVERFIELD. This movie received so much hype before its initial release because of its incredibly intriguing and cryptic teaser trailer showing the severed head of the Statue of Liberty crashing onto a New York City street. It also didn’t hurt that J.J. Abrams’ name was attached to the project as its producer. Abrams, at the time, was riding high from the success of TV’s LOST (2004-2010).
CLOVERFIELD tells the story of a giant monster attack on New York City. It’s a “found footage” tale as it uses the gimmick of a videotape found by the government after the attack to tell its story. And the tape is of a farewell party for Rob (Michael Stahl-David) who’s leaving the next day for his new job in Japan. While all his friends are gathered at his apartment to wish him well, the attack happens outside, and suddenly everyone there is caught in the crossfire as the military moves in to contain the situation—or to try to contain the situation, anyway.
At the party, Rob had a fight with his girlfriend Beth (Odette Yustman), and so after the attack, when she calls him and tells him she is trapped in her apartment building, Rob decides to head back into the fray to save her, and his friends decide to go along with him.
The story in CLOVERFIELD is just okay, but it’s everything else that makes it such a superior movie.
First of all, it’s intense and flat-out scary. It’s one of the scariest giant monster movies ever made. It’s also one of the best “shaky cam” movies ever as well. The credit here goes to director Matt Reeves, who’s one of my favorite horror movie directors working today. Reeves also directed LET ME IN (2010), a film that a lot of folks don’t like, as they prefer LET THE RIGHT ONE IN (2008) better, but I actually prefer Reeves’ film, as well as DAWN OF THE PLANET OF THE APES (2014) and WAR FOR THE PLANET OF THE APES (2017).
In CLOVERFIELD, Reeves creates some really intense scenes, from the aforementioned Statue of Liberty scene, to the sequence in the darkened subway, to the thrilling rescue of Beth. There are just so many edge-of-your-seat moments, which is not something one usually says about a giant monster movie.
Speaking of giant monsters, the “Cloverfield monster” itself is pretty cool looking. It’s definitely an original, as it’s unlike most anything else that ever set foot in and trampled a large city. And to keep things consistent, it’s also pretty darn frightening!
CLOVERFIELD also has a phenomenal script by Drew Goddard. The dialogue is first-rate and it does a really good job developing its characters, which isn’t easy to do in a found footage movie. These characters are so very real. He also gets the humor right, as there are lots of moments of welcomed comic relief. Goddard would go on to work on the scripts for THE CABIN IN THE WOODS (2012), WORLD WAR Z (2013), and THE MARTIAN (2015).
It also has a superb cast.
T.J. Miller steals the show as Hud, the man holding the camera and doing the filming. It’s amazing that he’s as good as he is in this movie, since most of the time he’s holding the camera and so we only hear his voice. He gets some of the best lines in the movie.
Lizzy Caplan is also memorable as Marlena, a friend who barely knows Rob, but who Hud is definitely interested in. She has some key moments in the film. Likewise, Michael Stahl-David is very good as Rob, and Odette Yustman is equally as good as the frightened Beth.
The film is chock full of memorable lines, like when a military officer responds that they don’t know what’s out there, but that “whatever it is, it’s winning.”
In the same way that Godzilla’s devastating attack on Tokyo in the original GODZILLA hearkened back to the dropping of the atom bombs in Hiroshima and Nagasaki, the monster’s pummeling of New York City in CLOVERFIELD hearkens back to the events of 9/11. As such, the chaotic scenes in the city really resonate.
CLOVERFIELD is also a very short movie, clocking in at only 85 minutes. This short length only adds to the intensity.
There’s also no music score, which adds to the realism. However, there is music during the end credits, by Michael Giacchino, a piece entitled “Roar!” It’s a powerful piece of music and seems to have been inspired by the various Godzilla themes.
CLOVERFIELD is one of the best giant monster movies ever made. It’s also one of my favorite horror movies.
If you haven’t seen it, you definitely want to check it out. And if you have seen it, maybe it’s time for you to check it out again.
You’ll have a monstrously good time.